SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E F"/1) | (@(roleclean,performerclean) "E F")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 404 matches on Author, 290 matches on Performance Comments, 237 matches on Performance Title, 231 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Newdigate Newsletters (Folger Shakespeare Library), 6 Sept. 1684: A Crocdile was this weeke brought over from the E. Indies & showed in the faire the like haveing never been seen before it is a young one abt 4 ffoot long. [I owe this notice to Professor John Harold Wilson.

Performances

Performances

Mainpiece Title: Dido And Aeneas

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lover His Own Rival

Dance: III: Richmond Maggot by Le Sac and Mrs Woodward. IV: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Danc e by Houghton, Mrs Bullock, &c

Song: II: By Mrs Chambers

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Flora

Song: English Roast Beef by Leveridge. Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Cleora or The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

Performances

Mainpiece Title: The Nobleman Or Family Quarrel

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Country House

Dance: TTwo Pierots-Lalauze, Desse; Je ne scai quoi-Villeneuve, Richardson, Miss Oates; Comic Dance-Villeneuve, Delagarde, Miss Oates; Ballet-Desse, Delagarde, Miss Oates

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The King and the Miller of Mansfield

Dance: MMuzette-Mechel, Mlle Mechel; Comic Dance-Villeneuve, Mrs Delagarde

Song: Roberts, Mrs Chambers

Performances

Mainpiece Title: The Committee

Afterpiece Title: Lethe

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Performances

Mainpiece Title: As You Like It

Cast
Role: Duke Frederick Actor: Rosco

Dance: I: The Peasants, as17420210; III: Minuet (by desire)-Destrade, Mlle Auguste; New Comic Dance, Pantaloon and Enamorata, as17420420

Song: II: Ruddier than the Cherry, out of Acis and Galetea (Set by Handel),-Reinhold; IV: True Blue-Roberts

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: scenes from Tscenes from The Old Batchelor

Song: Between the Acts: particularly the Songs in the Masque of Comus-a Gentleman (who never perform'd in public before), Mrs Hooper, Mrs Dunstall

Dance: WWelch Buffoon-two Masters Granier [not in Daily Advertiser]

Performances

Mainpiece Title: The Briton

Song:

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Venice Preserved Or A Plot Discoverd

Afterpiece Title: The Double Disappointment Cross

Cast
Role: Marquis de Fanfaron Actor: Blakes

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Spanish Fryar Comic Scenes

Song: Corbet; V: The Power of Gold- a song from the Fool in the Gazetteer, set by a Gentleman, and never performed before

Performances

Mainpiece Title: Busiris King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Boadicia

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: Lamour Costante

Dance: [Unspecified.]

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: Harlequin Sorcerer