SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Fraternity of Free Masons"/1) | (@(roleclean,performerclean) "Fraternity of Free Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 199 matches on Event Comments, 123 matches on Performance Title, 58 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dagueville, Langrish, Miss Lings, Miss Valois. [These were the same in all subsequent performances.

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Invasion

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-DuBellamy; Peachum-Follet; Lockit-Lewis; Mat-Chaplin; Filch-Jacobs; Lucy-Young Gentlewoman, first time on any stage; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Johnston; Polly-Mrs Weller; in Act III a Hornpipe-Everard; the Freemason's Prologue-brother L'Estrange.

Afterpiece Title: The Tobacconist

Performance Comment: Abel Drugger-Weston; Subtle-Griffith; Face-L'Estrange; Mammon-Lloyd; Headlong-Jacobs; Knowlife-Chaplin; Mrs Rantipole-Mrs Whitefield; Doll-Mrs Gardner; Between the Acts of the Farce a Mason's Song-. By Permission. By particular desire of the Antient and Hon. Society of Free and Accepted Masons.

Monologue: Interlude: Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner

Entertainment: Imitations Vocal and Rhetorical-Bannister

Event Comment: Benefit Milward. For the Entertainment of the Grand Master and the Antient and Honourable Society of Free and Accepted Masons. At the Desire of the Brethren, four Rows of the Pit will be railed, at the Price of the Boxes, and kept for Masons only. Those Brethren who design to attend the Grand Master, are desired to meet by 5 o'clock, at farthest, at the Bear and Harrow in the Butcher-Row, and to come Cloath'd. Receipts: money #39 3s. 6d.; tickets #95 19s. [The Epilogue (spoken by Mrs Younger) is in Daily Post, 29 April.

Performances

Mainpiece Title: The Recruiting Officer

Dance: I: Two Pierrots-Salle, Pelling; III: Hornpipe-Jones, Mrs Ogden; V: The Baulk-

Song: II: Laguerre; IV: Salway

Event Comment: For the Entertainment of the Grand Master, the Deputy Grand Master, the Grand Wardens, and the Rest of the Brethren of the Antient and Honourable Society of Free and Accepted Masons. Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Song: Miss Thornowets

Dance: SShepherd's Holiday-Burney, Sandham, Eaton, Mrs Haughton, Mrs Mountfort, Miss Sandham

Event Comment: At the Desire of the Ancient and Honourable Society of Free and Accepted Masons

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: For the Entertainment of several Gentlemen of the Ancient and Honourable Society of Free and Accepted Masons

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lovers Opera

Song: With the usual Songs-

Dance: Burney, Miss Wherrit

Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

Event Comment: Benefit Hallam. By Desire of several of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons

Performances

Mainpiece Title: Jane Shore

Event Comment: Benefit Mrs Dunstone. The Songs at the Request of several of the . . . Free and Accepted Masons

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Song: I: The Elder 'Prentice's Song. II: on, on, my dear Brethren. IV: Let Masonry be now my Theme. V: The Agreement of the Gods, by Brother Montgomery

Event Comment: Benefit W. Bodle, a Brother [who has been ill for two years]. At the particular Desire of several Free and Accepted Masons. Written by Mr Farquhar. 4s., 2s. 6d., 1s. 6d. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Dance: I: Running Footman and V: Scot's Dance by Brother Shawford

Event Comment: Benefit Salway. For the Entertainment of the Grand Master and the Rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. Afterpiece: With several Additions by the Author

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

Event Comment: [For a performance of a pantomime this day at New Wells, Lemon St., gf]: At the Desire of the Society of Free and Accepted Masons, 10 rows in the Pit will be rail'd in for them.--Daily Advertiser

Performances

Event Comment: Mainpiece: Written by Sir John VanBrugh. For the Entertainment of the Grand Master, and the brethren of the Honourable and Antient Society of Free and Accepted Masons, for the Benefit of a Brother, who has had great misfortunes. None to be admitted Without printed Tickets (Daily Advertiser). The Brethren are desired to meet the Right Honourable the Grand Master, at Mr Filkes, at the Bedford Arms in the Piazza in Covent Garden, at Four o'clock in the afternoon, in order to accompany him to the play. Stage form'd into an amphitheatre. Servants allowed to keep places

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Honest Yorkshireman

Song: Songs in Masonry-Salway, Bencraft; Arra my Judy (by desire)-Stoppelaer

Entertainment: CCries of London-Salway

Dance: PPantaloon and Enamorata, as17420420

Event Comment: Benefit Stoppelaer, for the Entertainment of the Grand Master, and the rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. The Brethren are desired to meet at the Shakespeare's Head Tavern next the theatre, at Five o'clock, in order to attend the Grand Master

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

Event Comment: Benefit for Brother Wright. By Particular Desire of the Caveac Lodge of Free and Accepted Masons

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

Performances

Mainpiece Title: The Blazing Comet: The Mad Lovers; Or, The Beauties Of The Poets

Event Comment: Not Acted these Two Years. Weekly Journal or Saturday's Post, 2 Aug.: Some Days ago [23 July] Mr Keene, and eminent Tragedian, and one of the Masters of the Theatre in Lincoln's-Inn-Fields, riding in the Country, his Horse being unruly, threw him, and so bruised him that he died in two Days [on 25 July]. He was decently buried last Wednesday [30 July] in the Vault under St. Clement's Church, where lie the Bodies of Mr Mountfort, Mr Harden, Mr Powell, and others of his Fraternity

Performances

Mainpiece Title: Bonduca; Or, The British General

Afterpiece Title: Hob

Music: Mainpiece: With the Original Musick by the late Mr Henry Purcell-

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Amelia

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: Britannia

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public

Performances

Mainpiece Title: The Opera Of Operas

Dance: