SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Irish Stage"/1) | (@(roleclean,performerclean) "English and Irish Stage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2551 matches on Event Comments, 1762 matches on Performance Comments, 1632 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dyer. No Building on the Stage. Receipts: #72 18s. plus #144 18s. from tickets (boxes 204; pit 460; gallery 249). Charges: #63 (Account Book)

Performances

Mainpiece Title: King Lear

Cast
Role: Cornwall Actor: Anderson

Afterpiece Title: The Englishman Returned from Paris

Ballet: JJudgment of Paris. As17571217, but Venus-Mlle Capdeville

Event Comment: Benefit for Clarke. Mainpiece: Not acted these 8 years. [See 22 March 1750.] No building on the Stage. Receipts: #49 4s. 6d. Charges: #63. Deficiency covered by #114 14s. from tickets (boxes 160; pit 394; gallery 156). Rec'd from John Rich, #300, being part of the sum paid Mrs Finny on account of the New Building. Paid out for sundries from the theatres and sum, to Barry and Lee, #284 14s. (Account Book)

Performances

Mainpiece Title: Anna Bullen; Or, Virtue Betrayed

Performance Comment: Henry VIII-Clarke, 1st time; Piercy-Smith, 1st time; Wolsey-Ryan; Rochford-Ridout; Northumberland-Sparks; Lady Diana Talbot-Miss Condill; Lady Elizabeth Blunt-Mrs Vincent; Anna Bullen-Mrs Bellamy, 1st time.
Cast
Role: Northumberland Actor: Sparks

Afterpiece Title: The Englishman Returned from Paris

Ballet: JJudgment of Paris. As17580407

Dance: JJovial Coopers, as17571107

Music: By Desire, a piece onthe Welch Harp-Roberts

Event Comment: Benefit for Yates. Tickets and places to be had of Yates in Catherine St., Strand, and of Varney at the Stage Door. Tickets deliver'd for the 4th will be taken. Being the Last time of Garrick's performing Kitely this Season. Receipts: #180 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Male Coquette

Dance: New Spanish Dance, as17580410

Event Comment: Benefit for Barrington and Mrs Lampe. No building on stage. Receipts: by income from tickets: Barrington #90 16s. (boxes 142; pit 286; gallery 12); Mrs Lampe, #53 2s. (boxes 52; pit 180; gallery 131) (Account Book). [The original title of afterpiece, a burlesque opera by Henry Carey, was Margery; or, A Worse Plague than the Dragon a sequel to the Dragon of Wantley. The music was advertised as by the late Mr Lampe.

Performances

Mainpiece Title: King Henry V

Cast
Role: Westmoreland Actor: Buck
Role: Gower Actor: Anderson

Afterpiece Title: Lady Moore; or, The Dragoness

Ballet: JJudgment of Paris. As17580407 but only Paris-Gallinni; Venus-Mlle Capdeville

Dance: SSavoyards, as17580408 Tambourine, as17580330

Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's Peruke Maker, Russel St., Covent Garden, and of Varney at the Stage Door, where, Places may be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Englishman in Paris

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Leviez [Ballet-Master]. Tickets of Leviez at the last House on the right hand in Bedford Buildings in the Strand, and of Varney at the Stage Door, where places may be taken. Receipts: #180 (Cross)

Performances

Afterpiece Title: The Englishman in Paris

Dance: End: A new Grand Dance-the Children; End Farce: Minuet-Leviez, Miss Macklin

Event Comment: Benefit for Mattocks, Mrs Pitt, Mrs Chambers. No Building on Stage. Tickets sold at door not taken. Receipts: #50 9s. 6d. Charges #63. Deficit of #4 3s. 6d. apiece convered by income from tickets: Mattocks, #34 3s. (boxes 48; pit 91; gallery 85); Mrs Pitt, #55 15s. (boxes 14; pit 177; gallery 257); Mrs Chambers, #42 18s. (boxes 70; pit 116; gallery 80 ) (Account Book)

Performances

Mainpiece Title: Hamlet

Cast
Role: Marcellus Actor: Anderson

Afterpiece Title: The Chaplet

Dance: The Provincial Sailors, as17580408 a Comic Ballet-

Event Comment: Benefit for Austin and Wood. Wood, Sub Treasurer (Winston MS 8). No Building on Stage. Receipts: #140 (Cross). [The Prologue was The Night's Adventure of a Buck, Larpent MS 147. The mid-portion shows the Buck at the playhouse]: @First to the Playhouse,--not to hear the play--@I went to pass an hour or so away,@For what to me are Shakespears, Otways, Rowes,@Their, Jaffiers, Bajazets, andRomeos?@Such mouthing rascals give no joy to me@I get behind the scenes, and there d'ye see,@I strut, and ogle, pull the girls about@Stand in the way, and put the actors out.@These, these are joys, which only Bucks can know,@And all the pleasures playhouses bestow...

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Entertainment: TheNew Magic Scene in the characters of Harlequin, as17580428

Event Comment: Benefit for Ackman, Harrison, and Scrase. Tickets deliver'd by Walker will be taken. No Building on the Stage. [Genest, IV, 519, lists The Mock Doctor for the afterpiece, apparently by mistake.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Britannia

Dance: A Hornpipe-Harrison

Ballet: TThe Prussian Camp. As17580421 but Blakes_

Event Comment: Benefit for Raftor, Roger, Shawford & Bowers. No Building on the Stage. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Intriguing Chambermaid

Dance: -MMaster Roger, Miss Simson, the Children

Entertainment: After the Opera: By Desire, The New Magic Scene, as17580428

Event Comment: Benefit for Verney [Housekeeper]. Tickets to be had of Verney at the Stage Door. Afterpiece: By Desire (Public Advertiser), done by Children (Cross)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Palmer

Afterpiece Title: The Oracle

Dance: I: A Hornpipe-Walker

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Yates; Orlando-Palmer; Jacques-Berry; Duke Sr-Blakes; Frederick-Bransby; Oliver-Burton; Amiens (with proper Songs)-Beard; Adam-Havard; Corin-Taswell; Silvius-Austin; Celia-Mrs Clive; Phebe-Miss Hippisley; Audrey-Mrs Bradshaw; Rosalind-Miss Macklin.
Cast
Role: Orlando Actor: Palmer

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: Boxes 5. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Crudge at the stage-door of the theatre. To begin exactly at six o'clock. [These customary announcements on all playbills will not be noted again; only significant differences will be noted during remainder of season.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Event Comment: TThe London Chronicle for 1758 (p. 455): On Friday the 3rd instant was presented Coriolanus. The two first acts of this play, as it is performed at the above theatre, were written by Shakespear; the three last for the most part by Mr. Thomson. But how a man of Mr Sheridan's knowledge (who first introduc'd it there about four years ago) could think of pounding into one substance two things so heterogeneous in their natures as the productions of those authors, is to me amazing. Mr Smith enters in the first act, after having (as we are to suppose) just overcome the Volsci, to the tune of violins and hautboys; but I am a little afraid the grandeur of his triumph is a little misapplied, considering the early times in which Coriolanus lived, before the Roman empire had arrived to any degree of splendor and magnificence, and was great in virtue only. However it makes a fine show; and Mr Smith, who has an excellent person, by the help of a little burnt cork and a real coat of mail cuts a very martial appearance. I think it was one of the Gracchi, who, when he was speaking to the people, always had a servant behind him in the Rostrum with a pitch-pipe which he touched whenever he found his master's voice rising beyond a certain height; such an instrument as this would, in my opinion, be of service to Mr Smith, for his fault seems to be that of keeping too much at the top of his vioce. Mrs Hamilton in the part of Veturai, especially in the last act, excells herself; and in particular, she repeats that line: "He never can be lost who saves his country," with the genuine spirit of a free-born Englishman. By the unnatural conjunction which is attempted to be made in this tragedy, most of the other characters are robbed of their significance. Those two excellent actors, therefore, Ryan and Sparks, only give us just cause to regret that the parts of Tullus and Volscius are not longer....After the play was presented a Ballad Opera called The Contrivances; in which some good comedians are oblig'd to submit to the drudgery of supporting as contemptible a trifle as ever was acted on the stage

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Dashwell-Shuter; Wiseacre-Collins; Doodle-Marten; Linkboy-Bennet; Tom-R. Smith; Townly-Gibson; Watchman-Holtom; Chimneysweep-Blakey; Loveday-Anderson; Jane-Mrs Pitt; Anne-Miss Copin; Engine-Miss Helm; Roger-Cushing; Eugenia-Mrs Barrington; Peggy-Miss Mullart; Lady No-Mrs Vincent.
Cast
Role: Loveday Actor: Anderson

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: Benefit for ye General Lying-in-Hospital. Afterpiece a new farce (Cross). Part of Pit laid into Boxes & Amphitheatre on Stage. Ladies are desired to send their servants at 3 o'clock. Receipts: #320 (Cross); Charges #84 (Winston MS 8)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rout

Event Comment: [G$Genest notes Berry's performance of Sir Epicure in this piece as his last appearance on the stage.] Receipts: #170 (Cross); #183 1s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Fortunatus

Event Comment: Benefit for Mrs Clive. Part of Pit will be laid into Boxes and Amphitheatre on Stage. Receipts: #230 (Cross ); Charges #60 (Winston MS 8)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Upholsterer

Performance Comment: Pamphlet-Palmer; others-Yates, Holland, Austin, Blakes, Vaughan, Mrs Yates, Mrs Clive; who will sing a New Balladin Character-Mrs Clive.
Event Comment: Benefit for Miss Macklin. Part of pit laid into Boxes, Amphitheatre on Stage. Receipts: #180 (Cross); Charges #63 ( Winston MS 8)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Male Coquette

Event Comment: Benefit fot Beard. Pit laid into boxes, Amphitheatre on stage. Receipts: #280 (Cross); Charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Miranda Actor: Miss Macklin.
Role: Charles Actor: Holland

Afterpiece Title: The Lying Valet

Song: I: A New Ballad-Beard; II: The Goldfinch-Miss Young; III: A Bacchanalian Song compos'd by Dr Boyce-Beard; V: A New Comic Dialogue compos'd by Dr Boyce-Beard, Miss Young

Event Comment: Benefit for the Use of the Marine Society. Towards collecting clothing and equipping the distressed (both men and boys) who are inclined to serve in the Navy. Boxes 10s. 6d. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr John Stephens, Secretary to the society, in Princes St., near the Bank; Batson's Coffee House, Cornhill; and of Mr Varney at the Stage Door, where Places may be taken. As this is the Entertainment exhibited this season for this most beneficial undertaking, by which so many distressed Persons as well as Vagabonds have been preserved and rendered useful in the highest degree, it is hoped the polite, the brave and humane, of both sexes, will shew their approbation of this design, by interesting themselves in the promotion of it

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Violin-Pinto; II: Concerto on Hautboy-Vincent; Concerto on Organ-Arne Jr

Event Comment: Benefit for Ryan. To prevent any obstruction in the Performance there will be no Building on the Stage

Performances

Mainpiece Title: Cleone

Cast
Role: Ragozin Actor: Anderson

Afterpiece Title: The Lying Valet

Cast
Role: Gayless Actor: Anderson

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: Benefit for Berry, who having been confined for some time past by a severe Illness, humbly hopes those Gentlemen and Ladies, who intend to favor him at his Benefit, will send for Tickets to his Lodgings at Mr Pope's, a Peruke Maker in Russel St., Covent Garden; the Star Tavern, in Coleman St.; or to Mr Varney at the Stage door where Places for the Boxes may be taken. Receipts: #130 (Cross); #104 8s. 6d. (Winston MS8)

Performances

Mainpiece Title: The Tempest

Cast
Role: Ferdinand Actor: Holland
Role: Miranda Actor: Miss Pritchard

Afterpiece Title: Fortunatus

Event Comment: Benefit for Bencraft and Mrs Vincent. No Building on the Stage

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Anderson

Afterpiece Title: Catherine and Petruchio

Entertainment: Between Play and Farce: Shuter's Dish of All Sorts, As17590322, for that night only

Related Works
Related Work: The Marriage Night Author(s): Henry Cary, Viscount Falkland

Dance: As17581016

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. Farce for last time this season. Tickets of Miss Pritchard in Great Queen St., lif; and at stage door. Receipts: #260 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: Comus

Cast
Role: Elder Brother Actor: Holland

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini