SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of York and Cumberland"/1) | (@(roleclean,performerclean) "Dukes of York and Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1290 matches on Performance Comments, 1268 matches on Event Comments, 1015 matches on Author, 350 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth or Harlequins Wedding

Performance Comment: Characters of the Pantomime by Wright, Grimaldi, Delpini, Suett, Fawcett, Waldron, Wrighten, Burton, R. Palmer, Chaplin, Norris, Spencer, Alfred, Mister Wilson; Mrs Love, Mrs Booth, Mrs Granger, Miss Simson, Miss Barnes, Miss Collett. Vocal Parts by Chapman, Barrymore, Williames, Phillimore; Miss Field, Miss Wright, Mrs Wrighten. [Partial cast from European Magazine, Jan. 1783, p. 67, and Town and Country Magazine, Supp. 1782, p. 716: Harlequin-Wright; Clown-Grimaldi; Pantaloon-Delpini; Magician-Chaplin; Columbine-Miss Collett; Mirth-Miss Field; Diana-Mrs Wrighten.] hathi. hathi.
Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Principal Characters by Palmer, Edwin, Riley, Gaudrey, Bannister Jun., Williamson, Wewitzer, Barrett, Ledger, Wilson, Parsons; Mrs Webb, Miss Morris, Mrs Lloyd, Mrs Love, Miss Hale, Miss Frodsham. [Cast from European Magazine, Aug. 1783, p. 148; Larpent MS 627; playbill of 19 July 1785: Young Sadboy-Palmer; Clod-Edwin; Lounge-Riley; Twig-Gaudrey; Spatterdash-Bannister Jun.; Capt. Ambush-Williamson; Shadrach-Wewitzer; Waiter-Barrett; Coachman-Ledger; Old Sadboy-Wilson; Chronicle-Parsons; Goliah-Miss Painter; Lady Rounceval-Mrs Webb; Araminta-Miss Morris; Pink-Mrs Lloyd; Mrs Mellefleur-Mrs Love; Judith-Miss Hale; Dinah Primrose-Miss Frodsham.] New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] . New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: Medea and Jason

Event Comment: Afterpiece to include a Grand View of the Cumberland Fleet sailing for the Cup, and a song and chorus in honour of the Institution. To conclude with a Pageant, Rural and Pantomimical. Paid Danby for Chorus to 9th Inclusive #8 151. The Doors will be opened at 5:15. To begin at 6:15 [see 22 Apr. 1784]. Receipts: #187 (169/14/0; 16/15/6; 0/10/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Triumph of Mirth or Harlequins Wedding

Song: In afterpiece the vocal Parts by Chapman, Barrymore, Williames, Phillimore; Miss Field, Miss Stageldoir, Mrs Wrighten

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe. Text (ist authorized) in Cumberland's British Theatre, Vol. xxxi]: Written by the Author of The Agreeable Surprise, Son-in-Law, &c. The Overture and new Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Lord Russel

Cast
Role: Duke of York Actor: Williamson

Afterpiece Title: Peeping Tom

Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: Benefit for Farren. Mainpiece: Written by Richard Cumberland, Esq. Not acted these 10 years [acted 15 Jan. 1778]. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his House in Great Queen-street, Lincoln's-inn-fields. Receipts: #303 7s. (90.8.6; 5.14.6; tickets: 207.4.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: The Poor Soldier

Dance: End: Leap Year-[see17861006]

Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Performances

Mainpiece Title: The New Peerage Or Our Eyes May Deceive Us

Performance Comment: Principal Characters-King, Bannister Jun., Suett, Packer, Lamash, Phillimore, Wilson, Benson, Spencer, Alfred, Wroughton, Mrs Crouch, Mrs Hopkins, Mrs Cuyler, Miss Farren. [Cast from text (G. G. J. and J. Robinson, 1787): Mr Vandercrab-King; Lord Melville-Bannister Jun.; Sir John Lovelace-Suett; Medley-Packer; Virtu-Lamash; Allen-Phillimore; Servants-Wilson, Benson, Spencer, Alfred, Lyons; Charles-Wroughton; Miss Harley-Mrs Crouch; Miss Vandercrab-Mrs Hopkins; Kitty-Mrs Cuyler; Lady Charlotte Courtley-Miss Farren; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mr Vandercrab Actor: King
Role: Miss Vandercrab Actor: Mrs Hopkins

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: Alexander the Little or The Rival Queans

Performance Comment: Alexander-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Hephestion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Princess)-Mrs Pitt; Roxana-Mrs Martyr.
Cast
Role: Alexander Actor: Quick
Role: Cassander Actor: Munden
Role: Hephestion and Lysimachus Actor: Cubitt, Marshall

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Related Works
Related Work: A New Occasional Prelude Author(s): Richard Cumberland

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based partly on The Fashionable Lover, by Richard Cumberland. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 5:30. To begin at 6:30, for the remainder of the Season. Morning Chronicle, 13 May 1795: This Day is published The Deserted Daughter (2s.). Receipts: #210 2s. (205.12.6; 4.9.6)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Cornelys, Mrs Pope. [Cast from text (G. G. and J. Robinson, 1795): Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Cornelys; Lady Ann-Mrs Pope; Prologue-Harley; Epilogue-Miss Wallis, Mrs Mattocks, Mrs Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Mimick

Cast
Role: Landlady Actor: Mrs Platt
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Terpsichore Actor: Mlle St.Amand
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: and Amphitrite Actor:
Role: and Proserpine Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:
Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: The Devil to Pay

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performance Comment: End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan.
Event Comment: Mainpiece: Not acted these 12 years. [Address by Richard Cumberland (London Chronicle, 13 Oct.).] Receipts: #130 9s. (124.1; 6.8)

Performances

Mainpiece Title: Percy

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Event Comment: Mainpiece [1st time; C 5, by Prince Hoare. Prologue by Richard Cumberland; Epilogue by John Taylor (see text)]. Receipts: #220 16s. 6d. (163.9.0; 56.6.6; 1.1.0)

Performances

Mainpiece Title: Indiscretion

Performance Comment: Characters by King, Bannister Jun., Barrymore, Talbot, Palmer, Holland, Wewitzer, Wathen, Webb, Evans, Miss Pope, Mrs Jordan, Miss Biggs, Mrs Walcot, Miss Heard, Mrs Coates. Cast from text (J. Barker, 1800), and Larpent MS 1293: Sir Marmaduke Maxim-King; Burly-Bannister Jun.; Clermont-Barrymore; Algernon-Talbot; Frederic-Palmer; Gaylove-Holland; Lounge-Wewitzer; Thomas-Wathen; Francis-Webb; John-Evans; Victoria-Miss Pope; Julia-Mrs Jordan; Fanny-Miss Biggs; Mrs Goodly-Mrs Walcot; Laura-Miss Heard; Betty-Mrs Coates; Prologue-Talbot; Epilogue-Miss Biggs.
Cast
Role: Gaylove Actor: Holland

Afterpiece Title: The Liar

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

Event Comment: Evelyn, Diary: I saw a Comedy acted before the Dutchesse of York at the Cock-pit: The king was not at it

Performances

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

Event Comment: An order of the Lord Chamberlain (5@12, p. 202) dated 1 April 1671, states that the theatres are to be closed because of the death of the Duchess of York on 31 March 1671. See Nicoll, Restoration Drama, p. 322. It is uncertain how long the theatres were closed, but probably the closure extended for six weeks

Performances

Event Comment: G. Lady Chaworth to Lord Roos, 7 Sept. 1675: The Dutchesse of York? lykes Bartholomew Faire so well she hath bin att [it] againe incognito on Friday (HMC, 12th Report, Part V, Rutland Papers, II, 27)

Performances

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

Event Comment: London Gazette, No 2500, 24-28 Oct. 1699: Whereas the Consort of Musick, lately in Bow-street, being remov'd to York Buildings, intended to have begun this present Munday, but upon an urgent occasion, are forc'd to defer it till the Monday after the King's Birth-day, being the 11th of November, and so continue every Munday for the future. [See also 17 Oct. 1689.

Performances

Event Comment: London Gazette, No 2504, 7-11 Nov. 1689: The Consorts of Musick that, for some extraordinary occasions have been discontinued, shall be performed in York-buildings upon Thursday next, being the 14th instant, and every Thursday after

Performances

Mainpiece Title: Concert

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. The MS music composed for a revival of this play, apparently at this time, by G. Finger and Daniel Purcell, is in the Fitzwilliam Museum, Cambridge

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: A copy of the 1690 quarto (New York Public Library) has the following MS cast which may well pertain to this season: Alexander-Mountfort; Lysimachus-Williams; Hephestion-Bowman; Cassander-Powell; Statira-Mrs Bracegirdle; Roxana-Mrs Barry.
Cast
Role: Alexander Actor: Mountfort
Role: Cassander Actor: Powell
Event Comment: According to a notice in the London Gazette, No 2529, 3-6 Feb. 1689@90, there was a concert at York Buildings on Monday 3 Feb. 1689@90

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No 2533, 17-20 Feb. 1689@90: The Musick-Meeting that was lately held in Villers-street in York-Buildings, is removed to Exeter Change in the Strand; the Entrance is at the West-door of the said Exchange; and will begin at the Hours as formerly, every Monday

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 2538, 6-10 March 1689@90: The Consort of Musick is again removed into Viller's Street, in York-Buildings, where it will be continued every Monday-night, at the usual Hour

Performances

Mainpiece Title: Concert