SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Spanish Fleets"/1) | (@(roleclean,performerclean) "English and Spanish Fleets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1112 matches on Performance Title, 518 matches on Event Comments, 335 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: THE SAILOR'S FESTIVAL; or, All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: As17940529, but omitted: Garelli. MUSIC and.

Dance: End of opera concerto, as17940603 after which La Vittoria (a Grand Cantata, composed by Paisiello, and performed by Mme Banti at Naples, adapted [by Da Ponte] to the glorious occasion of the triumph of the British flag [on 1 June 1794]), The Goddess of Victory-Mme Banti, accompanied by Chorusses, and a grand Allegorical Ballet, composed by Noverre; to conclude with Rule Britannia by Mme Banti

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Performance Comment: Thoroughgood-Aickin; Barnwell-Maddocks; George Barnwell-C. Kemble; Trueman-Holland; Blunt-Trueman; Maria-Miss Miller; Lucy-Miss Pope; Millwood (for this night only)-Mrs Siddons.
Cast
Role: Trueman Actor: Holland

Afterpiece Title: A Trip to the Nore

Performance Comment: Characters by Suett, Bannister Jun., Hollingsworth, Dignum, Wewitzer, Sedgwick, Davis, Grimaldi, Maddocks, Trueman, Mrs Bland, Mrs Walcot, Miss Tidswell. Cast from text (George Cawthorn, 1797): Mr Cockney-Suett; Ben Bowsprit-Bannister Jun.; Billy Buckram-Hollingsworth; Donald Campbell-Dignum; Hokensloken-Wewitzer; Boatswain-Sedgwick; O'Thunder-Davis; Chimney@Sweeper-Grimaldi; Boatman-Maddocks; Sailors-Trueman, Wentworth, Evans; Mary-Mrs Bland; Mrs Cockney-Mrs Walcot; Mrs Buckram-Miss Tidswell.
Cast
Role: Mary Actor: Mrs Bland
Related Works
Related Work: A Trip to the Nore Author(s): Andrew Franklin

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Goodwill-Packer; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Miss Lucy-Mrs Bland.
Cast
Role: Miss Lucy Actor: Mrs Bland.

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

Music: As17980214

Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Performances

Mainpiece Title: Europe's Revels For The Peace

Performance Comment: Edition of 1697: Prologue-Mr Hodgson; English Officer-Boman; Messenger of peace-Mrs Hodgson; English Countryman-Trefuses; English Countrywoman-Mrs Lawson; Dutch Boor-Bright; English Lady-Mrs Boman; Irish Reparee-Lee; Country Lass-Mrs Willis; Soldier-Wiltshire; Savoyard-Jam. la Roche.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Glover; Nymphs-Miss Sandham, Mrs Ogden, Mrs De l'Orme, Miss Norman; Daphne-Miss Rogers; Burgomaster-Nivelon; Servant-Hippisley; Colombine-Miss Nona; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Ferguson, Du Pre; Women Peasants-Mrs Stevens, Miss Horsington, Miss Brunette; With The Triumphs of Love: Venus-Mrs Wright; Silenus-Leveridge; Bacchus-Stoppelaer; Zephyrus-Glover; Frenchman-Desse; Frenchwoman-Mrs De l'Orme; Spanish Man-Livier; Spanish Woman-Miss Sandham; Polonese Man and Woman-Tench, Mrs Ogden; Flora-Miss Rogers .
Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Lewis; Beau Clincher-Quick; Young Clincher-Edwin; Alderman Smuggler-Wewitzer; Jubilee Dicky-Stevens; Tim Errand-Fearon; Vizard-Cubitt; Caption-Thompson; Colonel Standard-Wroughton; Angelica-Mrs T. Kennedy; Lady Darling-Miss Platt; Parley-Mrs Wilson; Lady Lurewell-Mrs Bates .
Cast
Role: Tim Errand Actor: Fearon
Role: Colonel Standard Actor: Wroughton

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Performances

Mainpiece Title: The Heiress

Cast
Role: Mr Blandish Actor: Bannister Jun.
Role: Mrs Blandish Actor: Mrs Wilson

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Juan-Palmer; Commandant-Phillimore; Don Fernando (with a song)-Dignum; Don Alonzo-Benson; Don Carlos-Fawcett; Pedrillo-Banks; Fisherman-Fairbrother; Alguaziles-Jones, Cox, Alfred; Sailor (with a song)-Sedgwick; Landlord-Chaplin; Waiter-Lyons; Scaramouch-Follett Jun. (1st appearance on that stage); Spanish Lady-Miss Romanzini; Attendants-Mrs Shaw, Mrs Heard; Fisherwomen-Mrs Edwards, Miss Romanzini [i.e. doubled Spanish Lady]; Donna Anna-Miss Collins.
Cast
Role: Commandant Actor: Phillimore
Role: Don Fernando Actor: Dignum
Role: Landlord Actor: Chaplin
Role: Spanish Lady Actor: Miss Romanzini

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer

Event Comment: This year was published A Collection of the Dresses of Different Nations, Antient and Modern, Particularly Old English Dresses after the Designs of Holbein, VanDyke, Hollar and others, with an account of the Authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the Habits of the Principal characters on the English Stage. Two vols. with French Text [Recueil des Habiliments...] facing English text. Coptume plates included. Vol II for the English. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.
Cast
Role: Blandford Actor: Macready

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Prince of Arragon Actor: Holland
Role: Maid Marian Actor: Mlle St.Amand
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Otaheitan Actor: Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Peruvian Actor: East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: East Indian Actor: Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Chinese Actor: Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Arab Actor: Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Turkish Actor: African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: African Actor: North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: North American Actor: Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lapland Actor: Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Russian Actor: Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Polish Actor: Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Flemish Actor: Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: To conclude with a Grand Dance of Archers Actor: Byrn
Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Capt Dubutin-Coustos [Custo, General Advertiser]; Delateur-Fern; Mannon Delateur-Miss Davis; Tourneclef-Smith; Laronneau-Morgan; Comedien-Johnson; Gueux-Fern; Mme Delateur-Mrs Knight; Lucie-Mrs Cushing; Matthieu de la Prison-Daniel; Jaques-Craven; Henry de Chemin-Johnson; Mme Cajoleuse-Mrs Jackson; Dorothee Cour de Nuit-Mrs Anderson; Madam Grandant-Mrs Butler; Bebeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mme Sans@Corps-Mrs Williams; Manon L'Effrontee-Mrs Adams; Diane-Mrs Jackson; Susanne Pimpante-Mrs Daniel.
Event Comment: By desire. [The Public Advertiser lists Hallam as doubling in Nym and English Herald. Hogan lists English Herald (that night only) as Weller.] Receipts: #169 8s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Cast
Role: Westmorland Actor: Morris
Role: Gower Actor: Anderson
Role: English Herald Actor: Hallam

Afterpiece Title: Coronation

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Paid Patrick (tinman) #51 19s. (Account Book). As the tragedy of Elfrida, written (after the Greek manner) by that most excellent poet Mr Mason, has met with such singular applause at Covent Garden Theatre, I cannot help lamenting that our English Roscius has never had a play of Sophocles (translated into English blank verse) represented at Drury Lane. The plays in general, are the finest ever written; and the Oedipus Tyrannus is, in my opinion, the properest to be represented at present, both for the grandeur of the chorusses and the magnificence of the scenery. I mention this because I think this new species of drama would be better received, by an English audience, than all the Golden Pippins, or Nonpareils, that have lately appeared on the stage. (signed) Cantab (Gentleman's Magazine , XLIII, 74). Receipts: #183 16s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Bird Catchers, as17721207

Performances

Mainpiece Title: The Duenna

Cast
Role: Ferdinand Actor: Palmer

Afterpiece Title: Omai

Performance Comment: As17860107, but Towha-Helme; Clown-Stevens; omitted: Father of Londina, Mother, English Captain, Justice . omitted: Father of Londina, Mother, English Captain, Justice .
Event Comment: Afterpiece [1st time; P 2(?), by Ralph Wewitzer. Not in Larpent MS; not published; synopsis of action in Public Advertiser, 28 Dec.]: With new Music, Scenery, Dresses, Machinery, and Decorations. The Music composed by Walter? Clagget. The Scenes designed and executed by Richards, Carver, Hodgins and others. Nothing under Full Price will be taken. Receipts: #192 2s. (188.12; 3.10)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dumb Cake; or, The Regions of Fancy

Performance Comment: Cast from Public Advertiser, 28 Dec.: Harlequin-Brown; German Baron-Wewitzer; English Father-Fearon; Petit Maitre-A Young Gentleman (1st appearance [Blurton?]); Pierrot-Cubitt; Clown-Blanchard; Columbine-Mrs Rock; English Father's Wife-Mrs Pitt; Barones-Mrs Davenett. [World, 28 Dec., also lists, without assignment, Mrs Webb and Miss Tweedale.]World, 28 Dec., also lists, without assignment, Mrs Webb and Miss Tweedale.]

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Performance Comment: Young English-Johnstone; Sir John English-Quick; Timothy Shacklefigure-Edwin; Farmer Sternhold-Darley; Vulture-Wewitzer; Doublejugg-Fearon; Carbuncle-Booth; Hazard-Cubitt; Plunder-Gardner; Sneak-Stevens; Sir Charles Manly-Bowden; Mrs Townly-Mrs Martyr; Lady Lucy-Mrs Billington.
Cast
Role: Young English Actor: Johnstone
Role: Sir John English Actor: Quick

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Performance Comment: Young English-Johnstone; Sir John English-Quick; Timothy Shacklefigure-Edwin; Farmer Sternhold-Darley; Vulture-Wewitzer; Doublejugg-Fearon; Carbuncle-Thompson; Hazard-Cubitt; Plunder-Gardner; Sneak-Milburne; Sir Charles Manly-Davies; Mrs Townly-Mrs Martyr; Lady Lucy-Mrs Billington.
Cast
Role: Young English Actor: Johnstone
Role: Sir John English Actor: Quick

Afterpiece Title: The Feast of Anacreon [i

Performance Comment: e. The Sons of Anacreon]. Principal Parts-Bannister, Johnstone, Blanchard, Davies, Darley, Cubitt, Edwin; President (with the Anacreontic Song)-Bannister; Come come all Noble Souls-; Jack thou'rt a Toper-; How shall we Mortals spend our Hours?-; When Bibo went down to the Regions below=-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; Sing Old Rose and burn the Bellows-; God save the King-Full Chorus.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Lady Of The Manor

Performance Comment: Young English-Johnstone; Sir John English-Quick; Timothy Shacklefigure-Edwin; Farmer Sternhold-Darley; Vulture-C. Powell; Doublejugg-Powel; Carbuncle-Thompson; Hazard-Cubitt; Plunder-Gardner; Sir Charles Manly-Duffey; Mrs Townly-Mrs Martyr; Lady Lucy-Mrs Billington.
Cast
Role: Young English Actor: Johnstone
Role: Sir John English Actor: Quick

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Cast
Role: The Death and Renovation of the Elk Actor:
Role: Columbine Actor: Mlle St.Amand
Role: The False Step Actor: O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: O'Flanagan's Blunders Actor: The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Desponding Maiden Actor: The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Sailor's Return Actor: Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: Gobble's Disaster Actor: with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: English Amazonians Actor: Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson
Role: The Widow Bewitched Actor: How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv
Role: How to restore a Deputy Common Council Actor: Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv
Role: Shaving and Hair Actor: dressing Academyv
Role: Principal Dancers Actor: Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand
Role: Music hath Charms Actor: O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: O'Flanagan's performance on the Violin Actor: Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Water parted from the Sea Actor: The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: The Lads of the Village Actor: Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Come sing round my favorite Tree Actor: and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: A Meeting of the Council Actor: Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: ! Actor: The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: The Magical Nosegay Actor: with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: by Shield Actor: Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Carriage for the Company Actor: Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Running without Horses Actor: and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot

Performances

Mainpiece Title: Aesop

Performance Comment: A Scene of The Spanish Fryar-Tony Aston.

Song: New Song-Tony Aston in the Habit of a Fryar

Event Comment: Afterp1ece: [By Lewis Theobald.] With new Scenes, Machines, Cloaths, and other Decorations. Receipts: #150 3s

Performances

Mainpiece Title: Aesop

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo (Pierot)-Salle; Nymphs-Mrs Bullock, Mrs Wall, Mrs Ogden, Mrs Anderson; Daphne-Mlle Salle; Morpheus-Leveridge; Mystery-Leguerre; Slumber-Salway; Burgomaster-Nivelon; Boor Servant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Younger; Harlequin-Lun; Peasants-Newhouse; Pelling, Lanyon; Peasant Women-Mrs Vincent, Mrs Smythies, Mrs Rice; Venus-Mrs Barbier; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Leguerre; Bacchanals-Lanyon, DuPre Jr; Bacchants-Mrs Ogden, Mrs Anderson; Satyrs-Nivelon, Newhouse; Zephyrus-Salle; Spaniard-DuPre; Polonese-Pelling; Frenchman-Lally; Spanish Woman-Mrs Bullock; Polonese Woman-Mrs Wall; Frenchwoman-Mrs Younger; Flora (an Inconstant)-Mlle Salle.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Salle; 1st Nymph-Mrs Bullock; 2d Nymph-Mrs Pelling; 3d Nymph-Mrs Ogden; 4th Nymph-Mrs Anderson; Daphne-Mlle Salle; Morpheus-Leveridge; Mystery-Leguerre; Slumber-Salway; Burgomaster-Nivelon; Boor Sevant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Younger; Hareqluin-Lun; Peasants-Newhouse, Pelling, Lanyon; Women Peasants-Mrs Vincent, Mrs Ogden, Mrs Rice; Venus-Mrs Barbier; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Leguerre; Bacchanals-Lanyon, Dupre Jr; Bacchants-Mrs Ogden, Mrs Anderson; Satyrs-Nivelon, Newhouse; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Lally; Spanish Woman-Mrs Bullock; Polonese-Mrs Pelling; Frenchwoman-Mrs Leguerre; Flora-Mlle Salle.