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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Four Kings"/1) | (@(roleclean,performerclean) "Four Kings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6172 results for: Keyword - Four Kings
We found 2697 matches on Performance Title, 2643 matches on Performance Comments, 1858 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

6026
13 May 1786 @ King's Theatre

Performances

Mainpiece Title: Virginia

6027
03 June 1786 @ Drury Lane Theatre

Performances

Mainpiece Title:

6028
03 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Romp

Monologue: 1786 08 03 End of mainpiece The News-Papers spoken by Bannister Jun

6029
16 October 1786 @ Covent Garden

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

6030
23 December 1786 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

6031
01 March 1787 @ King's Theatre

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

6032
12 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

6033
24 April 1787 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

6034
09 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair-the Miss Stageldoirs

6035
19 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Flitch of Bacon

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

6036
06 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: The Minuet de la Cour-Hamoir, Miss Stageldoir

6037
12 December 1787 @ Covent Garden

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Farmer

Dance: As17871129

6038
14 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Junior

Dance: As17870927

6039
25 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Harlequin Junior

6040
13 September 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

6041
07 February 1789 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

6042
20 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

6043
27 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17890306

6044
03 April 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).
Cast
Role: Fourth Hautboy Concerto Actor:

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17890306

6045
17 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

Song: In afterpiece: a new Hunting Glee ['Tis health that gives birth] (1st time; composed by Callcott)-Kelly, Dignum, Sedgwick

6046
05 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Afterpiece Title: The Intriguing Chambermaid

6047
06 May 1789 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Quaker

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

6048
17 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

6049
04 July 1789 @ Covent Garden

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: As17890630

6050
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall