Event Comment: Benefit for Palmer. End I afterpiece: A Grand Representation of Mount Vesuvius, at the Time of an Eruption. Oracle, 28 Feb: Tickets to be had of Palmer, No. 3, London Road, St. George's Fields. Receipts: #340 5s. 6d. (144.1.0; 22.0.0; 4.4.6; tickets: 170.0.0) (charge: #126 4s. 11d.)

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 115, Jermyn-street. 2nd ballet: With new Scenery by Belenger and new Dresses by Sestini. The greater part of the music by Mazzinghi

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Event Comment: [The Scotch Ghost, advertised on playbill of 9 Feb., was not danced on this night.] Receipts: #236 5s. 6d. (139.1.0; 93.11.6; 3.13.0)

Event Comment: Mainpiece: Not acted these 4 years. With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. [Afterpiece in place of A Friend in Need, advertised on playbill of 21 Feb.] The Publick is respectfully informed that on Account of the sudden Indisposition of Sga Bossi DelCaro, The Scotch Ghost [advertised on playbill of 21 Feb.] cannot be performed this Evening (printed slip attached to Kemble playbill). Receipts: #212 2s. 6d. (145.1.0; 61.0.0; 6.1.6)

Event Comment: [2nd piece in place of The Scotch Ghost; 3rd piece The Prize, both advertised on playbill of 9 May.] Receipts: #224 4s. 6d. (145.11.0; 76.7.0; 2.6.6)

Event Comment: The new Scotch Ballet of Moggy and Jemmy; or, The Union Feast [advertised on playbill of 12 Jan.] is obliged to be deferred. Receipts: #204 13s. 6d. (151.12.0; 50.11.6; 2.10.0)

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Event Comment: Pit and Boxes Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. Benefit for the Fund for Decay'd Musicians. To begin at 6:30 p.m. Expended in past year #593 8s. 6d

Event Comment: To begin at 6:30 p.m. For the Support and Increase of a Fund established for the Support of decay'd Musicians, or their families

Event Comment: Benefit and Increase of a Fund Support of decay'd Musicians, or their Families. To begin at 6 p.m. Prices 10s. 6d. The Fund has dispensed #482 17s. during the past year

Event Comment: For the Benefit and Increase of a Fund established for the Support of decay'd Musicians, or their Families. Sig Guadagni having declined singing at this Concert, the Managers have applied to Sig Tenducci who is so obliging to favour the Society with his Performance. Upper Gallery 3s. 6d

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Event Comment: Benefit for a Public Charity. Pit and Boxes to be laid together at Half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Gallery open at 4, Boxes at 5. To begin at half after 6. Tickets to be had of Sarjant at the Stage Door

Event Comment: For the Benefit and Increase of a Fund established for Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea. Gallery 5s. Upper Gallery 3s. Tickets delivered to Subscribers to this Charity will admit one Person into any Part of the House. [#627 7s. 6d. expended during the past year.

Event Comment: Benefit for the increase of a Fund established for the Support of Decay'd Musicians and their Families. [The Governors announced #622 4s. paid out during the previous year.

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)