SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Four Kings"/1) | (@(roleclean,performerclean) "Four Kings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2697 matches on Performance Title, 2643 matches on Performance Comments, 1858 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #315 5s.(133/11/0; 5/6/6; 0/2/6; tickets: 176/5/0) (charge: #108 1s. 6d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. "I could wish an actor of Brereton's merit would avoid tones in speaking which approach to something like singing" (Davies, m, 251). Receipts: #311 7s. (131/15/0; 6/9/6; 0/1/6; tickets: 173/1/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: A Trip to Scotland

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. [Mainpiece in place of Isabella, announced on playbill of 17 May.] Receipts: #292 (146/5/0; 10/12/6; 0/12/6; tickets: 134/10/0) (charge: free)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Too Civil by Half

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Medea and Jason

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lyar

Dance: As17831020

Event Comment: Afterpiece [1st time; MF 2, by Harriet Horncastle Hook]: The Overture and Music entirely new, composed by Hook. Books of the Songs, &c. to be had at the Theatre. "After four Hours sitting at Hamlet, and Half an Hour more at Miss Hamoir's Ballet, we were cheered indeed by the Overture to the Double Disguise" (Public Advertiser, 11 Mar.). Morning Chronicle, 20 Mar. 1784: This Day is published The Double Disguise (1s.). Receipts: #167 12s. 6d. (116/8/0; 50/19/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #320 11s. 6d. (143/9/0; 13/5/6; 2/7/0; tickets: 161/10/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Rival Candidates

Dance: As17840311athi

Event Comment: Benefit for Kemble. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Who's the Dupe?, announced on playbill of 12 Apr.] Public Advertiser, 22 Mar.: Tickets to be had of Kemble, No. 25, Henrietta-street, Covent Garden. Receipts: #290 15s. (164/0/0; 11/2/0; 1/18/0; tickets: 113/15/0) (charge: #106 17s. 7d.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Gentle Shepherd

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Too Civil by Half, announced on playbill of 14 Apr.] Public Advertiser, 24 Mar.: Tickets to be had of Brereton, Charles-street, Covent-Garden. Receipts: #317 19s. (133/13; 12/11; 0/9; tickets: 171/6) (charge: #107 15s. 10d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Apprentice

Dance: As17840311athi

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 10 years [on playbill of 23 Apr.]. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Sigismunda was at Manchester, 10 Jan. 1778.] Public Advertiser, 20 Apr.: Tickets to be had of Mrs Siddons, No. 7, Leicester-fields. Receipts: #324 1s. (146/2/0; 8/1/6; 0/2/6; tickets: 169/15/0)(charge: #106 10s. 1d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #287 17s. 6d. (131/4/0; 13/19/6; 0/4/0; tickets: 142/10/0) (charge: #71 8s. 4d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 12 Mar.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Receipts: #308 1s. (150/16/0; 11/7/6; 0/14/6; tickets: 145/3/0) (charge: #66/1/8)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lyar

Dance: As17850307athi

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 17 Mar.: Tickets to be had of Miss Pope, Great Queen Street, Lincoln's Inn Fields. Receipts: #236 13s. (56/19; 30/9; 0/13; tickets: 148/12) (charge: #113 14s. 10d.)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Critic

Dance: As17850307athi

Event Comment: Benefit for Mrs Siddons. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. "The mournful tone, the pathetic countenance, and the long-drawn expression pervaded the sprightly scenes of Rosalind as effectually as if the play had been Isabella" (Public Advertiser, 2 May). Receipts: #327 8s. 6d. (150/1/9; 9/11/6; 0/6/0; tickets: 167/10/0) (charge: #106/15/10)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

Event Comment: Benefit for Mrs Siddons. Part of the Pit [6 rows (Public Advertiser, 6 Mar.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [In mainpiece the playbill assigns Orestes to Smith, but he "was indisposed . . . Throughout the whole [of his part] Kemble's skill was apparent. In the last scene he displayed as fine a picture of horror as was ever given from the stage" (Morning Chronicle, 6 Mar.).] Morning Herald, 24 Feb.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #293 11s. (122/17/0; 10/1/6; 1/2/6; tickets: 159/10/0) (charge: free)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Arthur and Emmeline

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 25 Feb.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #325 17s. 6d.(163/2/0; 8/2/6; 0/16/0; tickets: 153/17/0) (charge: #65 10s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Romp

Song: As17860223

Monologue: 1786 03 21 End of mainpiece A Sketch of the Fashions; or, Belles have ye all by Mrs Jordan

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Afterpiece: Never performed there. Receipts: #313 15s. (160/14; 17/6; 1/0; tickets: 134/15)(charge: #67 2s.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Nabob

Dance: As17860318athi

Event Comment: Benefit for Wroughton. Mainpiece: Not acted these 7 years [not acted since 17 Feb. 1772]. Afterpiece: Not acted these 7 years. [Miss Brunton's 1st appearance as Palmira was at Bath, 24 May 1785.] "By the inattention of those behind the scenes, the interest of the play was three or four times injured and interrupted by persons crossing the stage in sight of the audience" (Public Advertiser, 5 Apr.). Receipts: #228 12s. (164/2; 6/8; tickets: 58/2) (charge: #105)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Two Misers

Dance: AS 12 Nov. I785

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 8 Apr.: Tickets to be had of Miss Pope, Great Queenstreet, Lincoln's Inn Fields. Receipts: #254 11s. (82/17/0; 18/7/6; 1/2/6; tickets: 152/4/0) (charge: #114 12s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Arthur and Emmeline

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 10 Apr.: Tickets to be had of Mrs Jordan, No. 8, Henriettastreet, Covent Garden. Receipts: #312 5s. 6d. (131/4/0; 13/10/6; 0/17/0; tickets: 166/14/0) (charge: #106 3s. 5d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Irish Widow

Dance: End of mainpiece The Lucky Return, as17860420; End of Act I of afterpiece The Irish Fair by Mills, Miss Stageldoir, &c