SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Irish Stage"/1) | (@(roleclean,performerclean) "English and Irish Stage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2551 matches on Event Comments, 1762 matches on Performance Comments, 1632 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17670917, but Wellbred-Casey, 1st appearance that stage; Cob-Mozeen.

Afterpiece Title: Midas

Dance: III: A New Tambourine Dance, as17671119

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17671022, but Altamont-a Young Gentleman, 1st appearance any stage.

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17671130, but Tressel-Dyer; Prince Edward-A Young Gentleman, 1st Appearance any stage.

Afterpiece Title: The Coronation

Performances

Mainpiece Title: The Funeral

Performance Comment: Lord Hardy-Cautherly; Trim-King; Campley-Gentleman, 1st appearance on the stage; Sable-Moody; Puzzle-Baddeley; Lady Harriet-Mrs Abington; Lady Charlotte-Mrs Palmer; Lord Brumpton-Bransby; Trusty-Burton; Kate Matchlock-Ackman; Lady Charlot-Mrs Palmer; Mademoiselle-Mrs Cross; Mrs Fardingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Brumpton (the last time)-Mrs Pritchard.

Afterpiece Title: Wit's Last Stake

Dance: III: The Wake, as17680220

Event Comment: Benefit for Younger. Tickets deliver'd by Bryan and Branson will be taken. Tickets sold at doors will not be admitted. Charges #65 15s. Balance to Younger #58 10s. plus income from tickets. Younger 70 129 159 #52 15s. Bryan 4 49 61 #14 9s. Branson 26 102 134 #35 4s.@Total ticket value #102 8s. (Account Book).@ Rec'd #20 a year improv'd rent of the houses in Bow St. and part of the effects of the late John Rich...#250. Receipts: #124 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17680118, but in Act I song-DuBellamy; Truman-a Young Gentleman, 1st appearance any stage.

Afterpiece Title: Harlequin Dr Faustus

Dance: I: The Highland Reel, as17680307

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17680116, but Archer-King; Foigard-Hartry; Sir Charles Freeman-Fawcett; Aimwell-Packer; Cherry-Young Gentlewoman, 1st appearance on any stage; Mrs Sullen-Mrs Barry, 1st time.

Afterpiece Title: High Life below Stairs

Dance: IV: The Medley, as17680505

Event Comment: [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book).*c1768 05 13 cg [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book)

Performances

Mainpiece Title: None

Performance Comment: The Maid of the Mill. As17680427 but to avoid confusion: Aimworth-Mattocks; Sir Harry-Hartry (of Drury Lane); Giles-Mahoon; Mervin-Gentleman, 1st appearance this stage; Fairfield-Gibson; Ralph-Dibdin; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Pinto; End Act I, a Dance incidental to the opera-Fishar, Arnauld, Sga Manesiere, Miss Valois.

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Giles-Mahoon; Mervin-Gentleman, 1st appearance this stage; Fairfield-Gibson; Ralph-Dibdin; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Pinto; End Act I Dance incidental to the opera-Fishar, Arnauld, Sga Manesiere, Miss Valois.

Afterpiece Title: The Citizen

Dance: II: Hornpipe-Miss Pitt

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Cast
Role: Landlady Actor: Miles

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Gomez (for that Night only)-Foote, being his first appearance in that character these twelve years; Torrismond-Aickin; Bertran-Bannister; Fryar-Sowdon, first appearance in that Character; Raymond-Gardner; Alphonso-Casey; Lorenzo-Lee; Pedro-Mahoon; Leonora-Mrs Graham; Teresa-Mrs White; Elvira-Young Gentlewoman, first appearance on the Stage.

Afterpiece Title: Damon and Phillida

Dance: I: By Desire, Double Hornpipe-Vandermere, Miss Street

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with a Song)-Vernon; Lord Rake-Ackman; Razor-Dibdin; Belinda-Mrs Jeffries; Mlle-Mrs Cross; Lady Fanciful-Mrs Bellamy; Lady Brute-Mrs Stephens, being her first Appearance upon that Stage.

Afterpiece Title: The Elopement

Event Comment: Two glass branches added to the Stage Boxes, and look well (Hopkins MS Notes). Places may be had of Mr Johnston at the Stage Door. Doors open half past 4 o'clock. Play to begin exactly at 6 o'clock. Vivat Rex et Regina. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holland; Claudius-Love; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-Aickin; Osric-Dodd; Rosencraus-Strange; Guildenstern-Fawcett; Bernardo-Marr; Marcellus-Ackman; Player King-Burton; Player Queen-Mrs Johnston; Lucianus-Hartry; Grave Diggers-Parsons, Castle; Ophelia-Mrs Baddeley; Gertrude-Mrs Hopkins.
Cast
Role: Hamlet Actor: Holland

Afterpiece Title: Flora; or, Hob in the Well

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Young Gentleman, first appearance on any stage; Smith-Casey; Prince Volscius-Keasberry, from the Theatre Royal in Bath; Prince Prettyman-Loveman; Gentleman Usher-Vandermere; Physician-Graham; Drawcansir-Hamilton; Tom Thimble-Brownsmith; Chloris-Mrs Graham; also a Grand Battle-Mr Bayes new rais'd Regiment of Horse.

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Keasberry; Arcas-Casey; Corydon-Graham; Cimon-Hamilton; Mopsus-Vandermere; Phillida (with a new song in character)-Miss Edwards.
Cast
Role: Mopsus Actor: Vandermere
Event Comment: NNeville MS Diary: At 8 in the evening went into the Pit at dl saw the last two acts of Cymbeline--Imogen by a Miss Young being her second appearance on any stage. Her person is good, her action proper and her voice excellent, but her face is ordinary

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Cast
Role: Irishman Actor: Messink

Dance: III: The Wake, as17680929

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Sixth appearance on any stage for the Young Gentlewoman playing Juliet. Receipts: #125 16s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Dragon of Wantly

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-A Gentleman never on any stage before; Aboan-Bensley; Blandford-Hull; Governor-Perry; Stanmore-Davis; Capt. Driver-Dunstall; Hotman-Lewis; Imoinda-Mrs Yates, 1st time.

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

Event Comment: [Mainpiece: new comedy in three acts by Bickerstaffe; but Act I, ii, written by Foote. Afterpiece: new musical farce by Bickerstaffe; music by Dibdin and others. An alteration from Dryden's Don Sebastian.

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Performance Comment: Parts by Bannister, DuBellamy, Arthur, Mrs Jewell. Prologue-Foote; Epilogue-Miss Rose, her first appearance on any stage; The Cadi-Bannister; Ferdinand-DuBellamy; Fatima-Mrs Arthur; Zorayda-Mrs Jewel (Edition of 1769).

Dance: As17690515

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Brutus-Sheridan; Octavius-DuBellamy; Caska-Bannister; Lepidus-Lings; Decius-Jacobs; Antony-Young Gentleman, first appearance on any Stage; Pindarus-Vandermere; Metullus-Kearney; Trebonius-Wheeler; Cerina-Summers; Julius Caesar-Aickin; Artemidorus-Sharpless; Popilius-Farrell; Plebians-Sparks, Castle, Hamilton; Cassius-Sowdon; Calphurnia-Mrs DuBellamy; Portia-Mrs Dyer.

Afterpiece Title: The Padlock

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Sir William Evans Actor: Holland

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Cast
Role: Irishman Actor: Moody
Role: Richard III Actor: Holland

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Smith, first time; Polydore-Wroughton[, first time; Chamont-Bensley[, first time; Acasto-Gibson; Chaplain-Hull; Serina-Mrs DuBellamy; Florella-Mrs Pitt; Monimia-A Young Gentlewoman[, never on any stage before [Miss Miller, according to Kemble note on the playbill]., never on any stage before [Miss Miller, according to Kemble note on the playbill].

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors-Aldridge. [See17691009, 1767.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17690929, but Giles-Reinhold, first appearance that stage; Patty-Mrs Mattocks.

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mattocks; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-a Young Gentlewoman, first appearance any stage [Miss Stanmore, according to Kemble note]; [The Hornpipe-Miss Twist.

Afterpiece Title: The Rape of Proserpine

Dance: II: Dutch Dance-Mas. Blurton, Miss Besford. [See17671114.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17691120, [Polly identified first as Miss Stanmore her fourth appearance on any stage.]

Afterpiece Title: The Rape of Proserpine

Event Comment: [The Young Gentleman who played Posthumus is identified by Kemble and Winston as Mr Warboys.] Gave Duke of Cumberland's Footmen #2 2s. (Account Book). [Town and Country Magazine (quoting Theatre No XIII) remarked on Warboys acting: "The success he met with will probably deter him from following the profession of the stage...not happy either in person or in physiognamy."] Receipts: #250 6s

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-a Young Gentleman, first appearance any stage; Iachimo-Smith; Pisanio-Hull; Cymbeline-Gibson; Cloten-Yates; Philario-Morris; Caius Lucius-Gardner; Bellarius-Clarke; Guiderius-Bensley; Arviragus-Perry; Queen-Mrs Vincent; Imogen-Mrs Yates.

Afterpiece Title: The Upholsterer

Dance: III: The Whim, as17691123