SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "F G Bertoni"/1) | (@(roleclean,performerclean) "F G Bertoni")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 555 matches on Author, 401 matches on Event Comments, 307 matches on Performance Comments, 66 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Girl in Style

Dance: As17861117

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Related Works
Related Work: Demofoonte Author(s): F.G. Bertoni

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio]. The Music entirely new by Bertoni

Performances

Mainpiece Title: Artaserse

Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: End I: new Ballet, Les Oiseleurs-Sg Zuchelli, Sga Zuchelli, Mlle Vidini, LeDet; End II: Les Moissonneurs, as17781229; End: Les Nymphes de Diane, as17781124

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widow's Vow

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Try Again

Dance: III: Hornpipe (in Character)-Byrn

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Invasion; or, A Trip to Brighthelmstone

Song: In: To thee O gentle sleep!-Mrs Farrell

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humours of an Election

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Aerostation; or, The Templar's Stratagem

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire; or, Harlequin in the Peak

Performances

Mainpiece Title: G

Performances

Mainpiece Title: G

Performances

Mainpiece Title: G

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Liberty Hall; or, The Test of Good Fellowship

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-