SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E W White"/1) | (@(roleclean,performerclean) "E W White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1795 matches on Performance Comments, 460 matches on Event Comments, 271 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Stage Coach; or, Inn in an Uproar

Performance Comment: Principal Characters-Quick, Edwin, Booth, Fearon, Macready, Davies, Miss Rowson, Mrs White, Mrs Morton.

Entertainment: Monologue Before: Mother Shipton's Review of the Audience (Written By D. Garrick, Esq., with Alterations and Additions) (for that night only)-Quick

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Evatt; Biondello-Rock; Pedro-Helme; Taylor-Wewitzer; Music@master-Stevens; Grumio-Quick; Bianca-Miss Brangin; Curtis-Mrs White; Catherine-Mrs Mattocks.
Cast
Role: Curtis Actor: Mrs White

Dance: As17881107

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Aladin; or, The Wonderful Lamp

Performance Comment: Harlequin-Boyce; Pantaloon-Cubitt; Lover-Farley; Clown-Letteney; Taberino-Rock; Zozeb-Master Simmons; Wood Cutter-Bonville; Undertaker-Stevens; Pierrot-Delpini; Aladin's Mother-Mrs Davenett; Pantaloon's Wife-Mrs White; Colombine-Mrs Goodwin; The Vocal Parts-Blanchard, Davies, Bernard, Darley, Mrs Martyr.
Cast
Role: Pantaloon's Wife Actor: Mrs White

Dance: In Afterpiece: Byrne, King, Ratchford, Mrs Watts, Mrs Lloyd, Mrs Ratchford. [Included, as here assigned, in all subsequent performances.

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Cast
Role: Pantaloon's Wife Actor: Mrs White

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Czar

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Egan; Biondello-Rock; Pedro-Evatt; Taylor-Bernard; Music@master-C. Powell; Grumio-Quick; Bianca-Miss Brangin; Curtis-Mrs White; Catherine-Mrs Mattocks.
Cast
Role: Curtis Actor: Mrs White
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-White; Harcourt-Egerton; Belville-Morton; Country Boy-Master Pritchard; William-Sims; Sparkish-Belmont; Alithea-Miss Smith; Lucy-Mrs Egerton; Miss Peggy (the Country Girl)-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Moody Actor: White

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: The Lad Of The Hills

Performance Comment: As17960409, but Irish Peasantry Defenders White Boys-Miss Leserve.

Afterpiece Title: The Doldrum; or, 1803

Dance: As17960413

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Wicklow Mountains

Performance Comment: As17961007, but Irish Peasantry Defenders and White Boys-_Spofforth.

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Old Batchelor

Dance: As17291114

Performances

Mainpiece Title: Love Makes A Man

Dance:

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Hob; or, The Country Wake

Dance: As17300103

Song: As17300101

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Jealousy Deceived

Performances

Mainpiece Title: The Fatal Villainy

Performances

Mainpiece Title: The Widow Bewitch'd

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Song:

Dance:

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth; With The Humours Of Sir John Falstaffe Henry Iv, Part Ii