The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E L"/1) | (@(roleclean,performerclean) "E L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 509 matches on Event Comments, 313 matches on Performance Comments, 234 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: The Feign'd Curtizans; Or, A Night's Intrigue

Performances

Mainpiece Title: The Sicilian Usurper

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: The Tyrant Of Sicily

Performances

Mainpiece Title: The Soldier's Fortune

Performances

Mainpiece Title: The Rover, Part Ii

Performances

Mainpiece Title: The Soldier's Fortune

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The Royalist

Performances

Mainpiece Title: Venice Preserv'd

Performances

Mainpiece Title: The Souldier's Fortune

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The Chances

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performances

Mainpiece Title: Othello, Moor Of Venice