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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Father Girard"/1) | (@(roleclean,performerclean) "Father Girard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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491 results for: Keyword - Father Girard
We found 286 matches on Performance Comments, 146 matches on Performance Title, 88 matches on Event Comments, 5 matches on Roles/Actors, and 0 matches on Author.

451
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .

452
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

453
30 April 1787 @ Drury Lane Theatre

Event Comment: A School for Fathers [announced on playbill of 28 Apr.] is obliged to be deferred, on account of the Indisposition of Kelly. Receipts: #97 18s. (70.13; 24.7; 2.18)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin's Invasion

Dance: As17870115

Song: As17861226

454
24 March 1788 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

Performance Comment: Towha (the Guardian Genius of Omai's Ancestors)-Helme; Otoo (Father of Omai)-Darley; Omai-Blurton; Harlequin (Servant to Omai)-Brown; Oediddee (Pretender to the Throne)-Mrs Kennedy; Oberea (an Enchantress)-Mrs Martyr; Don Struttolando (Rival to Omai)-Macready; Clown (his Servant)-Wewitzer; Britannia-Mrs Platt; Londina (the Consort destined to Omai)-Mrs Watts; Colombine (Maid to Londina)-Mrs Rock; An English Sailor (with a song)-Edwin.

455
15 September 1788 @ Haymarket Theatre

Event Comment: The last Night of the Season. [In mainpiece the playbill retains Edwin as Trudge, but "Young Edwin supplied the place of his father in the part of Trudge" (London Chronicle, 16 Sept.).

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Mogul Tale

456
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.
Cast
Role: Glory be to the Father Actor: Chorus

Music: As17890311

457
25 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.
Cast
Role: Glory be to the Father Actor: Kelly, Reinhold

Music: As17890311

458
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).
Cast
Role: No cruel Father Actor: Saville

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the Piano Forte-Clementi

459
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Glory be to the Father Actor: Chorus

Music: As17900219

460
17 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).
Cast
Role: Kings shall be thy nursing fathers Actor: Grand Chorus

Afterpiece Title: Grand Selection 3

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

461
26 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: From the censer-Chorus as17900224; Come thou Goddess-Saville; +Hush ye pretty warbling choir-Miss Mahon; Kings shall be thy nursing fathers-Grand Chorus; Softly rise-Harrison; Ye southern breezes-Chorus; What though I trace-Miss Poole all as17900317 Venus laughing from the skies-Chorus (Theodora); Let the bright Seraphim-Miss Cantelo; Let their celestial Concerts all unite-Chorus.
Cast
Role: Kings shall be thy nursing fathers Actor: Grand Chorus
Role: No cruel Father Actor: Saville

Afterpiece Title: Grand Selection 2

Cast
Role: Kings shall be thy nursing fathers Actor: Grand Chorus

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

462
18 March 1791 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. Overture (Ariadne, Handel)-; The Mansion of Peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Praise the Lord-Miss Poole; accompanied on the harp-Meyer Jun. (Esther, Handel); Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha, Handel); Concerto Violin-G. Ashley (Giornovichi); The Soldier tir'd-Mrs Billington (Dr Arne); Glory be to the Father-Chorus (Jubilate, Handel).
Cast
Role: Glory be to the Father Actor: Chorus

463
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Glory be to the Father Actor: Chorus

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

464
05 April 1791 @ Covent Garden

Performances

Mainpiece Title: Lorenzo

Performance Comment: Principal Characters by Holman, Farren, Harley, Davies, Thompson, Evatt, Miss Brunton, Mrs Pope. [Cast from text (T. Cadell, 1791): Count Lorenzo-Holman; Don Guzman (Duke of Alba)-Farren; Don Fabio (Father of Seraphina)-Harley; Garcias (Friend of Lorenzo)-Davies; Gaspero-Thompson; Servant-Evatt; Zoriana-Miss Brunton; Seraphina (Duchess of Alba)-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks; [These were spoken, as here assigned, at all subsequent performances.] [These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Two Strings to Your Bow

465
24 February 1792 @ King's Theatre

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Glory be to the Father Actor: Chorus

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

466
07 March 1792 @ King's Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Awake! Awake! Aeolian lyre-Reinhold (Arnold); Ye sons of Israel-Chorus (Joshua); Let the bright Seraphim-Miss Barcly (Samson); Concerto on the violoncello-Lindley (1st performance at this theatre); Ask if yon damask rose be sweet-Mrs Bland (Susanna); The many end the skies-Chorus (Alexander's Feast); Angels ever bright and fair-Master Welsh (Theodora); Search round the world-; May no rash intruder-Chorus (Solomon); Ye sacred priests-Mrs Crouch (Jephtha); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Glory be to the Father Actor: Chorus

Music: As17920229

467
01 September 1792 @ Haymarket Theatre

Event Comment: In consequence of the sudden Indisposition of Mrs Kemble, Inkle and Yarico [in place of Cross Partners, advertised on playbill of 31 Aug.] is obliged to be postponed. [In mainpiece the playbill retains Palmer Jun. as the Officer, but "An apology was made by Palmer for his Son who (as he said), not knowing of the sudden change [of play], was gone to the country, but the son thought proper to give his father the lie, by appearing in the boxes, a few minutes after, with a girl. Farley performed his part, and the audience seemed rejoiced at the change" (Thespian Magazine, Oct. 1792, p.102). Afterpiece in place of Katharine and Petruchio, advertised on playbill of 31 Aug.

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

468
22 February 1793 @ King's Theatre

Performances

Mainpiece Title: Redemption; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger-Miss Poole [Alcina]; There beneath a lowly shade-Miss Leak [Alexander Balus]; He was eyes unto the Blind-Harrison [Siroe]; Hosannah to the son of David-Chorus [Athalia]; He was brought as a Lamb-Bellamy [Deidamia]; He sitteth at the Right Hand of God-Chorus [Te Deum]; Holy Lord God Almighty-Mrs Harrison [Rodelinda]; Glory be to the Father-Chorus [Jubilate].Jubilate].
Cast
Role: Glory be to the Father Actor: Chorus

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

469
06 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Occasional Oratorio); Shall I in Mamre's fertile plain-Bartleman; For all these mercies-Chorus (Joshua); Thou shalt bring them in-Miss Sharp (Israel in Egypt); O filial piety, No cruel father-Kelly (Saul); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); Total eclipse-Incledon; O first created beam-Chorus (Samson); Lord remember David-Mme Mara (Sosarme); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: No cruel father Actor: Kelly

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley

470
08 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].
Cast
Role: Kings shall be thy nursing fathers Actor: Grand Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Cast
Role: No cruel father Actor: Kelly

471
09 October 1793 @ Covent Garden

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

472
12 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .

473
21 March 1794 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

474
04 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ARIADNE). See the proud Chief by Chorus. 'Tis liberty by Mrs Bland; Arm, arm, ye brave by Meredith (JUDAS MACCABAEUS). We come in bright array by Chorus. Ye sacred priests by Sga Storace. O filial piety and No cruel father by Kelly. O Baal by Chorus. Lord, what is man? by Mrs Crouch (ANTHEMS). Glory to God by Kelly and Chorus (THE MESSIAH). PART II. When the ear heard by Quartet and Chorus (FUNERAL ANTHEMS). Dead March (SAUL). My faith and truth by Miss Leak and Master Welsh. Gentle Airs by Harrison. Fixed in his everlasting seat by Chorus. Concerto on the violin by Giornovichi. Disdainful of danger by Meredith, Dignum, Mrs Bland. Prophetic visions by Master Welsh. As from the power by Sga Storace and Chorus. PART III. When his loud voice by Chorus (JEPHTHA). Hark! 'tis the linnet by Mrs Crouch. The mansion of peace by Harrison. The Prince unable by Sga Storace. The many rend the skies by Chorus. These as they change by Meredith. Balmy hope by Miss Leak. Fair Rosale by Master Welsh. Gloria Patri by Chorus (JUBILATE) .

475
10 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409