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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Earl of Egmont"/1) | (@(roleclean,performerclean) "Earl of Egmont")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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635 results for: Keyword - Earl of Egmont
We found 240 matches on Performance Title, 143 matches on Performance Comments, 143 matches on Event Comments, 142 matches on Author, and 0 matches on Roles/Actors.

401
25 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.
Cast
Role: Earl of Worcester Actor: Aickin
Role: Earl of Northumberland Actor: Packer
Role: Earl of Douglas Actor: Caulfield
Role: Earl of Westmoreland Actor: Trueman

Afterpiece Title: Richard Coeur de Lion

402
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

403
19 January 1709 @ Queen's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

404
17 March 1709 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. Admission as 5 Jan., but no benches railed into boxes. [According to Ch. Dering, it was "acted expressly for Lord Marlborough." See Egmont MS, p. 246.

Performances

Mainpiece Title: Camilla

405
15 September 1709 @ Queen's Theatre

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello Moor Of Venice

406
08 January 1729 @ Drury Lane Theatre

Event Comment: UUniversal Spectator, 11 Jan.: Last Wednesday his Highness the Prince went to...Drury-Lane, to see Mr Cibber's new Pastoral....The Actors were for a while prevented from performing, by the great Disturbance some of the Audience made. But on a Speech from Mr Cibber, with a Promise it should not be acted again, the Catcalls, &c. ceased, and they were suffered to go on and end the same. See also Applebee's, 11 Jan.; Egmont, Diary, III, 325; Whincop, p. 198

Performances

Mainpiece Title: Love In A Riddle

407
24 April 1730 @ Haymarket Theatre

Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Performances

Mainpiece Title: The Authors Farce

Afterpiece Title: Tom Thumb

408
13 October 1730 @ no theater listed

Event Comment: For details, see Egmont, Diary, I, 107-8. Place of performance not known

Performances

Mainpiece Title: Concert

409
13 January 1732 @ Drury Lane Theatre

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

410
14 February 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 222

Performances

Mainpiece Title: Sosarmes

411
22 February 1732 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and Princesses present. See Egmont, Diary, I, 224.

Performances

Mainpiece Title: Sosarmes

412
23 February 1732 @ Crown and Anchor Tavern

Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Performances

Mainpiece Title: Esther

413
17 April 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Performances

Mainpiece Title: Flavius

414
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

415
20 June 1732 @ King's Theatre

Event Comment: [Q$Queen, Prince and three eldest Princesses present. See also Egmont, Diary, I, 281.

Performances

Mainpiece Title: Acis And Galatea

416
20 November 1732 @ Crown Tavern

Event Comment: See Egmont, Diary, I, 296

Performances

Mainpiece Title: Concert

417
22 November 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 297

Performances

Mainpiece Title: Alexander

418
20 February 1733 @ Drury Lane Theatre

Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Performances

Mainpiece Title: The Miser

419
27 March 1733 @ King's Theatre

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

420
26 December 1733 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Distinction. Egmont, Diary, I, 472: I went... to see the famous moving tragedy, called George Barnwell

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Flora

Dance:

421
27 December 1733 @ Haymarket Theatre

Event Comment: By Desire. Mainpiece: Written by Ben. Johnson. Egmont, Diary, I, 474: I went ... to see the Fox represented, a noted play of Benj. Johnson's

Performances

Mainpiece Title: The Fox volpone

Afterpiece Title: The Festival

422
28 December 1733 @ Haymarket Theatre

Event Comment: By Desire. Mainpiece: Written by Ben. Johnson. Afterpiece: Set to Musick by Mr Arne. Egmont, Diary, I, 474: I went to ... see the Alchymist, wrote by Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

423
01 January 1734 @ Haymarket Theatre

Event Comment: By Desire. Written by Ben. Johnson. Egmont, Diary, II, 2: I went ... to see The Silent Woman

Performances

Mainpiece Title: The Silent Woman

Music: Select Pieces

Dance: Clown by Nivelon. La Bagatell by Essex and Miss La Tour. A Dance by Miss Robinson alone

424
29 January 1734 @ King's Theatre

Event Comment: [Their Majesties and three eldest Princesses present. Egmont also present.]

Performances

Mainpiece Title: Ariadne in Creta

425
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne in Creta