SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Montague and Richmond"/1) | (@(roleclean,performerclean) "Dukes of Montague and Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1328 matches on Performance Comments, 1104 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Cast
Role: Richmond Actor: Havard

Afterpiece Title: The Anatomist

Event Comment: A Concert, etc. Benefit a Gentleman under misfortunes, lately arriv'd from the Army in Flanders. 5s., 3s., 2s

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Occasional prologue in honor of his RoyalHighness the Duke of Cumberland-Scudamore.

Afterpiece Title: The Virgin Unmasked

Dance: JJockey Dance-Adams

Event Comment: Benefit Ray, Gray [Constable] and Dunbar [Boxkeeper. See note 29 April.] I hope my diligence as a Constable, in preserving Ladies from the Insults of the Pickpockets... may entitle me to some small Indulgence at my Benefit. James Gray.--Daily Advertiser

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Double Disappointment

Song: III: Miss Young; IV: Lowe

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: As17460403 but Othello-Garrick; Cassio-Cashell; Roderigo-Chapman; Brabantio-Philips; Montano-Marr; Lodovico-Paget; Emilia-Mrs Bland; Desdemona-Mrs Pritchard; Duke-_.
Cast
Role: Emilia Actor: Mrs Bland

Dance: Cooke

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist; or, the Sham Doctor

Song: IV: Lowe; V: Mrs Clive

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: [The first payroll of the season, covering three days of acting, amounted to #69 8s. 6d (30 men--#35 14s.; 24 women--#26 10s; 10 servants' accounts including an unspecified number of dressers and charwomen--#7 4s. 6d.).] Receipts: #42. 18s. 6d.

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Jaffeir-Ryan; Pierre-Cashell; Priuli-Bridgwater; Renault-Ridout; Bedamar-Gibson; Officer-Carr; Eliot-Bencraft; Duke-Dunstall; Spinoza-Anderson; Belvidera-Mrs Pritchard.
Cast
Role: Spinoza Actor: Anderson

Afterpiece Title: The Mock Doctor

Cast
Role: James Actor: Anderson
Role: Leander Actor: Hayman
Event Comment: Mainpiece By Command. Present The Duke, Princess Amelia, and the Princess of Hesse (Account Books, Egerton 2268). Receipts:#188 6s. 2d

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richmond Actor: Havard
Role: Ratcliff Actor: Anderson

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Lying Valet

Dance: As17461124

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Quin; Touchstone-Chapman; Orlando-Havard; Amiens (with the songs adapted to the play)-Beard; Duke Sen-Ridout; Frederick-Rosco; Oliver-Cashell; Adam-Bridgwater; Corin-James; Sylvius-Hayman; Charles-Marten; Celia-Mrs Vincent; Phebe-Miss Hippisley; Rosalind-Mrs Pritchard.
Cast
Role: Orlando Actor: Havard

Afterpiece Title: The Royal Chace (General Advertiser)

Performance Comment: Chasseur Royale-Beard; Jupiter (Harlequin)-Woodward; Doctor-Bencraft; Colombine-Mrs Havard; Pierot-Lalauze; Pluto (Punch)-Rector; Neptune (Pantaloon)-Dupre; Pan (Scaramouche)-Destrade; Hercules (Brighella)-Delagarde; Apollo (Mezzetin)-Villeneuve; Mars (Leander)-Desse.

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richmond Actor: Havard
Role: Ratcliff Actor: Anderson

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: Flora; or, Hob in the Well

Dance: As17461124

Event Comment: Benefit Barry. By Command of their Royal Highnesses the Prince and Princess of Wales. Ladies send servants by three. Tickets at his lodgings in Bow St

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Dance: II: Salomon, Mlle Violette, Cook, Salomon's Son; III: Muilment; V: Grand Comic Dance-Salomon, Mlle Violette, Cooke, Sga Padouana

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Performances

Mainpiece Title: Venice Preserved

Cast
Role: Spinoza Actor: Anderson

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Performances

Mainpiece Title: As You Like It

Cast
Role: Oliver Actor: Anderson.
Role: Orlando Actor: Havard

Afterpiece Title: Miss in Her Teens

Dance: CComic Dance-Master Matthews, Miss Vandersluys; A Grand Ballet-Lalauze, Villeneuve, Sga Campioni; A Ball Minuet-LaLauze, two of LaLauze's scholars of three months learning only, who never appear'd before

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17471102, but Rosalind-Mrs Pritchard; Duke Sen-Blakes; Orlando-Havard; Oliver-Mozeen; Silvius-_; Le Beau-_; Jaques de Boys-_; Corin-_; Charles-_; William-_; Phoebe-_; Audrey-_.
Cast
Role: Orlando Actor: Havard

Afterpiece Title: The Lying Valet

Dance: I: The Gardners Revels, as17471117; V: Polish Dance, as17471102

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Othello

Afterpiece Title: Damon and Phillida

Cast
Role: Arcas Actor: Anderson
Event Comment: Benefit for Dunbar (Box Keeper), Warner and Foley (Box Lobby Keepers), Pritchard (Upper Gallery Office Keeper), Saunders (Stage Doorkeeper). Receipts: #180 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17471126, but Duke Sen-Mills; Orlando-Blakes; Oliver-Havard.
Cast
Role: Orlando Actor: Blakes

Afterpiece Title: The Anatomist

Dance: I: Peasant Dance, as17480506; III: Hornpipe-Shawford; V: Comic Dance, as17480506

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The School Boy

Music: I: Scots Sonato on Flute-the Child; IV: A Piece of Music on Flute-the Child

Dance: II: L'Entree de Flore, as17481027; III: The Savoyards, as17480920

Ballet: V: Vertumnus and Pomona. Cooke, Anne Auretti