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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "England"/1) | (@(roleclean,performerclean) "England")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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510 results for: Keyword - England
We found 209 matches on Performance Title, 130 matches on Event Comments, 116 matches on Roles/Actors, 110 matches on Performance Comments, and 0 matches on Author.

451
28 May 1771 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: As17710122, but Soldato-Zanca; Mingotto-Sga Ristorini (for the first time since their arrival in England).

Dance: New Dance-a new Principal Dancer lately arrived from France; Hornpipe on Skates-Sga Guidi, Sga Galliotti

Song: In the last Act: a New Song (Giordani)-Sga Ristorini; accompanied on Violin-Sga Sirmen, being her last performance this season on this stage

452
11 March 1772 @ Covent Garden

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

453
27 March 1772 @ Covent Garden

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

454
01 April 1772 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. [See Town and Country Magazine this month (pp. 171-72) for two columns on theatrical amusements in England: The English stage is as elegant and well conducted as any theatre in Europe, whether we consider the music, the actors, or the decorations."

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17720325

455
10 April 1772 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. Addison's Hymn-(music by Handel); with a solo on the Violincello-Duport; Part II. Milton#s Morning Hymn, with a Duetto on the Hautboy and French Horn-Fisher, Ponta; Part III. Dixit Dominus, with concerto on Violin-Sga Sirmen; Her last time of performing in England. Part IV. Anthem-Negri (Theatrical Review, p. 223).

456
21 April 1772 @ King's Theatre

Performances

Mainpiece Title: Artaserse Or Le Pazzie Dorlando

Performance Comment: Arbaces?-Millico? (first time in England); Mandane?-Signora Grassi?.

Dance: Mlle Heinel, other principals

457
30 May 1772 @ King's Theatre

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

458
03 June 1772 @ King's Theatre

Event Comment: By Command of their Majesties. Last time of Mlle Heinel's dancing before she leaves England

Performances

Mainpiece Title: Demetrio

Dance: I: Grand Chacone-Mlle Heinel, other principals; II: Provenzale-Slingsby, Sga Guidi, other principals; III: Le Triomphe de la Magie, as17720512

459
05 June 1772 @ King's Theatre

Event Comment: N.B. Mlle Heinel having been desired by several of the Nobility to appear once more upon the stage this season, she is happy that an opportunity presents itself. [She thanks them for the flattering reception she has met with in England.

Performances

Mainpiece Title: Demetrio

Dance: As17720603

460
23 October 1772 @ Goodman's Fields

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None

461
14 November 1772 @ King's Theatre

Performances

Mainpiece Title: Sofonisba

Performance Comment: Syphax-Millico; Sofonisba-Sga Girelli, first appearance in England.
Cast
Role: Sofonisba Actor: Sga Girelli, first appearance in England.

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

462
05 February 1773 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I, Overture in Artaserse-(Giordani); Songs-Savoi, Sga Carara, Ristorini; Concerto on the Basson-Richter, first time of performing publicly in England; Part II, Songs-Savoi, Sga Girelli, Ristorini, Millico; Concerto on the German Flute-Tacet; Concerto on the Violincello-Crosdill; Concerto on the French Horn-Spandau; Part III, Songs-Sga Carara, Sga Girelli, Millico; Concerto on the Hautboy-Fischar; Solo on the Violin-Hay; a favourite overture for two orchestras composed by Bach. a favourite overture for two orchestras composed by Bach.
Cast
Role: Concerto on the Basson Actor: Richter, first time of performing publicly in England

463
13 August 1773 @ Haymarket Theatre

Event Comment: Public Advertiser: When the Disturbances of the Theatre at Rome, in the Days of Augustus, caus'd several Tumults, the Emperour interpos'd and pronounc'd the Sentence of Banishment on a very great Actor, for whose Sake these Disturbances were made. He observ'd at the same Time, that the Stage had a strong Tendency to disturb all as well as to amuse the People. The Actor said, with great Spirit, "'Tis for your Interest, Caesar, that they shoul d be amus'd any Way." The Civil War of England, 1641, did not commence 'til the Playhouses were shut. People are never more discontented than when depriv'd of their Favourite Diversions

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

464
08 November 1773 @ Drury Lane Theatre

Event Comment: Paid Chorus 2 nights (this incl.) #4 1s.; Mr Serres, for painting & rigging ships #63; Mr G. Garrick's note for Mr Weston #44 2s. (Treasurer's Book). [Serres is probably Dominique Serres, 1722-1793, brought to England 1752, apointed marine painter for George III, member of Royal Academy and its librairan after 1792. See Bryan's, Dictionary of Painters and Engravers.] Receipts: #253 11s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Deserter

465
20 November 1773 @ King's Theatre

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

466
30 March 1776 @ King's Theatre

Event Comment: Sga Sestini thinks it her Duty to assure, in this Public Manner, the English Nobility Gentry and Public, of her unfeign'd Gratitude for their numerous appearance on Thursday Night 28 March at her Benefit as she looks upon it as the most convincing Proof of their honouring her with the continuance of their kind Indulgence and Protection, which she will always use her utmost Endeavour to deserve as long as she shall continue in England, and retain the most grateful Rembrance of wherever her Profession may call her (Public Advertiser)

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: La Fete du Village, as17760224

Ballet: III: Astolphe. As17760312

467
02 November 1776 @ King's Theatre

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.

468
08 November 1776 @ Drury Lane Theatre

Event Comment: The Dances went off tonight without Interruption, and were greatly received, and are allowed to be (the) best ever done in England (Hopkins Diary). Receipts: #184 12s

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Mayor of Garratt

Dance: As17761107

469
22 April 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Performance Comment: As17761007, but Sir William-Lewis; Patie (the Gentle Shepherd)-Mrs Moss (1st appearance in that character in England); Roger-M'Donald; Peggy-Miss Douglas (1st appearance on the English stage); Scots Prologue-Mrs Moss in the character of a Country Boy.

Afterpiece Title: Entertainments of Singing and Dancing

Dance: Conclude: reel-the characters

Song: End I: The Banks of the Tweed-Mrs Moss; End III: Rosilind Castle-Mrs Moss; End: The Banks of Invermay-Mrs Moss

470
24 January 1778 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Daphne and Amintor

471
08 May 1778 @ Covent Garden

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Dutiful Deception

Dance: As17780427

Entertainment: Monologue. End: Don Jerome's Trip to England (with a song in character) (1st time)-Wilson

Performance Comment: End: Don Jerome's Trip to England (with a song in character) (1st time)-Wilson.

472
28 March 1780 @ King's Theatre

Performances

Mainpiece Title: Lamore Soldato

Performance Comment: As17800208, but Don Anselmo-Gherardi (1st appearance in England) in place of Rovedino.

Dance: As17800215

473
22 April 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Performance Comment: Principal Characters by Pacchierotti, Trebbi, Sampieri Public Advertiser, 20 Apr.: 1st appearance in England), Micheli, Sga Pozzi, Mme LeBrun. Cast from libretto (E. Cox, 1780): Rinaldo-Pacchierotti; Ubaldo-Trebbi; Idreno-Sampieri; Clotarco-Micheli; Zelmira-Sga Pozzi; Armida-Mme LeBrun.

Dance: Three new Ballets composed by Favre Guiardele. End I: The Rural Sports-Sg and Sga Zuchelli, Henry, Miss Andreas, Miss Simonet, Sga Crespi; End II: La Fete Pastorale-Favre Guiardele, Mme Simonet, Sga Tantini; with a Pas Seul-Mlle Baccelli; accompanied on the guitar-Noferi; End Opera: Serious Ballet, as17800122, but Mme Simonet, Sga +Tantini; +Grand Chaconne by Floquet-

474
02 December 1780 @ King's Theatre

Performances

Mainpiece Title: Ricimero

Performance Comment: [Principal Characters by Roncaglia, Ansani 1st appearance in England], Manzoletto, Micheli, Mrs Barthelemon, Mme LeBrun. [Morning Chronicle, 4 Dec. assigns Vitige-Roncaglia; [Public Advertiser, 4 Dec. Rodoaldo-Ansani. [Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125

475
16 December 1780 @ King's Theatre

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Performances

Mainpiece Title: Ricimero

Dance: End I: The Fortunate Escape, as17801125, but Mme _Simonet, Henry; End II: +Grand Serious Ballet (composed by Simonet)-Sg and Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli; to conclude with: Grand Chaconne-Vestris? Jun.; End III new ballet, Les Amans Surpris (composed by Simonet)-Sg and Sga Zuchelli, Henry, Mlle Baccelli, Vestris? Jun