SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Edward the Black Prince"/1) | (@(roleclean,performerclean) "Edward the Black Prince")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1354 matches on Author, 1200 matches on Performance Comments, 1108 matches on Event Comments, 662 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: Benefit a Family in Distress. For the Entertainment of Che-sazan Outsim, Hindy-Gylesangbier, Charadab-sina, Gulgulachem-Chemaunim, and Tichucbactey Ormophan, Sacheoutzim-Sinadab Caocormin, the Chineze Mandarines, lately arrived in England, on a Tour through Europe, being the only People of that Nation, who have been in England since the Reign of King James I. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Mrs Charke; Morelove-Benson; Sir Charles-Cross; Lady Easy-Mrs Cross; Lady Betty-Miss Binks; Lady Graveairs-Mrs Egerton; Edging-Miss Brett. A New Epilogue addressed to the Town to be spoken by Mrs Charke in the Character of Lord Foppington .

Afterpiece Title: The Devil to Pay

Performance Comment: Nell-Miss Atherton; Lady Loverule-Miss Lewis; Sir John-Mrs Charke; Jobson-a Gentleman of Lombard Street .
Cast
Role: Nell Actor: Miss Atherton
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: Select Pieces. I: A Minuet in Ariadne. III: Minuet by Geminiani

Dance: V: Minuet by Mrs Charke and Miss Brett. End of Afterpiece: Black Joak by Mrs Charke and Miss Brett

Performance Comment: End of Afterpiece: Black Joak by Mrs Charke and Miss Brett .

Song: II: Was ever Nymph like Rosamond. IV: Scacciato dal suo nido

Event Comment: By a Company of Comedians from both Theatres. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: The London Merchant

Performance Comment: George Barnwell-Mrs Charke; Millwood-Mrs Mullart; Barnwell-Mullart; Trueman-Walker; Thorogood-Lacy; Maria-Miss Brett; Lucy-Mrs Freeman; Blunt-Turner. With the Original Epilogue by Miss Brett .

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: By Davenport and Mrs Davenport. V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Performance Comment: V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett .

Song: IV: The Roast Beef Song by Mullart

Event Comment: Benefit Mrs Heron's Executors. Mainpiece: Written by Shakespear. Daily Advertiser, 9 April: We hear, the late Mrs Heron, on Account of her long and expensive Illness, having contracted some Debts more than she apprehended her Effects would discharge, in order to do Justice to her Creditors, in almost her last Moments made her Entreaty, that the Profits arising from a Benefit Play . . . might be distributed amongst them. . .

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17351209. With a New Epilogue upon the Death of Mrs Heron .

Afterpiece Title: The Virgin Unmaskd

Dance: I: Pierrots by Delamagne and Villeneuve. III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter

Performance Comment: III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter .
Event Comment: Benefit Phillips, the Harlequin. At the Desire of several Persons of Quality. [Tickets at Phillips' House, No. 6, Eagle Court in the Strand.]

Performances

Mainpiece Title: The Man Of Taste

Cast
Role: Dorothea Actor: Mrs Pritchard

Afterpiece Title: Harlequin Restord

Dance: I: A new Pantomime Dance called Damon and Phillida: Damon-Phillips; Phillida-Miss Mann; Cimon-Pelling; Mopsus-Davenport. II: Pierrots by Poitier and Pelling. III: Drunken Peasant by Phillips. IV: Black and White Joak by Phillips and Miss Mann. V: The Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: II: Pierrots by Poitier and Pelling. III: Drunken Peasant by Phillips. IV: Black and White Joak by Phillips and Miss Mann. V: The Rover by Essex, Mrs Walter, Miss Mann, &c .
Event Comment: Benefit Shepard. For the Entertainment of the Grand Master, and the rest of the Brethren of the . . . Masons

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c .

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

Performance Comment: III: On, on, my dear Brethren. V: Sing then my Muse .
Event Comment: Benefit Sga Campioni. Tickets of Sga Campioni at the Black Lion in King St., Covent Garden

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Quin

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Serious Dance-Sga Campioni; III: Comic Dance call'd L'Allemande-Picq, Sga Campioni; V: Ball Dance call'd the Louvre-; concluding with: a Minuet-Picq, Sga Campioni

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: At the Tiled Booth, Black heath. Lee and Yeates will perform a Droll, During the Time of the Fair. This Droll was performed at Bartholomew Fair and Southwark Fair with Universal Applause. The Machinery is inexpressibly Fine, especially the Temple Scene and the Burning of Troyv (Daily Advertiser). [Prices as 9 Sept. Notice repeated 29, 30 Sept., 1, 2 Oct.

Performances

Mainpiece Title: The Siege Of Troy

Event Comment: [M$Macklin apparently gave this lecture four times and advertised a fifth as follows]: @W 1 March 1749, at the Black Bull, Pudding Lane, 7 p.m., 1s.@F 3 March, Globe Tavern, Fleet St. (The Subsequent Lectures will conclude with a Rehearsal of some favourite Scenes taken from the Plays therein treated of.)@M 6 March, James St. at twelve o'clock.@W 8 March, Queens Arms, Spittlefields, at seven o'clock.@M 13 March, James St. Prices: 2s. 6d., 1s. 6d., 1s. "it is no Joke" at half past twelve.

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry his 1st time of appearing on that stage; Capulet-Sparks; Montagu-Bridgwater; Escalus-Anderson; Paris-Lacey; Benvolio-Gibson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Arthur; Sampson-Collins; Abram-Dunstall; Balthazar-Bransby; Mercutio-Macklin; Tybalt-Dyer; Nurse-Mrs Macklin; Juliet-Mrs Cibber; An Additional Scene will be introduced representing the Funeral Procession of Juliet-; which will be accompanied by a Solemn Dirge never performed before-; The Music by Mr Arne-; Occasional Prologue-Barry.
Event Comment: Benefit for Ray, W. Vaughan, G. Burton & ye Sub-Treasurer (Cross). Tickets of Ray, at the Crown and Anchor Tavern, St Clement's Church; at the Black Swan Tavern, in Bartholomew Lane; the Old King's Head Tavern, Facing Somerset House; For Vaughan, at the One Ton Coffee House, St. James' Market; for Burton, at Pope's next the Stage Door, Russel St.; and of Hobson at the Stage Door. Tickets deliver'd for the Lady's Last Stake, or the Wife's Resentment will be taken. Receipts: #214 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Benefit for Mr Palmer. Tickets at his lodgings, at Mr Watson's Linnen Draper, Corner Charles St., Covent Garden; and at Stage Door of Theatre. [Ray inserted a long plea for benefit support on the General Advertiser, saying that Mr William Barton, who keeps the Black Swan Tavern on Bartholomew Lane, will do his visiting and deliver his tickets for him since he, Ray, is so ill.] Receipts: #78 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Lottery

Dance: By Desire.A Hornpipe-The Little Swiss

Performance Comment: A Hornpipe-The Little Swiss.
Cast
Role: Hornpipe Actor: The Little Swiss.
Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King-Sowdon; Wolsey-Mossop, 1st time; Buckingham-Ross, 1st time; Norfolk-Palmer; Suffolk-Blakes; Surrey-Lee; Cranmer-Havard; Gardiner-Taswell; Sandys-Shuter; Lord Chamberlain-Winstone; Anne Bullen-Mrs Mills; Queen-Mrs Pritchard; Cornwell-Mozeen; Patience (with a proper song)-Miss Norris. Exact representation of the Coronation.

Afterpiece Title: Don Quixote

Cast
Role: Dorothea Actor: Mrs Bennet.
Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Event Comment: [Benefit] (Toll) for Goodfellow who play'd Hamlet (Cross). Tickets to be had at the Ship Tavern, at Ratcliff-Cross; the Swan in Ratcliff-Highway; the Black Lyon, in Russel St. Covent Garden, and at the Stage Door of the Theatre. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Event Comment: Benefit for Dickenson; W. Vaughan & Ackman. black Guard Audience-(poor Mossop) (Cross). Tickets sold at the doors will not be admitted. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Edward V Actor: Miss Minors

Afterpiece Title: The Double Disappointment

Song: Wilder

Event Comment: Paid Charlotte Lane for altering and mending a pair of black velvet breeches for Mr Wm. Smith, 1s. 6d.; For making a scarlet camblet frock, 8s.; for sewing silk, twist, buckram & stays, 4s. 6d.; for a velvet fall down collar, 3s. 6d.; 17 plain gilt buttons at 3d.-4s. 3d.; (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Flora

Dance: As17551101; Granier, Miss Hilliard

Event Comment: Paid Charlotte Lane for making a Callimanco Coat & breeches loop'd and bound with silver for Miss Hallam (in The Orphan), 10s.; sewing silk, twist, buckram & stays, 3s. 6d.; Haircloth & wadding, 2s. 6d.; Linnen lining, pockets & silk garters to breeches, 4s.; 2 1!2 yds white stuff to line the coat, 5s.; a silver damask waistcoat alter'd 2s.; 2 doz. and 2 coat, 9 breast silver'd buttons, 3s. 9d.; 1 doz. black buttons to the breeches, 9d. Total to Charlotte Lane so far this season, #21, 6s. 5d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: As17551101

Event Comment: Receipts: #96 6s. [Barry's 1!3 came to #5 8s. 8d. (Account Book). This night plus receipts from 1st performance of The Prophetess gave the house a balance in the black for the first time since 16 Dec. 1757.

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Ballet: The Judgment of Paris. As17571217

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Dance: As17571217

Event Comment: Receipts: #143 12s. 6d. Paid Mary Mattley for a woman's black velvet suit #4 4s
Event Comment: Mainpiece: ay Desire. Dance Entertainments never performed before. Boxes #65 10s. Macklin's fifth above charges came to #22 19s. 5d. Bought from Voelcher 3 yds black Cypra for a veil for Mrs Burden 6s. 3d. (Account Book). Receipts: #177 17s. (Account Book)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a la Mode

Cast
Role: Sir Theodore Actor: Dunstall

Dance: Spanish Dance,%The Serenade-; The Waggoners (Comic Dance)-Poitier Jr, Mrs Vernon

Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: By Command of their Majesties. Those ladies and gentlemen who have taken places in the Boxes are desired to be at the theatre earlier than usual, to prevent mistakes; and to send their servants by 3 o'clock. [Garrick's first appearance. He afterwards played only occasionally 7 or 8 nights.] Disturbance at Drury Lane. Those not in black insulted, one young gentleman from Bond Street had a sword run into his eye (Winston MS 9)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Dogberry-Yates; Balthazar (with song)-Vernon; Hero-Miss Plym; Beatrice-Miss Pope; In Act II a Masquerade proper to the play-; to conclude with a Country Dance-.

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Charles Sarjant (book-keeper) and his Son (box-keeper). Tickets sold at doors not admitted. Afterpiece: For last time this season. Charges #89 6d. [Deficit to the Sarjants #11 16s., covered by income from tickets of #142 8s. (Box 346; Pit 260; Gallery 169).] Paid the Billsetters for Black Bills #4 10s. (Account Book). Receipts: #77 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Dragon of Wantly

Cast
Role: Dragon Actor: the Giant

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: NNeville MS Diary: Her confusion was so great, that seeing her gave me pain. On this occasion Foote gave us a stroke of humour; When the Blackamoor Lady had retired, he asked Snarl what character he thought she should play first. Snarl said in Imoinda. Foote replied "Don't you think Callista would do better? for it would have a good effect in the Bills--The Fair Penitent by a Black Lady.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mayor of Garratt

Dance: SSerious Dance-; The Gallant Peasant, as17670904

Entertainment: By Desire, Occasional Prologue on opening the Theatre-Mr Foote; in which will be introduced Through the Wood Laddie-the real Blackamoor Lady (Neville)