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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E Johnson"/1) | (@(roleclean,performerclean) "E Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2237 results for: Keyword - E. Johnson
We found 1497 matches on Performance Comments, 443 matches on Event Comments, 282 matches on Author, 216 matches on Performance Title, and 0 matches on Roles/Actors.

801
08 March 1781 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

802
05 April 1781 @ King's Theatre

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

803
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

804
12 January 1782 @ King's Theatre

Performances

Mainpiece Title: Junius Brutus

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

805
09 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.
Cast
Role: Mrs Johnson Actor: Miss Platt
Related Works
Related Work: All Alive and Merry; or, Men in Pursuit of Money Author(s): Samuel Johnson

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

806
02 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

807
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

808
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

809
19 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

810
25 January 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

811
06 June 1791 @ Covent Garden

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

812
26 March 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

813
31 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

814
16 April 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

815
17 September 1792 @ Covent Garden

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

816
25 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Liar

817
21 November 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

818
09 March 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At Hay King Henry The Eighth

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

819
20 December 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Wedding Day

820
25 April 1795 @ King's Theatre

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17950411

821
06 February 1796 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

822
20 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wedding Day

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

823
03 March 1797 @ Covent Garden

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

824
28 November 1797 @ King's Theatre

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

825
23 January 1798 @ King's Theatre

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17980116