SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E B"/1) | (@(roleclean,performerclean) "E B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 265 matches on Author, 215 matches on Performance Title, 211 matches on Performance Comments, 144 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Dance: B Particular Desire a Ball dance call'd the Louvre, Minuet-Lalauze, his Daughter

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Man of Quality

Afterpiece Title: The Two Misers

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Mad Captain

Song: E. Roberts

Dance: TTwo Pierrots-Vallois, J. Delagarde; Scotch Dance-Mrs Bullock; Masqueraders-Vallois, Mrs Bullock

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Festive Board i

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

Performances

Mainpiece Title: La Passione

Music: End Said Part [i.e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: Marriage a la Mode i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: Dance of Spirits, as17770414; IV: +Grand Dance i.e. The Chaconne, as17770405

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Song: Between acts oratorio: Verdi Rale [i.e. Prati] (a favourite song of Handel's)-Mrs Farrell

Music: As17780306

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Comus

Dance: III: Hornpipe, as17790129

Song: Sweet Echo-Mrs Kennedy, Leoni [i.e. formerly Mrs Farrell]

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Phusimimesis

Afterpiece Title: Harlequin Skeleton i

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Skeleton i

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: End of mainpiece The Sportsmen's Return, as17840308i.e. this was originally entitled The Return of the Hunters]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Rosin a

Dance: End of Act III of mainpiece, as17830917; End of Act IV The Rival Symphs, as17831119, but Mrs Goodwin [i.e. formerly Miss Byrn]

Performances

Mainpiece Title: Samson

Music: End of Part I concerto on the Piano Forte ["the sixth concerto of Schroeter's last set [i.e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmaskd

Song: As17851001, but Mrs Forster [i.e. formerly Miss Field]

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Taste or Lady Pentweazel sitting for her Picture

Afterpiece Title: The Musical Lady

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm

Performances

Mainpiece Title: Alexanders Feast 0 Redemption 0

Afterpiece Title: Alexanders Feast 3 i

Performances

Mainpiece Title: Acis And Galatea 0 Redemption 0

Afterpiece Title: Acis and Galatea 3 i

Performance Comment: e. the oratorio consists of only two parts]. Overture to Samson-; Song-Mme Mara; Concerto Violoncello-Mara; a Song-Reinhold; Quartetto, Where the Bee sucks-Mrs Crouch, Miss George, Dignum, Reinhold; A Song-Mme Mara; Grand Chorus [from Handel-.

Performances

Mainpiece Title: Acis And Galatea 0 Redemption 0

Afterpiece Title: Acis and Galatea 3 i

Performance Comment: e. the oratorio consists of only two parts.]. Overture to Artaxerxes-; The Soldier tired of War's Alarms-Mme Mara; Concerto Hautboy-Parke; Where the Bee sucks-Mrs Crouch, Miss George, Dignum, Reinhold; Concerto French Horn-Ponto; Song-Reinhold; Coronation Anthem, My Heart is inditing-.

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Farmer 40th recte 37th Time i

Dance: End: As17880915