SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Edward and Charles Dilly"/1) | (@(roleclean,performerclean) "Edward and Charles Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4266 matches on Author, 1745 matches on Performance Comments, 505 matches on Event Comments, 163 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Related Works
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Bannister; Leander-Davies; Mungo-Cornellys; Scholars-Evatt, Farley; Leonora-A Young Lady (1st appearance on any stage [unidentified]); Ursula-Mrs Webb.
Cast
Role: Leander Actor: Davies
Related Works
Related Work: The Padlock Author(s): Charles Dibdin

Afterpiece Title: The Irishman in Spain

Performance Comment: Characters by R. Palmer, Evatt, Wewitzer, Farley, Rock, Mrs Goodall, Miss Fontenelle. [Cast from text (J. Ridgway, 1791), and European Magazine, Aug. 1791, p. 142: Don Carlos-R. Palmer [in text: Farley (see17910903)]; Don Fabio-Evatt; Don Guzman-Wewitzer; Servant-Farley; Kilmainham-Rock; Olivia-Mrs Goodall [in text: Miss Heard (see17910902)]; Viletta-Miss Fontenelle; Prologue-R. Palmer.
Related Works
Related Work: The Irishman in Spain Author(s): Charles Stuart
Event Comment: Benefit for Miss Chapman. Tickets delivered for The Toy will be admitted. 3rd piece [1st time; D 1, author unknown. Larpent MS 950; not published. Songs by John Collins and Charles Dibdin (MacMillan, Larpent Catalogue, 157-58)]. Morning Herald, 14 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #244 18s. (122.10; 13.5; tickets: 109.3) (charge: #105)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb or The Beau Bedevild

Related Works
Related Work: A Cure for a Coxcomb; or, The Beau Bedevil'd Author(s): Charles Dibdin

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Performances

Mainpiece Title: Everyone Has His Fault

Performance Comment: As17931001, but Sir Ralph here, correctly, Sir Robert Ramble; Edward (for this night only)-Miss Poole//Miss Wooburn-Miss Chapman; Miss Spinster-Mrs Henley; omitted: Porter . omitted: Porter .

Afterpiece Title: THE SAILORS FESTIVAL

Performance Comment: As17940407, but in SCENE I: Sally in our Alley by Incledon, in place of Blow high, blow low; in SCENE III: Old England will be England still by Incledon, in place of Rule Britannia .

Afterpiece Title: THE TWO MISERS

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Event Comment: By Particular Desire of the Mirza, Prince of Broach. 2nd piece [1st time; M. INT 1, by Charles Dibdin; music by the author. MS: Larpent 1030; not published]: The Words of the Songs, &c. will be given at the different Doors of the Theatre. Tickets delivered for THE BEGGAR'S OPERA [Account-Book: by Heathcote, Bayzand, Egan, Pitt, Masters, Dick, Hall (carpenter), Doe, Goodwin] will be admitted. Receipts: #238 14s. 6d. (26/4/0; 3/17/6; tickets: 208/13/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Related Works
Related Work: A Loyal Effusion Author(s): Charles Dibdin

Afterpiece Title: THE HIGHLAND REEL

Cast
Role: Sandy Actor: Incledon

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit Or The Female Crusoe

Performance Comment: Walmsley-Bannister Jun; Captain Wattle and Miss Roe-Bannister Jun; The Country Club-Bannister Jun; The Advantage of Toping-Bannister Jun.; Captain Higgins-Dignum; The Sailor's Journal-Dignum; Lovely Nan-Dignum; Buntline-Suett; Toll de Roll-Suett; Cudgo-Wathen; Kickaraboo-Wathen; Binns-Trueman; Hewit-Holland; Hannah Hewit-Miss DeCamp; The Complaint-Miss DeCamp; Virtue-Miss DeCamp; Anna-Miss Leak; True Glory-Miss Leak; Mrs Binns-Miss Heard.
Related Works
Related Work: Hannah Hewit; or, The Female Crusoe Author(s): Charles Dibdin

Afterpiece Title: The Inconstant

Afterpiece Title: The Son in Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]
Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.
Related Works
Related Work: A Day at Rome Author(s): Charles Smith
Event Comment: 1st piece: In one Act; 1st time at this Theatre [acted 19 June 1784]. 2nd piece [1st time; D 3, by Charles Kemble, based on Le Deserteur, by Louis Sebastien Mercier. Authors of Prougue and Ephlogue unknown]. Morning Chronicle, 1 Aug. 1800: This day is published The Point of Honour (2s.)

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]
Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: Selim-Barry; Edward-Lewis; Gloster-Hull; Theald-Clarke; Assassin-L'Estrange; Officer-Thompson; Daraxa-Mrs Mattocks; Eleonora-Mrs Barry.
Cast
Role: Edward Actor: Lewis

Afterpiece Title: Midas

Dance: End Tragedy: The Pilgrim, as17750927

Event Comment: Mainpiece: Not acted these 20 years [not acted since 17 Jan. 1750]. With new Dresses and Decorations. Receipts: #193 11s. (169/7/0; 23/14/0; 0/2/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: : Edward Actor: Kemble
Role: Earl of Chandos Actor: Williames

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes Or The Bloody Contest Between Charles The Twelfth King Of Sweden And Peter The Great Czar Of Muscovy

Performance Comment: Charles XII-Usher; Prince of Wurtemburg-Jackson; Count Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Prince Dolguruki-Paget; Prince Menzikoif-Jones; Iwan-Shawford; Princess Ellimira-Mrs Cross.
Cast
Role: Charles XII Actor: Usher

Afterpiece Title: The Volunteers or The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.
Cast
Role: Charles XII Actor: Usher

Afterpiece Title: The Volunteers or The Adventures of Roderick Random and his Friend Strap

Performance Comment: Roderick Random-Cross; Garbage-Bridges; Slim-Storer; Strap-Paddick; Widow Vanspriggen-Mrs Bridges; Moll-Mrs Vaughan; Mrs Rank-Miss Ferguson; Mrs File-Mrs Shawford; Mrs Machegogan-Mrs Paddick; Madge-Miss Tyler; Janny-Vaughan.
Cast
Role: Roderick Random Actor: Cross

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley
Related Work: The Wrangling Lovers; or, The Invisible Mistress Author(s): Edward Ravenscroft
Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley

Performances

Mainpiece Title: An Historical Play king Charles I

Performance Comment: Fairfax-Havard; King-Giffard; Oliver Cromwell-Wright; Bishop Juxon-Ridout; Richmond-Woodward; Marquis of Lindsey-Green; Bradshaw-Marten; Ireton-Taswell; Tomlinson-Leigh; Duke of York-Miss Thynne; Gloster-Miss Edwards; Queen-Mrs Giffard; Lady Fairfax-Mrs Roberts; Princess Elizabeth-Miss Cole.
Cast
Role: Gloster Actor: Miss Edwards

Afterpiece Title: The Virgin Unmaskd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: King Edward Iii With The Fall Of Mortimer Earl Of March

Performance Comment: Queen-Mrs Barry; King Edward-Bullock Jr; Mountacute-Wilks; Mortimer-Mills; Chancellor-Bullock Sr; Sergeant Eitherside-Dogget; Maria-Mrs Rogers.
Cast
Role: King Edward Actor: Bullock Jr

Performances

Mainpiece Title: Jane Shore Containing The Death Of King Edward Iv The Penance Of Jane Shore And Her Miserable Fall Under Richard The Protector

Performance Comment: King Edward-Cory; Richard the Protector-Smith; Shore-Milward; Sir Robert Brackenbury-Oates; Jane Shore-Mrs Mottett; Flora-Miss Sherburn.
Cast
Role: King Edward Actor: Cory

Afterpiece Title: With The Comical Humours of Anthony Noodle His Man Weazle and Captain Blunderbuss

Afterpiece Title: The Wheel of Life or Harlequins Death

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Bensley; Ferdinand-Kelly; Stephano-Moody; Trincalo-Baddeley; Caliban-Williames; Gonzalez-Aickin; Alonzo-Packer; Antonio-Phillimore; Ariel-Miss Romanzini; Hyppolito-Mrs Goodall; Miranda-Mrs Crouch; Dorinda-Miss Farren; Epilogue-Miss Farren. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Ferdinand Actor: Kelly
Role: Miranda Actor: Mrs Crouch

Afterpiece Title: The First Floor

Performance Comment: As17890912, but Landlord-_; Snap-_; Postboy-_; Frank-_.
Cast
Role: Landlord Actor: Hollingsworth

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

Performance Comment: Neptune-Sedgwick, Amphitrite-Mrs Edwards.
Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Linley Jun. Afterpiece: 30th [recte 29th] time [i.e. in continuation of the reckoning for the previous season]. The Overture, new Songs and Accompaniments by Shaw. Receipts: #199 18s. 6d. (157.10.0; 40.8.0; 2.0.6)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Bensley; Alonzo-Packer; Antonio-Phillimore; Ferdinand-Kelly; Gonzalez-Fox; Stephano-Moody; Trincalo-Baddeley; Caliban-Williames; Ariel-Miss Romanzini; Hyppolito-Mrs Williames; Miranda-Mrs Crouch; Dorinda-Miss Farren.
Cast
Role: Ferdinand Actor: Kelly
Role: Miranda Actor: Mrs Crouch

Afterpiece Title: The Island of St

Performance Comment: Marguerite. The Mask-Kelly; Commandant-Barrymore; Turnkey-Suett; Officer-Sedgwick; Thomas-Banks; Lawyer-Waldron; Mob-Hollingsworth, Chapman, Webb, Fairbrother, Lyons; Jonas-Bannister Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Teresa-Miss Barnes; Nuns-Mrs Shaw, Mrs Davis, Mrs Gawdry, Miss Palmer; Carline-Miss Hagley.
Cast
Role: Commandant Actor: Barrymore
Role: Abbess Actor: Mrs Edwards

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

Performance Comment: Neptune-Sedgwick, Amphitrite Mrs Edwards.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q & a Box for ye Maids Honr Edward 3. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: King Edward The Third

Event Comment: Benefit Edward Keene. Tickets (5s.) may be had at Keene's house in Arundel Street in the Strand. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-all the same Masters [who perform'd at his [Edward Keene's] last Meeting

Event Comment: Benefit Mrs Clive. Mainpiece: Never acted there Before. Amphitheatre on stage [see 12 March]. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets and places of Mrs Clive at her house in Great Queen St., Lincoln's Inn Fields; or of Page at the stage door of the theatre. Last Night their Royal Highnesses the Prince and Princess of Wales were at the Theatre Royal in Covent Garden to see the Merchant of Venice; when the Song of Britons strike home was commanded to be sung, which was accordingly done, with the Chorus's, accompanied by Trumpets, Kettle-Drums, etc. and met with the Greatest Applause.--General Advertiser, 14 March. [The notice about Miss Edwards' first attempt means in an acting role; she was a singer.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Merchant-Quin; Bassanio-Hale; Gratiano-Ryan; Shylock-Rosco; Launcelot-Chapman; Gobbo-James; Lorenzo (with songs in character)-Beard; Solarino-Ridout; Salanio-Gibson; Duke-Marten; Tubal-Stoppelaer; Nerissa-Mrs Pritchard; Jessica-Miss Edwards (her 1st attempt on any stage); Portia-Mrs Clive.
Cast
Role: Jessica Actor: Miss Edwards

Afterpiece Title: The Lottery

Song: MMy Faith and Truth (Favourite Duette from Samson)-Miss Edwards, Mrs Clive; Britons Strike Home-

Dance: SScotch Dance, as17431124

Event Comment: Benefit Raftor and Miss Edwards. Mainpiece: Written by Shakespear. Advertised as not acted for 5 years. Afterpiece not acted these 12 years [see 23 April 1734]

Performances

Mainpiece Title: Twelfth Night Or What You Will

Performance Comment: Malvolio-Macklin; Sir Andrew Aguecheek-Neale; Clown-Yates; Orsino-Mills; Viola-Mrs Woffington; Olivia (with songs proper)-Mrs Clive; Sebastian-Havard; Sir Toby-I. Sparkes; Antonio-Bridges; Valentine-Usher; Fabian-Winstone; Captain-Goodfellow; Curio-Bransby; 1st Officer-Simpson; 2nd Officer-Leigh; Maria-Mrs Macklin; With an Epilogue recommending the cause of Liberty to the Beauties of Great Britain,-Mrs Clive.
Cast
Role: Sir Andrew Aguecheek Actor: Neale

Afterpiece Title: The Jovial Crew or The Merry Beggars

Performance Comment: Parts-Mills, Lowe, Blakes, Yates, Mrs Clive, Miss Edwards.
Related Works
Related Work: The Jovial Crew Author(s): Edward Roome

Song: ParticularlyO Sleep from Semele-Miss Edwards