SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Irish Stage"/1) | (@(roleclean,performerclean) "English and Irish Stage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2551 matches on Event Comments, 1762 matches on Performance Comments, 1632 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: PPhillips and Hussey's Company. 2s. 6d., 1s. 6d., 6d. [Concert formula used.] To begin at 12 and end at 10 p.m. Mainpiece: [first announced on 26th and 29th as The Careful Father; or, The Extravagant Son. Notice of performance repeated 2,3,6 (but Cushing as Drunken Peasant), 6,7 (but Phillips as Drunken Peasant), 12, 13, 14, and 15 May. Probably acted every day of May Fair.

Performances

Mainpiece Title: The Prodigal Son; With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Afterpiece Title: The Harlot's Progress

Performance Comment: Harlequin-Phillips his first appearance on that stage in England in three years; Beau Mordecai the Jew-Bennett; Miss Kitty-Mrs Phillips.

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: Altered from Dryden by Colley Cibber....a Man who was in the Upper Gallery...threw an apple from thence, with an intent, as is suppos'd to hit some person who was looking through the Curtain, but struck a Lady of Quality in the face, who sat in the stage box; upon which the manager order'd the Constable attending the House to make inquiry after the person who did it, and he was immediately apprehended, on the information of several people who sat near him, and was, by the Lady's desire carried before a Justice, who would have committed him for the assault; but on his begging Pardon, and promising never to offend in the like manner, she was pleas'd to forgive him, and he was discharg'd.--As it was a Publick Affront some Gentlemen would have had him brought on the stage to make a Public acknowledgment of his folly;--and tis hop'd that will be the punishment hereafter, for those who offend in the like manner.--General Advertiser, 3 Nov

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: The Double Disappointment

Song: III: Lowe

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Cushing; Peachum-Paget; Lockit-Dove; Filch-Shuter; Ned-Baker; Harry-Miles; Jack-Hallam Sen; Jenny Diver-Miss Moreau; Mrs Slammekin-Mrs Dove; Mrs Coaxer-Mrs Beckham; Lucy-Mrs Cushing; Mrs Peachum-Mrs Bambridge; Trapes-Mrs Wignell; Polly-Mrs White, her first on this stage.

Dance: III: Hornpipe-Miles

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Gentleman first appearance on any stage.

Afterpiece Title: Damon and Phillida

Event Comment: By his Majesty's Command. Benefit Mlle Violette. Eight rows of the Pit will be rail'd into the Boxes, and servants will be allow'd to keep places on the stage. Places for the Boxes may be taken of Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Careless Husband

Dance: Salomon, Mlle Violette, Cook

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Performances

Mainpiece Title: The Wild Goose Chase

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Sparks
Role: Mrs Sealand Actor: Mrs Bridges

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: Jane Shore

Performance Comment: Jane Shore-Miss Cymber her first on any stage; Alicia-Mrs Clarke; Hastings-Young Gentleman; with a new Prologue-.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Orphan

Performance Comment: Monimia-Miss Cymber her second time on any stage; Castalio-(by desire) young Gentleman that played Hastings; parts-company that played Jane/Shore see17470324.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Gentleman; Sylvia-Gentlewoman who played Mrs Sullen , it being her second appearance on any stage.

Afterpiece Title: Harlequin Happy; or, The Frenchman Bit

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-a Gentleman who never appear'd on any stage before; Jaffier-Ryan; Priuli-Bridges; Duke-Rosco; Bedamar-Gibson; Renault-Paget; Elliot-Ridout; Belvidera-Mrs Giffard.

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Cushing (who performed Wagtail in Mr Foote's Farce); Flash-Cibber; Biddy-Miss Mattocks her 1st appearance on any stage; Sir Simon-Collins; Jasper-Morgan; Capt Loveit-Anderson; Puff-Dunstall; Tag-Mrs Bland.
Event Comment: Benefit for Bridgwater. Tickets and places to be had of Page at the stage door, and of Bridgwater at his wharf near Whitefriars. [His notice of hopeful acknowledgement (3 Feb.) repeated.

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Jacyntha Actor: Mrs Bland
Role: Strickland Actor: Bridgwater
Role: Buckle Actor: Anderson
Role: Mrs Strickland Actor: Mrs Hale

Afterpiece Title: Miss in Her Teens

Event Comment: Benfit for a Gentleman who has wrote for the Stage. At the Particular Desire of several Ladies of Quality. Observing in yesterday's General Advertiser some Verses to the Lady Georgina Spencer, and other Ladies, intending a Benefit that is to be Tomorrow on her Interest, in favour of a Gentleman who has wrote for the Stage.--Unidentified newspaper clipping in Folger scrapbook

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Bland
Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Barry for first time; Pyrrhus-Delane; Hermione-Mrs Pritchard; Andromache, with the original Epilogue-Mrs Cibber; Pylades-Havard; Phoenix-Winstone; Cleone-Mrs Ridout; Cephisa-Miss Minors.

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17471205, but with a new Epilogue In Dialogue-Garrick, Mrs Pritchard in the Character of Ranger and Clarinda; Ranger's Frolick-_.

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Woffington. As ye Curtain was rising for ye farce a Gentleman's sword was taken out of ye Scabbard & carry'd up with ye Curtain & there Hung to ye terror of those under it (least it shou'd fall) & ye Mirth of ye rest of ye Audience--a Scene man fetch'd it down (Cross). Four rows of the Pit will be rail'd into the Boxes; and the stage form'd into front and side boxes. Tickets and places of Hobson at the stage door. Receipts: #240 (Cross); house charges, #50 (Powel).This was also in her agreement to pay no more than the above sum (Powel). Cash, #84 19s. 6d.; tickets, #100 3s. (Clay MS)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Tambourine-Anne Auretti; IV: New Comic Dance-Matthews, Mrs Addison; V: Dutch Dance, as17471128

Event Comment: Benefit for Macklin. Afterpiece: A Farce in 2 Acts taken [by Macklin] from Le Legataire Universel of Mons Regnard. Tickets of Macklin at his house in Bow Street, and of Hobson at the Stage Door. Stage will be form'd into front and side boxes. Receipts: #200 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Will and No Will; or, A New Case for the Lawyers

Dance: End: Savoyards, as17471215

Event Comment: Benefit for Cooke. Part of Pit laid into Boxes. Stage form'd into front and side Boxes. Tickets and Places to be had of Cooke at Mr Clark's, an Upholsterer, in James Street, Covent Garden; and of Hobson at the Stage Door. Receipts: #200 (Cross); house charges, #60 (Powel); cash, #55 17s.; tickets,124 3s. (Clay MS)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Cushing; Mrs Sullen-Mrs Cook; Cherry-Miss Rawlinson who never appeared on any Stage before; rest of the parts-Gentlemen from the theatres (Theatrical Clippings Folger Library).

Afterpiece Title: Miss in Her Teens

Event Comment: [Benefit for Berry and Mrs Green. Stage form'd into Front and Side Boxes. Tickets of Hobson at stage door; or Berry at his lodgings in Little Bridges St., Covent Garden; and Mrs Green at her Lodgings at the Green Canister in Great Shier Lane, Carey St., Lincolns Inn. [This day one B. B. (presumably Macklin) inserted a letter to the author of the General Advertiser in that paper framing the historical background for the Lover's Melancholy, to be performed as benefit for his wife on 22 April. It gave a short account of the author (John Ford), his works in general, and of that dramatic piece in particular, and sought to align Ford as an intimate and profess'd admirer of Shakespeare. See comment for 23 April]. Receipts: #207 (Cross); house charges, #63 N.B.: Mr Berry paid, but at the rate o 60 pounds for his benefit, therefore I must make a draw back of #1 10s. for his half (Powel); cash, #88 9s. tickets, #118 12s. (Clay MS)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17480312 but Epilogue-_; Strictland-Berry; Valet-Leigh; Country Dance-.
Cast
Role: Strictland Actor: Berry
Role: Mrs Strictland Actor: Mrs Elmy
Role: Landlady Actor: Mrs Yates

Afterpiece Title: [The Virgin Unmask'd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17480116, but Oroonoko-a Gentleman who never appear'd on any Stage before; Capt. Driver-Dunstall; Hotman-_; Jack Stanmore-_.

Afterpiece Title: The Perplex'd Husband

Performance Comment: Harlequin-Philips; Husband-Bencraft; Colombine-Mrs Dunstall; Pierot-LaLauze; The whole to Conclude with a Country Dance-Philips; Hornpipe-Philips.
Cast
Role: Husband Actor: Bencraft

Song: I: Beard; III: Consider Fond Shepherd, Tis Liberty alone-Mrs Storer

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson

Dance: II: Drunken Peasant-Philips; IV: The Amorous Swain, or Rival Nymphs-LaLauze, Mrs Delagarde, Miss Hillyard; V: a Ball Minuet (By Desire)-three scholars of LaLauze

Event Comment: Benefit for James, Stoppelaer, Mrs Bland

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Alphonso-James; Pilgrim-Ryan; Curio-Anderson; Seberto-Storer; Old Pilgrim-Ridout; Lopez-Morgan; 2nd Outlaw-Smith; Porter-Rosco; Roderigo-Bridges; Mad Scholar-Giffard; Stuttering Cook-Cibber; Mad Englishman-Morris; Mad Welchman-Stoppelaer; Mad Priest-Bencraft; Mad Taylor-Collins; Master of Madhouse-Marten; Fool-Miss Ferguson; Alinda-Mrs Hale; Juletta-Mrs Bland; In IV Mad Bess in character-Beard.
Cast
Role: Curio Actor: Anderson
Role: Mad Englishman Actor: Morris
Role: Juletta Actor: Mrs Bland

Afterpiece Title: Miss in Her Teens

Performance Comment: As17480208, but Biddy-a Young Gentlewoman who never appear'd on any stage; Jasper-_; Sir Simon-_; Capt. Loveit-_; Puff-_.

Song: I: Go Rose-Miss Faulkner; II: Ellen a Roon-Mrs Storer; III: Se Spuntan Vezzoze-Miss Faulkner; V: Come Ever Smiling Liberty, 'Tis Liberty alone-Miss Faulkner

Dance: V: Minuet-Villeneuve, Miss E. Faulkner