SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E H"/1) | (@(roleclean,performerclean) "E H")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 469 matches on Performance Comments, 213 matches on Performance Title, 140 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Country House

Dance: TTwo Pierots-Lalauze, Desse; Je ne scai quoi-Villeneuve, Richardson, Miss Oates; Comic Dance-Villeneuve, Delagarde, Miss Oates; Ballet-Desse, Delagarde, Miss Oates

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The King and the Miller of Mansfield

Dance: MMuzette-Mechel, Mlle Mechel; Comic Dance-Villeneuve, Mrs Delagarde

Song: Roberts, Mrs Chambers

Performances

Mainpiece Title: The Committee

Afterpiece Title: Lethe

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Performances

Mainpiece Title: As You Like It

Dance: I: The Peasants, as17420210; III: Minuet (by desire)-Destrade, Mlle Auguste; New Comic Dance, Pantaloon and Enamorata, as17420420

Song: II: Ruddier than the Cherry, out of Acis and Galetea (Set by Handel),-Reinhold; IV: True Blue-Roberts

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: scenes from Tscenes from The Old Batchelor

Song: Between the Acts: particularly the Songs in the Masque of Comus-a Gentleman (who never perform'd in public before), Mrs Hooper, Mrs Dunstall

Dance: WWelch Buffoon-two Masters Granier [not in Daily Advertiser]

Performances

Mainpiece Title: The Briton

Song:

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Spanish Fryar, Comic Scenes

Song: Corbet; V: The Power of Gold- a song from the Fool in the Gazetteer, set by a Gentleman, and never performed before

Performances

Mainpiece Title: Busiris, King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Boadicia

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Event Comment: The Anniversary Meeting of the Shakespeare Society will be held this day, at the Shakespeare's Head Tavern in Covent Garden. Dinner to be on the table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Solomon

Event Comment: Charges #35. The Anniversary Meeting of the Shakespeare Society will be held this day at the Shakespeare's Head Tavern in Covent Garden. Dinner will be on the Table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Samson

Music: As17600222; a Solo on the Violin-Giardini

Performances

Mainpiece Title: Il Mondo Nella Luna

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Pigmy Revels

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112