SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Four Kings"/1) | (@(roleclean,performerclean) "Four Kings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2697 matches on Performance Title, 2643 matches on Performance Comments, 1858 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17551101

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller of Mansfield

Dance: JJovial Coopers, as17571107

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and The Miller

Dance: DDutch Dance, as17600619

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The King and Miller of Mansfield

Dance: II: The Garland, as17651003

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The King and Miller of Mansfield

Dance: End: The Wake, as17680929

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The King and the Miller

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The King and the Miller of Mansfield

Entertainment: Monologues.End II: A Dissertation on Macaronies-Murray; End: Abel Drugger's Description of a Fete Champetre-Murray

Song: End 2nd monologue: a celebrated song written by Garrick, on Pantomimical and Operatical Entertainments-

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Aerostation

Performances

Mainpiece Title: The Life And Death Of King Richard The Third

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: At Hay King Lear

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: At Hay King Henry The Eighth

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Harlequin A Merry Spirit

Afterpiece Title: Pantomime

Performance Comment: Four Persons just arrived from Paris, who never were in England before.

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield