SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edward and Charles Dilly"/1) | (@(roleclean,performerclean) "Edward and Charles Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4266 matches on Author, 1745 matches on Performance Comments, 505 matches on Event Comments, 163 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.

Afterpiece Title: The Dramatic Puffers

Performance Comment: Characters by Edwin, Robson, Whitfield. [Cast from text (G. Kearsley and E. Macklew, 1782): Zephyr-Edwin; Breeze-Robson; Author-Whitfield (in text: Lee Lewes [see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Golden Pippin

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Performance Comment: Principal Characters by Wroughton, Lee Lewes, Quick, Wilson, Wewitzer, Davies, Mahon, Lewis; Mrs Morton, Mrs Lewis, Mrs Webb, Mrs Abington. [Cast from text (C. Dilly, 1783): Elder Loveless-Wroughton; Welford-Lee Lewes; Savil-Quick; Morecraft-Wilson; Poet-Wewitzer; Traveller-Davies; Captain-Mahon; Younger Loveless-Lewis; Servants-Fearon, Helme; Widow-Mrs Morton; Martha-Mrs Lewis; Abigail-Mrs Webb; The Lady-Mrs Abington.] Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: Rosina

Dance: As17820927

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.
Cast
Role: Lord Hildebrand Actor: Palmer
Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Spanish Rivals

Cast
Role: Don Fernandez Actor: Barrymore
Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Performances

Mainpiece Title: Tit For Tat

Performance Comment: Principal Characters by Palmer, Booth, Davies, Lyons, R. Palmer; Mrs Bulkley, Miss Farren. [Cast from text (C. Dilly, 1788): Villamour-Palmer; Old Meanwell-Booth; Young Meanwell-Davies; Servant-Lyons; Skipwell-R. Palmer; Letty-Mrs Bulkley; Florinda-Miss Farren.] New Prologue spoken by Palmer. Epilogue spoken by Miss Farren . New Prologue spoken by Palmer. Epilogue spoken by Miss Farren .

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Performance Comment: Glib (with the original Prologue and Epilogue)-Palmer; Sir Toby Fuz-Usher; Sir Macaroni Virtu-R. Palmer; Carpenter-Booth; Mervin-Williamson; Patent-Gardner; Prompter-Burton; Wilson-Bannister Jun.; Lady Fuz-Mrs Webb; Miss Fuz-Miss Woollery. In which the Burletta of Orpheus. Orpheus-Davies; Old Shepherd-Edwin; Rhodope-Miss George .

Dance: As17860706

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The First Floor

Performance Comment: Principal Characters by Baddeley, Suett, R. Palmer, Chaplin, Jones, Alfred, Spencer, Whitfield, Burton, Bannister Jun., Mrs Wilson, Miss Collins, Mrs Hopkins. [Cast from text (C. Dilly, 1787): Whimsey-Baddeley; Furnish-Suett; Young Whimsey-R. Palmer; Landlord-Chaplin; Snap-Jones; Postboy-Alfred; Frank-Spencer; Monford-Whitfield; Simon-Burton; Tim Tartlett-Bannister Jun.; Nancy-Mrs Wilson; Charlotte-Miss Collins; Mrs Pattypan-Mrs Hopkins; Prologue-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Landlord Actor: Chaplin

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Performance Comment: Principal Characters by Bannister Jun., Wewitzer, Burton, Barret, Lawrence, Moss, Miss Francis, Miss Brangin, Mrs Webb. [Cast from text (C. Dilly, 1787): Bob Bootekin-Bannister Jun.; Stately-Wewitzer; Spatula-Burton [in text: Johnson (see17870822)]; Dismal-Barret; Captain Wilmot-Lawrence; Bootekin-Moss; Charlotte-Miss Francis; Kitty-Miss Brangin; Mrs Poplin-Mrs Webb.

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Event Comment: Afterpiece [1st time; MF 2, by James Cobb, based on Doktor und Apotheker, by Gottlieb Stephanie]: With entirely new Scenes, Dresses, and Decorations. The Music composed by Carl? Ditters [von Dittersdorf] and with additional music by Stephen? Storace. Books of the Songs to be had at the Theatre. Receipts: #182 13s. (126.1; 55.12; 1.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Bannister Jun.; Stockwell-Aickin; Major O'Flaherty-Moody; Captain Dudley-Packer; Charles Dudley-Barrymore; Fulmer-Suett; Stukely-Benson; Sailor-Jones; Varland (1st time)-Baddeley; Lady Rusport-Mrs Hopkins; Louisa Dudley-Mrs Kemble; Mrs Fulmer-Miss Tidswell; Charlotte Rusport (1st time)-Mrs Goodall.
Cast
Role: Charles Dudley Actor: Barrymore
Role: Varland Actor: Baddeley
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Doctor and the Apothecary

Performance Comment: Principal Characters by Parsons, Kelly, Bannister Jun., Suett, Sedgwick, Burton, Dodd, Miss Romanzini, Mrs Booth, Mrs Crouch. Cast from text (C. Dilly, 1788): Thomaso-Parsons; Carlos-Kelly; Juan-Bannister Jun.; Dr Bilioso-Suett; Guzman-Sedgwick; Perez-Burton; Sturmwald-Dodd; Isabella-Miss Romanzini; Theresa-Mrs Booth; Anna-Mrs Crouch.
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Characters by R. Palmer, King, Kemble, Whitfield, Palmer, C. Kemble, Suett, Waldron, Phillimore, Bland, Maddocks, Banks, Trueman, Webb, Lyons, Evans, Fisher, Mrs Powell, Miss Farren, Mrs Maddocks, Miss Tidswell. [Cast from text (C. Dilly, 1795): Sir David Daw-R. Palmer; Tempest-King; Penruddock-Kemble; Woodville-Whitfield; Sydenham-Palmer; Henry Woodville-C. Kemble; Weazel-Suett; Woodville's Servant-Waldron; Attendant-Phillimore; Jenkins-Bland; Servants of Sir George Penruddock-Maddocks, Banks, Evans, Fisher, Lyons; Livery Servant-Trueman; Servant to Tempest-Webb; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid of the Lodging-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .
Cast
Role: Jenkins Actor: Bland
Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: Alexander the Great

Cast
Role: Alexander Actor: J. D'Egville
Role: Eumenes Actor: Bland

Performances

Mainpiece Title: The Jew

Cast
Role: Charles Ratcliffe Actor: Wroughton
Related Works
Related Work: The Jew Author(s): Richard Cumberland
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Afterpiece Title: The Adopted Child

Performance Comment: Characters by Trueman, Sedgwick, Suett, Bannister Jun., Bland, Phillimore, Master Welsh, Miss Leak, Miss DeCamp, Miss Tidswell, Mrs Bland. Cast from text (C. Dilly, 1795): Sir Bertrand-Trueman; Le Sage-Sedgwick; Record-Suett; Michael-Bannister Jun.; Spruce-Bland; Flint-Phillimore; Boy-Master Welsh; Clara-Miss Leak; Lucy-Miss DeCamp; Jannette-Miss Tidswell; Nell-Mrs Bland.
Cast
Role: Sir Bertrand Actor: Trueman
Role: Spruce Actor: Bland
Role: Nell Actor: Mrs Bland.

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Performance Comment: Characters by Wroughton, King, Palmer, Bannister Jun., R. Palmer, Suett, Hollingsworth, Trueman, Phillimore, Webb, Mrs Jordan, Miss Farren, Miss Pope, Miss Tidswell, Mrs Heard. [Cast from text (C. Dilly, 1795): Lord Sensitive-Wroughton; Sir Miles Mowbray-King; Frederick Mowbray-Palmer; David-Bannister Jun.; Mr Wrangle-R. Palmer; Billy Bustler-Suett; Robin-Hollingsworth; Servant to Lady Ruby-Trueman; Servant to Mr Wrangle-Webb; Sabina Rosny-Mrs Jordan; Lady Ruby-Miss Farren; Mrs Wrangle-Miss Pope; Mrs Kate-Miss Tidswell; Waiting Woman to Lady Ruby-Mrs Heard; unassigned-Phillimore; Prologue-Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: First Love Author(s): Richard Cumberland

Afterpiece Title: The Adopted Child

Cast
Role: Sir Bertrand Actor: Trueman
Role: Spruce Actor: Bland
Role: Nell Actor: Mrs Bland.
Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece [1st time; MD 3, by Richard Cumberland. Author of Prologue unknown]. Receipts: #235 13s. 6d. (232.9.6; 3.4.0)

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Performance Comment: Principal Characters by Pope, Middleton, Harley, Macready, Hull, Toms, Richardson, Davenport, Claremont, Thompson, Williamson, Mrs Clendining, Mrs Pope. Cast from text (C. Dilly, 1796): Voltimar-Pope; King Alfred-Middleton; Oddune, Earl of Devonshire-Harley; Sibald-Macready; Roger de Malvern-Hull; Alric, Earl of Northumberland-Toms; Gothrun-Richardson; Redwald-Davenport; Egbert-Claremont; Mollo-Thompson; Messenger-Williamson; Lothaire-Mrs Clendining; Swithun-Blurton; Dane-Abbot; Oswena-Miss Morris [see17960114]; Adela-Mrs Pope; Prologue-Toms.
Cast
Role: Earl of Northumberland Actor: Toms
Related Works
Related Work: The Days of Yore Author(s): Richard Cumberland

Afterpiece Title: Merry Sherwood

Cast
Role: Prince of Arragon Actor: Holland
Role: Maid Marian Actor: Mlle St.Amand
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Otaheitan Actor: Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Peruvian Actor: East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: East Indian Actor: Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Chinese Actor: Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Arab Actor: Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Turkish Actor: African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: African Actor: North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: North American Actor: Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lapland Actor: Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Russian Actor: Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Polish Actor: Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Flemish Actor: Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: To conclude with a Grand Dance of Archers Actor: Byrn
Role: The Sheriff and Arthur Actor: o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: o' Actor: Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: Harlequin appears as a Beggar Boy Actor: is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: and appoints Harlequin as his Guide and Protector Actor: the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the Moving Grove Actor: the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the story of Robin Hood and the Tanner Actor: the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: intended Bride Actor: Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: brings on a dead Buck as a present to Arthur Actor: the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: which changes to the Town Stocks in which they are Actor: Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: The story of the Pindar of Wakefield Actor: the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: Robin and his pursuers in full chace Actor: the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: and the Count discovered Actor: Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: Pigmies Actor: Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: the Grand Dance of Warriors in the Field of Actor:
Role: Robin's skill in Archery Actor: Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-
Role: Arthur Actor: o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-
Role: o' Actor: Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-
Role: Bradley changed to a Tree Actor: shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-
Role: shot at by Robin and his Party Actor: enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-
Role: Nottingham Market Actor: Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Arthur Actor: o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: o' Actor: Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Bradley by a Lanthorn of Fire Actor: The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: attended by the Bridemen and Maids Actor: a Morrice Dance-
Role: the Marriage of Allen and Martha Martha's song Actor: Mrs Mountain
Role: Harlequin changes the Cottage to a Ship Actor: a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: which he changes to a cart Actor: and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: and the Scene to a Plough Field Actor: a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: A Landscape changes to a Stile Actor: Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: Archers to Trees Actor: the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: the Death of Robin by Arthur Actor: o'-Bradley and his Men. Scene VII
Role: o' Actor: Bradley and his Men. Scene VII
Role: Clouds with Angels supporting Wreaths Actor: which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Knapp, p. 302)]. [Afterpiece in place of Netley Abbey, advertised on playbill of 22 Nov.] Morning Herald, 6 Dec. 1797: To-morrow will be published False Impressions (2s.). Receipts: #165 16s. (161.13; 4.3)

Performances

Mainpiece Title: False Impressions

Performance Comment: Principal Characters by Quick, Holman, Munden, Murray, Whitfield, Davenport, Thompson, Simmons, Follett, Curties, Miss Chapman, Mrs Knight, Mrs Davenport, Mrs Norton, Miss Betterton. [Cast from text (C. Dilly, 1797): Scud-Quick; Algernon-Holman; Simon Single-Munden; Sir Oliver Montrath-Murray; Earling-Whitfield; Farmer Gawdry-Davenport; Frank-Thompson; Jack-Simmons; Isaac-Follett; Peter-Curties [in text: Abbot]; Lady Cypress-Miss Chapman; Jenny Scud-Mrs Knight; Mrs Buckram-Mrs Davenport; Rachel Williams-Mrs Norton; Emily Fitzallan-Miss Betterton; Prologue-Murray; Epilogue-Miss Betterton. [These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]
Related Works
Related Work: False Impressions Author(s): Richard Cumberland

Afterpiece Title: The Farmer

Performance Comment: As17970922, but Landlady-_.
Cast
Role: Landlady Actor: Mrs Platt
Event Comment: According to L. C. 7@1-see Nicoll, Restoration Drama, p.325n--a disagreement within the King's Company resulted in the Lord Chamberlain's directing Michaell Mohun, Charles Hart, Edward Kynnaston, and William Cartwright to manage the company under his supervision

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: Impartial Protestant Mercury, 2 May 1682: Mr Charles? Deering? son to Sr Edward D., and Mr Vaughan?, quarrelled in the Duke's Playhouse, and presently mounted the stage and fought, and Mr D. was dangerously wounded, and Mr V. secured lest it should prove mortal. [See also, Wilson, Theatre Notes from the Newdigate Newsletters, p. 80.

Performances

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Performance Comment: Sancho-King; Don Carlos-Garrick; Lopez-Yates; Lorenzo-Palmer; Leonora-Mrs Pritchard; Jacintha-Mrs Clive, with Mrs Davies and Bransby in the bill also.

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At Kings False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]

Afterpiece Title: The Prisoner

Cast
Role: Nina Actor: Mrs Bland
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Terpsichore Actor: Mlle St.Amand
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: and Amphitrite Actor:
Role: and Proserpine Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foild

Performance Comment: Characters-Sowdon, Mahoon, Bannister, Miss Grace, Miss Edwards. Lord Crafty-Sowdon; Meanwell-Mahoon; Worthy-Bannister; Amilia-Miss Edwards; Sally-Miss Groce (Edition of 1768).

Dance: As17680530

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Performance Comment: Parts by Mahoon, Bannister, Vandermere, Mrs Barthelemon, Mrs Saunders, Miss Ogilvie, Miss Edwards. Paris-Mahoon; Mercury-Bannister; Palaemon-Vandermere; Oenone-Mrs Barthelemon; Venus-Miss Edwards; Pallas, Discord-Mrs Saunders; Juno-Miss Ogilvie (Edition of 1768).
Cast
Role: Palaemon Actor: Vandermere
Role: Venus Actor: Miss Edwards

Dance: As17680530

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Lasts Examination

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Oldcastle-Parsons; Goodall-Moss; Valentine-Johnson; Drunken Colonel-Bannister Jun.; Charlotte-Mrs Forster; Mrs Highman-Mrs Webb; Intriguing Chambermaid-Mrs Edwards.

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Related Works
Related Work: The Six Days' Adventure; or, The New Utopia Author(s): Edward Howard

Performances

Mainpiece Title: A Wife Well Managed

Performance Comment: Principal Characters-Edwin, Kemble, Burton, Mrs Edwards, Mrs Whitfield. [Cast suggested by Genest, VI, 570: Don Pisalto-Edwin; Father Bernardo-Kemble; Teague-Burton; Inis-Mrs Edwards; Lady Pisalto-Mrs Whitfield.]

Afterpiece Title: The Young Quaker

Afterpiece Title: Duke and No Duke or Trappolins Vagaries

Song: End 2nd piece: Four@and@twenty Perriwigs all on a Row-; In 3rd piece: Quoz-Edwin

Event Comment: Afterpiece [1st time; BO 2, by the Hon. John St.John. Prologue by the author (see text)]: With new Scenes, Dresses and Decorations. The Overture, new Songs and Accompaniments by Shaw. The Scenes by Greenwood. Receipts: #172 16s. (117.11.0; 53.9.6; 1.15.6)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Island of St

Performance Comment: Marguerite. Principal Characters-Kelly, Barrymore, Suett, Waldron, Sedgwick, Hollingsworth, Jones, Phillimore, Banks, Fawcett, Maddocks, Lyons, Wilson, Alfred, Fairbrother, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion, Capon, Bannister Jun., Miss Romanzini, Mrs Edwards, Miss Hagley, Mrs Fox, Miss Stageldoir, Miss Barnes, Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butler, Mrs Gawdry, Mrs Crouch. [Cast from text (J. Debrett, 1789), and European Magazine, Nov. 1789, p. 378: Mask-Kelly; Commandant-Barrymore; Turnkey-Suett; Lawyer-Waldron; Officer-Sedgwick; Mob-Hollingsworth, Jones, Phillimore, Maddocks, Lyons, Fairbrother, Webb [not listed in playbill]; Thomas-Banks; Jonas-Bannister Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Nuns-Miss Hagley, Miss Stageldoir, Miss Barnes; Teresa-Mrs Fox; Carline-Mrs Crouch; unassigned-Fawcett, Wilson, Alfred, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion, Capon, Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butler, Mrs Gawdry; Prologue-Bannister Jun. [This was spoken, as here assigned, at the 1st 8 performances only (see17891207).]This was spoken, as here assigned, at the 1st 8 performances only (see17891207).]