SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Four Kings"/1) | (@(roleclean,performerclean) "Four Kings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2697 matches on Performance Title, 2643 matches on Performance Comments, 1858 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King John

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Love a-la-Mode

Dance: As17761109

Performances

Mainpiece Title: King John

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: Poor Vulcan

Song: End I: new song, The Cottage on the lawn (composed by Michael? Arne)-Mrs Farrell

Ballet: End Procession: The Sailors' Revels at Portsmouth. As17780502

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Ghost

Dance: As17780601

Song: As17780529

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: King Richard the Third

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Camp

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Invasion

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Plymouth In An Uproar

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Comus

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17800927

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Camp

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: King John

Afterpiece Title: Rosina

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: (End of Act II) The Rival Knights

Afterpiece Title: Rosina

Performances

Mainpiece Title: King John

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes