SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Father Girard"/1) | (@(roleclean,performerclean) "Father Girard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 286 matches on Performance Comments, 146 matches on Performance Title, 88 matches on Event Comments, 5 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Litchfield; Adelaide-Miss Chapman.
Cast
Role: Father Frank Actor: Waddy

Song: Chorusses, as18000116, but Miss Leserve

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: True Friends

Performance Comment: Principal Characters by Incledon, Johnstone, Murray, Townsend, Emery, Davenport, Simmons, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. Cast from Songs J. Barker, 1800): Carlos-Incledon; Father Dominico-Johnstone; Durano-Murray; Binnacle-Townsend; Olla Podrida-Emery; Juan-Davenport; Iacomo-Simmons; Blondella-Mrs Davenport; Beatrice-Mrs Dibdin; Theodora-Mrs H. Johnston.
Cast
Role: Father Dominico Actor: Johnstone

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Performance Comment: Henry (the Deserter)-H. Johnston; [Simpkin-$Bologna Jun. (see18000527)] Louisa's Father-Lewiss; Jailer-Hawtin; Country Lads-Platt, Blurton, Wilde, L. Bologna, Curties, Lee; Skirmish-Delpini; Jenny-Mrs Mills (1st appearance in that character); Louisa's Mother-Mrs Whitmore; Lasses-Ms Watts, Ms Follett, Ms Bologna, Ms Cox, Ms L. Bologna, Ms Norton, Ms Carne; Louisa-Mrs H. Johnston (1st appearance in that character).
Cast
Role: Louisa's Father Actor: Lewiss

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performance Comment: Captain Patrick-Johnstone; Darby-Munden; Quiz (1st time)-Simmons; Marshal Ferbelin-Claremont; Father Luke-Waddy; Olmutz-Emery; Rupert-Denman; Adjutant-Davenport; Mabel Flourish-Mrs Gilbert; Norah-Miss Mills; Flora-Mrs Martyr.
Cast
Role: Father Luke Actor: Waddy

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).
Cast
Role: Father Paul Actor: Thompson

Afterpiece Title: The Sultan

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Dowdle-Suett; Jack Connor-Palmer; Lord Edmund-Trueman; Fripon-Klanert; Trap-Davenport; Frill-J. Palmer; Father Frank-Ledger; Tough-Abbot; Landlord-Atkins; Rachel-Miss Gaudry; Adelaide-Miss Menage; Landlady-Mrs Hale; Mary-Mrs Gibbs.
Cast
Role: Father Frank Actor: Ledger

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Miss DeCamp; Dermot-Trueman; Fitzroy-J. Palmer; Father Luke-Caulfield; Bagatelle-Farley; Darby-Wathen; Kathlane-Mrs Bland; Norah-Mrs Mountain.
Cast
Role: Father Luke Actor: Caulfield

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: On 22 July 1667 Pepys implies that the theatres had been closed in June and early July, possibly because of the naval encounters with the Dutch. On 6 June, however, he records in his Diary: After dinner my father and wife to a play [Pepys, Diary]

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Black Prince again: which is now mightily bettered by that long letter being printed, and so delivered to every body at their going in, and some short reference made to it in heart in the play, which do mighty well; but, when all is done, I think it is the worst play of my Lord Orrery's. But here, to my great satisfaction, I did see my Lord Hinchingbroke and his mistress, with her father and mother; and I am mightily pleased with the young lady, being handsome enough--and, indeed, to my great liking, as I would have her. I could not but look upon them all the play

Performances

Mainpiece Title: The Black Prince

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Event Comment: James Brydges, Diary: I went to him [Brydges' father] setting my Uncle Lake down at ye playhouse (Huntington MS St 26)

Performances

Event Comment: Luttrell, A Brief Relation, IV, 502-3: Monsieur Ballon, the famous French dancing master, (whose father teaches the dauphins 3 sons,) having leave to come hither for 5 weeks, is allowed by the playhouse 400 guineas for that time, besides which the lord Cholmley has sent him a present of 100 more. [Betterton's Company.

Performances

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: Perseus and Andromeda; With the Rape of Colombine; or, The Flying Lovers

Performance Comment: Andromeda-Mrs Booth; Perseus-Lally; Mercury-Essex; Medusa-Thurmond; Gorgons-Houghton, Burney; Followers of Perseus-Boval, Rainton, Houghton, Burney; Attendants on Andromeda-Mrs Mills, Mrs Walter, Miss Lindar, Miss Robinson Sr; Hours of Sleep-Mrs Mills, Miss Robinson, Mrs Walter, Miss Lindar; Tritons-Thurmond, Essex, Houghton, Rainton; Cepheus-Fielding; Cassiopea-Mrs Shireburn; Venus-Miss Biddy; Minerva-Miss Raftor; Juno-Mrs Shireburn; Diana-Miss Smith; Sailors-Burney, Oates, Wright, Wetherilt, Burnet, Grey; Cupid-Miss Robinson Jr; Doctor (Colombine's Father)-Burney; Pierot (Doctor's Man)-Roger; Mezzetin (Colombine's Lover)-Ray; Harlequin (Mezzetin's Man)-Weaver; Colombine (in love with Mezzetin)-Miss Robinson Sr; Mopsophil (Colombine's Maid)-Mrs Walter; Jupiter-Essex.
Event Comment: Mainpiece: Written by the late Mr Congreve. St. James's Evening Post, 31 Oct.: We are informed, that John Ellys Esq: the eminent painter, succeeds Mr Wilks in the management of Drurylane Play-House; and that Mr Cibber Jr succeeds his father, who has resign'd to him

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: Mrs Booth

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Venetian Gondolier by Denoyer and Mlle Roland. II: Les Rigadoons a la Provencale originaie by Roland, Father to the two Mlles Roland. III: Les Caracteres de la Dance by Denoyer and Mlle Anne Roland. IV: By Denoyer's Apprentice. V: By particular Desire, Minuet by Denoyer and Mlle Anne Roland

Performance Comment: II: Les Rigadoons a la Provencale originaie by Roland, Father to the two Mlles Roland. III: Les Caracteres de la Dance by Denoyer and Mlle Anne Roland. IV: By Denoyer's Apprentice. V: By particular Desire, Minuet by Denoyer and Mlle Anne Roland .

Performances

Mainpiece Title: Volpone

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: In I: Venetian Gondolier by Denoyer, Mlle Anne Roland, &c. II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice

Performance Comment: II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice .
Event Comment: Benefit the Daughter of General Nugent, whose Father was kill'd in the Defense of Gibraltar. Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Dance: III: English Maggot-Villeneuve, Mrs Walter; IV: Harlequin-Denoyer's@Prentice; V: Wooden Shoe Dance-Livier, Villeneuve

Event Comment: Benefit for daughter of the late Mr Ben Johnson. [Fleetwood let Johnson's Daughter have this Benefit for the money he owed to her father who died just after the last season and acted to the last (Winston MS.).] The Play with entertainments of singing and dancing Servants will be admitted to keep places on the stage, which for the better accommodation of the ladies will be form'd into side boxes. To prevent mistakes, the Ladies who have taken places are desir'd to send for tickets. Tickets to be had and places taken of Mr Johnson's daughter, at the third Door on the right hand in Beaufort buildings in the Strand; and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

Event Comment: On Saturday Morning early died, after a few days Illness, Mr Francis Forcer, Master of Sadler's Wells, near Islington. He was a kind and indulgent Husband, a tender and loving Father, a generous Friend, and a Good Master. In short he had all the necessary Qualifications to render a Person a Compleat Gentleman, which makes his death universally lamented by all those who had the pleasure of his Acquaintance. We hear the usual Diversions will be carried on by his Widow

Performances

Event Comment: Benefit Hale and Mrs Hale. Mainpiece Written by Shakespear, reviv'd by particular desire. Containing the Memorable Battle of Agincourtv, with the total overthrow of the French Army, and many other Historical Passages. In order to preserve a proper decorum, and that this play may not be interrupted in its performance, the Publick may be assured there will not be any building on the stage.-General Advertiser. [In advance bill Nancy; or, The Parting Lovers had been advertised; Tom True Blue-$Beard; Father-$Leveridge; Captain of Press Gang-$Bencraft; Nancy-$Mrs Clive.

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Afterpiece Title: The Lottery

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: PPhillips and Hussey's Company. 2s. 6d., 1s. 6d., 6d. [Concert formula used.] To begin at 12 and end at 10 p.m. Mainpiece: [first announced on 26th and 29th as The Careful Father; or, The Extravagant Son. Notice of performance repeated 2,3,6 (but Cushing as Drunken Peasant), 6,7 (but Phillips as Drunken Peasant), 12, 13, 14, and 15 May. Probably acted every day of May Fair.

Performances

Mainpiece Title: The Prodigal Son; With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Afterpiece Title: The Harlot's Progress

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: At Lee and Yeates Sen and Jun great Theatrical Booth...will be reviv'd that celebrated Droll, call'd The Unnatural Parents; or, The Fair Maid of the West. Shewing the Manner of her being forced to wander from Home, by the Cruelty of her Parents and beg her Bread; and directs her to a Nobleman's House: How she was there taken in as a Servant; and, at length, for her Beauty and modest Behaviour, married to a Gentleman of great Fortune; with her Return to her Parents, and their happy Reconciliation. Also the Comical Humours and Adventures of Trusty her Father's Man, and the three Witches. The Scenes and Cloaths are entirely new; and the Droll the same that was perform'd by Mrs Lee 15 Years ago with great Applause. Boxes: 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'Clock. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Unnatural Parents

Dance: The original Dance-Three Wild Cats of the Wood; Between the Acts: Dancing-Adams, Mrs Ogden

Music: A Good Band of Musick