SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English Irish Scotch and Negroe Songs"/1) | (@(roleclean,performerclean) "English Irish Scotch and Negroe Songs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2175 matches on Performance Comments, 1215 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Teague (with songs)-Moody; Col. Careless-Jefferson; Storey-Fawcett; Blunt-J. Aickin; Day-Baddeley; Obadiah-Love; Abel-W. Palmer; Committeemen-Hartry, Jacobs; Mrs Day-Mrs Bradshaw; Arabella-Miss Ambrose; Ruth-Mrs Egerton.

Afterpiece Title: The Witches; or, A Trip to Naples

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Bannister, Johnstone, Blanchard, Incledon, Williamson (1st appearance in a speaking part), Cross, Mrs Martyr, Mrs Webb, Miss Huntley, Mme Pieltain (1st appearance on the English stage non-operatic]; Rest of; the Vocal Parts-Mrs Mountain, Mrs Warrell, Miss Williams, Mrs Harlowe, Miss Stuart, Miss Barnet, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Rock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Mrs Goodwin; [Cast from text (T. Cadell, 1791): Sir Walter Waring-Quick; Fairlop the Woodman-Bannister; Capt. O'Donnel-Johnstone; Medley-Blanchard; Wilford-Incledon; Bob the Miller-Williamson; Filbert the Gardener-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Huntley; Emily-Mme Pieltain [in text: Miss Dall (see17910310; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Ferdinand Actor: Macready
Role: and true he says Actor: Mrs Mountain
Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Mainpiece. Advertised as a New English Opera, with music compos'd by Dr Arne. Characters new Dress'd. Full Prices

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performances

Mainpiece Title: A Midsummer Night's Dream

Performance Comment: Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.
Cast
Role: Lysander Actor: Vernon
Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-Bland; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Fauconbridge-Palmer; R. Faulconbridge-Waldron; English Herald-Trueman; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins.
Cast
Role: Prince Henry Actor: Bland
Role: English Herald Actor: Trueman
Role: Cardinal Pandulpho Actor: Packer

Afterpiece Title: Alexander the Great

Cast
Role: Alexander Actor: J. D'Egville
Role: Eumenes Actor: Bland

Performances

Mainpiece Title: The Constant Couple

Song: A New Song written by Mr Durfey, Set and-Mr Leveridge

Dance: Irish Dance-Claxton; five dances (two new)-Devonshire Girl

Event Comment: Benefit Short and Mrs Willis

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Song: The Turky/Cock Music-Mrs Willis; a comical country dialogue-Mrs Willis, Cook; a song-older of Mrs Willis' daughters; Eccles' three-part song set for the Queen's Birthday-Short, Cook, Davis

Dance: Irish Trot-younger of Mrs Willis' daughters, age five

Performances

Mainpiece Title: The Busie Body

Performance Comment: Sir George-Elrington; Sir Jealous-Leigh; Sir Francis-Norris; Busie Body-Spillar; Charles-Cory; Miranda-Mrs Sapsford; Isabella-Mrs Kent; Patch-Mrs Spillar.
Cast
Role: Miranda Actor: Mrs Sapsford

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: Irish Trot-; Harlequin Dance-; French Peasant-; Dutch Skipper-; Flemming in Wooden Shoes-; Dance between a Miller his Wife and a Town Miss-; Ladder Dance-a famous Master; Night Scene between a Harlequin, a Cooper, his Wife, and others-

Performances

Mainpiece Title: The Mother-in-law

Music: A new Overture, and an entire new Sett of Act Tunes, composed for the Comedy by Mr Seedo

Dance: Irish Trot by a Youth but nine Years old. Hussar by Nivelon and Miss Robinson. Revellers by Essex, Miss Latour, Janno, Holt, Miss Mann, Miss Brett (with new Habits)

Performance Comment: Hussar by Nivelon and Miss Robinson. Revellers by Essex, Miss Latour, Janno, Holt, Miss Mann, Miss Brett (with new Habits) .

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononhotonthologos

Performance Comment: Cast not listed, but see17340222 Prologue and Epilogue, proper to the Tragedy .

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Performance Comment: Hussar by Nivelon and Miss Robinson. Revellers, as17340220.

Song: Afterpiece: Songs (in the Italian Stile) by Charke

Performances

Mainpiece Title: The Fatal Extravagance

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

Performances

Mainpiece Title: Irish Hospitality; Or, Virtue Rewarded

Afterpiece Title: Daphne and Amintor

Event Comment: By command of several of the Nobility and Gentry. No Person to go into the Box or Pit, but the Subscribers. The first gallery 3s., the upper gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: English Italian and French Music-John Abell

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Faustus and Students as Harlequin-Le Brun; Pierrot-Davenport; Scaramouch-Lally Jr; Punch-Olbeldiston; Statue-Surel; Bawd-Mullart; Mephostophilus-Lally; Time-Rainton; Death-Nichols; Constable-Topham; Usurer-Norris; Shopkeeper and Wife-Jones, Mrs Herle; Doctor's Man-Leigh; Countrymen-Fielding, Warwell, Hewson, Burnet; Diana-Mrs Clive; Mars-Lally; Mercury-Lally Jr; Bacchus-Boval; Flora-Mlle d'Lorme; Ceres-Mrs Walter; Iris-Miss Mears .

Song: English Cantata composed by Carey, sung by Mrs Clive

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Intriguing Chambermaid

Dance: English Maggot by Lally Jr and Mrs Walter. Scot's Dance by Mr and Mrs Davenport

Performance Comment: Scot's Dance by Mr and Mrs Davenport .

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: English Maggot by Lally and Mrs Walter. Dutch Woman by Miss Robinson. Revellers by Essex, Miss Latour, Lally, Holt, Miss Mann, Miss Brett. Pierrots by Poitier and Nivelon. Polonese, as17340318

Performance Comment: Dutch Woman by Miss Robinson. Revellers by Essex, Miss Latour, Lally, Holt, Miss Mann, Miss Brett. Pierrots by Poitier and Nivelon. Polonese, as17340318.

Performances

Mainpiece Title: The Provok'd Husband

Dance: English Maggot by Lally and Mrs Walter. Two Pierrots by Poitier and Nivelon. Revellers, as17340319 Grand Dance in Momus

Performance Comment: Two Pierrots by Poitier and Nivelon. Revellers, as17340319 Grand Dance in Momus .
Event Comment: Benefit A. Hallam and Ridout. At the Desire of several Ladies of Quality. Tickets for Mithridates taken at this Play. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Intriguing Chambermaid

Dance: English Maggot by S. Lally and Mrs Walter. Dutchman and his Wife by Le Brun and Mrs Walter. Revellers by Essex, Miss Latour, S. Lally, &c

Performance Comment: Lally and Mrs Walter. Dutchman and his Wife by Le Brun and Mrs Walter. Revellers by Essex, Miss Latour, S. Lally, &c .
Event Comment: Benefit Mrs Wright and Mrs Stevens. Mainpiece: As 7 Dec. 1733. Afterpiece: Set to Musick by Mr Galliard

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Nuptial Masque

Cast
Role: Britannia Actor: Mrs Sanderson

Dance: A new Tambourine by Glover and Miss Rogers

Song: English Cantata by Mrs Wright

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: English Maggot by S. Lally and Mrs Walter. La Follett s'cest Ravisee by Nivelon and Miss Mann. Le Bagatelle by Essex and Miss Latour. Revellers by Essex, Miss Latour, &c. La Badinage Champetre by Lally, Mrs Walter

Performance Comment: Lally and Mrs Walter. La Follett s'cest Ravisee by Nivelon and Miss Mann. Le Bagatelle by Essex and Miss Latour. Revellers by Essex, Miss Latour, &c. La Badinage Champetre by Lally, Mrs Walter .
Event Comment: Mainpiece: Taken from Plautus and Moliere by Mr Fielding

Performances

Mainpiece Title: The Miser

Afterpiece Title: Colombine Courtezan

Dance: English Maggot by Villeneuve and Mrs Walter. Black Joak by Nivelon and Miss Mann. Polonese by Essex and Mrs Walter

Performance Comment: Black Joak by Nivelon and Miss Mann. Polonese by Essex and Mrs Walter .
Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes together at 5s

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: Isabella-Mrs Porter; Baldwin-Boman; Villeroy-Mills; Biron-Quin; Carlos-Cibber; Frederick-Este; Belfont-W. Mills; Pedro-Winstone; Fabian-Oates; Julia-Mrs Pritchard; Nurse-Mrs Shireburn; Fernando-Griffin; Sampson-Harper; Jaqueline-Miller; Victoria-Mrs Thurmond .
Cast
Role: Fernando Actor: Griffin

Dance: Russian Sailor by Denoyer. Polonese by Essex, Mrs Walter, &c

Song: English Dialogue by Salway and Mrs Clive