SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Francis Wilson"/1) | (@(roleclean,performerclean) "Francis Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1822 matches on Performance Comments, 1064 matches on Author, 268 matches on Event Comments, 88 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Fairy Queen

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

Event Comment: Newdigate newsletters, 26 March 1696: Mr Dryden ye famous Poet is writing a play wch will bee Intituled Englands deliverance from Popish Conspirators (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82)

Performances

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Cast
Role: Forrest Actor: Wilson
Event Comment: Benefit Lawrence and Wilson, Boxkeepers. Receipts: money #5 7s.; tickets #143 9s. [The identity of these receipts and those for 23 May suggests that the treasurers' records may be in error for one of these nights.

Performances

Mainpiece Title: Julius Caesar

Dance: As17201214

Event Comment: Benefit Miss Ward, Wilson

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Performance Comment: King Arthur-Johnson; Merlin-Rosco; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Philadel-Mrs Hamilton; Matilda-Miss Tollett; Emmeline-Mrs Giffard. In it music by Purcell, sung by Kelly, Touchbury, Nichols, Kellner, Mrs Chambers, Miss Jones, Miss Gerrard; Venus sung by Miss Wilson, her first on any stage; Cupid-Miss Thornowets, her first on any stage. Dances by Haughton, Mrs Bullock, Le Sac, Vallois, Delagarde, Topham, Mrs Woodward, Mrs Vallois, Miss Gerrard, Mrs Dove. With a New Prologue and Epilogue, spoken by Giffard and Mrs Giffard .
Event Comment: Benefit Mrs Littlejohn. As 27 Nov. 1738. Tickets of Mrs Littlejohn, at Mr Wilson's, David Street, near Grosvenor Square

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Mars and Venus

Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Afterpiece Title: Polly Honeycomb

Event Comment: Benefit for Kear, Keen and Watkins. Tickets deliver'd by Mr Wilson will be admitted

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Song: II: A Song Call'd The Whistling Plowman-Kear

Dance: End: Tambourine, as17651004; End Farce: Hornpipe-Miss Watkins

Event Comment: Benefit for W. Palmer, Clough, Wright, Mrs Millidge. Tickets deliver'd by Wilson and Mr Costin will be admitted

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Harlequins Invasion

Dance: II: A Hornpipe-Wright

Event Comment: Benefit for Wright and Keen. Tickets deliver'd by Watkins, Wilson, and Miss Berkley will be taken. Last time King will perform Richard III this season

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: High Life below Stairs

Dance: End: The Wake, as17700502

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets deliver'd by Humphreys will be taken. Paid a cotten Bill #2 11s. 4d. (Treasurer's Book). Receipts: #254 1s. 6d. Charges: #84. Profits to beneficiaries: #170 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: Miss in Her Teens

Dance: V: The Sailors Revels, as17740920

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patricks Day

Event Comment: Benefit for Miss Catley. No Part of the Pit can on any Account be laid into the Boxes. Public Advertiser, 3 Mar.: Tickets to be had of Miss Catley at Wilson's, Watchmaker, No. 150, Drury-Lane. Receipts: #302 3s. (209.13; tickets: 92.10) (charge: free)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Jovial Crew

Dance: As17761123

Song: End afterpiece: Push about the Jorum, and an additional Versesuitable to the Night-Miss Catley

Event Comment: Benefit for Watson, Silvester, Kaygill & Wilson. Receipts: #200 9s. 6d. (12.11.0; 3.13.6; 0.0.0; tickets: 184.5.0) (charge: #84)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Waterman

Dance: As17761128

Event Comment: The Duenna [announced on playbill of 24 Feb.] is unavoidably postponed on account of Wilson's sudden and violent indisposition. Mainpiece: Not acted these 2 years. Receipts: #138 10s. (135.4.6; 3.5.6)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Performance Comment: Characters by Quick, Whitfield, Thompson, Booth, Lee Lewes, L'Estrange, Fearon, Wewitzer, Mrs Poussin, Mrs Willems, Mrs Lessingham. [Cast from text (J. Bell, 1778): Le Writ-Quick; Dupre-Whitfield; Verdone-Thompson; Beaupre-Booth; Mellefont-[read byLee Lewes [in text: Death]; Vertaign-L'Estrange; Champernel-Fearon; Sampson-Wewitzer [in text: Wilson]; Agnes-Mrs Poussin; Viletta-Mrs Willems; Lamira-Mrs Lessingham.

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Event Comment: Benefit for Watson, Wilson, Devoto, Kaygill & Burroughs. Receipts: #182 18s. 6d. (22.15.0; 6.10.0; 0.2.6; tickets: 153.11.0) (charge: #105)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

Dance: In I: Masquerade and Dance-

Song: With the Funeral Procession.The vocal parts-Gaudry, Legg, Carpenter, Chaplin, Holcroft, Philimore, Miss Abrams, Miss Collett, Miss Kirby, Mrs Gaudry, Mrs Booth, Mrs Pitt, Mrs Smith

Event Comment: Barbarossa [announced on playbill of 6 Feb.] is obliged to be deferred. Wilson's violent Hoarseness prevents his performing this Evening

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Touchstone

Event Comment: Benefit for Watson, Wilson, Hind, Kaygill & Burroughs. Tickets delivered by Newton, Barrett, Morris, Devoto, Lislie and McDonald will be taken. Receipts: #273 4s. 6d. (18.4.0; 1.18.6; 1.0.0; tickets: 252.2.0) (charge: #105)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Watson, Carleton Jun., Wilson & Hicks. Tickets delivered by Master Benson, Barrett, McDonald and Boroughs will be taken. Receipts: #256 14s. (18.1; 10.17; 0.13; tickets: 227.3) (charge: #105)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Whos The Dupe

Dance: As17791215

Entertainment: Monologue. End: Bucks have at ye all-Master Benson