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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederick Hesse Esq"/1) | (@(roleclean,performerclean) "Frederick Hesse Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 577 matches on Performance Comments, 568 matches on Author, 384 matches on Event Comments, 9 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Holland; Ramilie-Russell; Lost-Hollingsworth; Servant-Evans; James-Caulfield; Mrs Wisely-Mrs Sparks; Mariana-Miss Heard; Lappet-Miss Pope.
Cast
Role: Frederick Actor: Holland

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: As17981002, but Crop-Trueman; Frederick-Caulfield; Robin-Wathen; Margaretta-Miss Griffiths (By permission of the Proprietor of the Theatre Royal, Hay-Market; 1st appearance on this stage); Nelly-_.
Cast
Role: Frederick Actor: Caulfield

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Jew

Performance Comment: Sheva-Fawcett (1st appearance in that character); Sir Stephen Bertram-Aickin; Charles Ratcliffe-Barrymore; Jabal-Suett; Saunders-Trueman; Waiter-Lyons; Frederick-C. Kemble; Mrs Ratcliffe-Mrs Davenport; Dorcas-Mrs Harlowe; Mrs Goodison-Mrs Hale; Eliza-Mrs Gibbs (1st appearance in that character).
Cast
Role: Frederick Actor: C. Kemble

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Maddocks; Amiens-Dignum; Jaques-Kemble; Le Beau-Surmont; Oliver-Clarke; Jaques de Boys-Holland; Orlando-Barrymore; Adam-Packer; Touchstone-Bannister Jun.; Corin-Hollingsworth; Sylvius-Trueman; Rosalind-Miss Biggs; Celia-Miss Mellon; Phebe-Miss Heard; Audrey-Miss Pope.
Cast
Role: Frederick Actor: Maddocks

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: Crop-Dignum; Frederick-Trueman; Endless-Suett; Robin-Bannister Jun.; William-Caulfield; Servant-Webb; Dorothy-Mrs Bland; Louisa-Miss Wentworth; Margaretta-Miss Stephens (1st appearance in that character).
Cast
Role: Frederick Actor: Trueman

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Kemble; Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Evans; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Tidswell; Flora-Miss Pope.
Cast
Role: Frederick Actor: Caulfield

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Performance Comment: As17991012, but Frederick-Kelly; added: Nelly-Miss B. Menage.
Cast
Role: Frederick Actor: Kelly

Performances

Mainpiece Title: The Jew

Performance Comment: Sir Stephen Bertram-Aickin; Charles Ratcliffe-Barrymore; Frederick Bertram-C. Kemble; Sheva-Bannister Jun.; Jabal-Suett; Mr Saunders-Maddocks; Mrs Ratcliffe-Mrs Walcot; Eliza Ratcliffe-Miss Biggs; Mrs Goodison-Mrs Sparks; Dorcas-Miss Tidswell.
Cast
Role: Frederick Bertram Actor: C. Kemble

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Incledon, Waddy, Townsend, Emery, Simmons, Claremont, Rees, Mrs Martyr, Mrs Mills. Cast adjusted from playbill of 16 Mar. 1799: Thicket-Incledon; Capt. Frederick-Waddy; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Claremont; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills; Dialogue to introduce following favorite Songs: Peggy Perkins, Let Bards elate-Simmons; Irish Drinking Song, Of the Ancients its speaking-Waddy; Song, I went to Sea-Townsend; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; Duetto, As Hodge got drubb'd-Emery, Rees; Hunting Song, The moment Aurora-Incledon; Song, Young William was a seaman true-Incledon; Song, Come Painter with thy happiest flight-Incledon; Rural Masquerade. Song, Dear Yanco say and true he say-Miss Wheatley; Sea Song, A sailor's life's a life of woe-Mrs Mills; Masquerade Song, Sure an't the World a Masquerade-Waddy, Chorus.
Cast
Role: Frederick Actor: Waddy

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Performances

Mainpiece Title: Pizarro

Afterpiece Title: No Song No Supper

Performance Comment: As17991012, but Crop-Trueman; Frederick-Kelly; William-_; Servant-_.
Cast
Role: Frederick Actor: Kelly

Song: As17991228

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Of Age To-morrow

Performance Comment: Characters by Bannister Jun., Suett, Wewitzer, Hollingsworth, Chippendale, Mrs Walcot, Miss Stephens, Miss DeCamp. [Cast from text (Barker & Son, 1805): Frederick Baron Willinhurst-Bannister Jun.; Baron Piffleberg-Suett; Molkus-Wewitzer; Friz-Hollingsworth; Servant-Chippendale; Lady Brumback-Mrs Walcot; Sophia-Miss Stephens; Maria-Miss DeCamp; Prologue-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances, except on 8, 22, 25 Mar.]This was spoken, as here assigned, at all subsequent performances, except on 8, 22, 25 Mar.]

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Performance Comment: George Fervid-Lewis; Frederick Fervid-Pope; Sir Mathew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Wilde; Maria-Mrs Glover; Lady Julia-Mrs Pope; Aurelia-Mrs H. Johnston; Lady Maxim-Mrs Mattocks.
Cast
Role: Frederick Fervid Actor: Pope

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Song: End I: the Battle Song-Incledon as18000522

Performances

Mainpiece Title: Lover's Vows

Performance Comment: As17991026, but Frederick-A Young Gentleman (1st appearance on any stage [unidentified]); Cottager-Abbot; Original Epilogue-Munden.
Cast
Role: Frederick Actor: A Young Gentleman

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Performance Comment: Sheva-Fawcett; Sir Stephen Bertram-Davenport; Charles Ratcliffe-Barrymore; Jabal-Suett; Saunders-Klanert; Waiter-Atkins; Frederick-C. Kemble; Mrs Ratcliffe-Mrs Davenport; Dorcas-Mrs Whitmore; Mrs Goodison-Mrs Hale; Eliza-Mrs Gibbs.
Cast
Role: Frederick Actor: C. Kemble

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: The Jew

Performance Comment: As18000614 but Jabal-Emery; Frederick-J. Palmer.
Cast
Role: Frederick Actor: J. Palmer.

Afterpiece Title: The Review

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Related Works
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Frederick Pilon

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202