SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Montague and Richmond"/1) | (@(roleclean,performerclean) "Dukes of Montague and Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1328 matches on Performance Comments, 1104 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Cast
Role: Earl of Richmond Actor: Barrymore
Role: Tressel Actor: Bland

Afterpiece Title: MY GRANDMOTHER

Cast
Role: Tom Actor: Bland
Role: Servant Actor: Lyons Charlotte-Mrs Bland
Role: Lyons Charlotte Actor: Mrs Bland

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Lawyer

Music: First Musick: A Concerto for Hautboys, &c. Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick

Performance Comment: Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick .
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Dance: I: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers

Performance Comment: Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers .

Song: V: As17350422

Event Comment: London Journal, 14 Dec.: The Duke and Duchess of Richmond, the Earl and Countess of Albemarle, and a great Number of Gentry were present. [See also 23 Nov.

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Loveless-Ryan; Sir William-Hippisley; Elder Worthy-Hale; Young Worthy-Walker; Sir Novelty-Chapman; Snap-Morgan; Sly-Mullart; Amanda-Mrs Hallam; Narcissa-Mrs Bullock; Hillaria-Mrs Templer; Flareit-Mrs Kilby .
Cast
Role: Amanda Actor: Mrs Hallam

Afterpiece Title: The Devil To Pay

Dance: Tambourine by Miss Rogers. Les Arnarn Consentants by Duke and Miss Baston. 'Richmond Maggot by Lesac and Miss Rogers

Performance Comment: Les Arnarn Consentants by Duke and Miss Baston. 'Richmond Maggot by Lesac and Miss Rogers .
Event Comment: Benefit Two Orphans, Mines (Gallery Officekeeper), and others

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The School Boy

Dance: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers

Performance Comment: Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers .
Event Comment: [In mainpiece the playbill retains Wroughton as Richmond, and Webb as Lord Mayor. On the Kemble playbill both names are deleted. The name of Wroughton's substitute has been cut by the binder; who acted the part has not as yet come to light. A MS annotation substitutes Bates for Webb.] Receipts: #165 18s. (162/13/6; 3/4/6)

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17821014, but Richmond-?; Lord Mayor-Bates .
Cast
Role: Richmond Actor:

Afterpiece Title: Lord Mayor's Day

Event Comment: [In mainpiece the playbill retains Wroughton as Richmond, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Kemble's.] Receipts: #226 1s. (221/12; 4/9)

Performances

Mainpiece Title: Cg King Richard The Third

Performance Comment: As17831013, but Richmond-Kemble; Lady Anne-Mrs Kemble [i.e. formerly Miss Satchell (see17831124)] .i.e. formerly Miss Satchell (see17831124)] .
Cast
Role: Richmond Actor: Kemble
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson?; Duke of Bedford-Dignum; Duke of Exeter-Aickin; E. of Westmoreland-Sedgwick; Archbp. of Canterbury-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Cooke; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Fluellen-Baddeley; Bardolph-Alfred; Boy-Master Gregson; Pistol-Suett; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Benson; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: of Westmoreland Actor: Sedgwick
Role: Grey Actor: Bland

Afterpiece Title: The Liar

Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Duke Ferdinand Actor: Harris
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: Lord Sands Actor: Price
Event Comment: Benefit for Redman, Casey, Dumai and Bates. Charges #64 12s. Deficit to beneficaries #25 10s. 6d. covered by individual incomes from tickets: Casey #14 4s. (Box 18; Pit 34; Gallery 46); Redman #25 6s. (Box 5; Pit 77; Gallery 125); Dumay #56 12s. (Box 106; Pit 182; Gallery 103); Bates #17 10s. (Pit 48; Gallery 103) (Account Book). Receiv'd of Fransdorf 1!2 value of his tickets 28th inst....#4 2s. 6d. Receipts: #39 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richmond Actor: Clarke

Afterpiece Title: Duke and no Duke

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman (1st and only appearance in that character); Duke of Buckingham-Farren; Cranmer-Hull; Cromwell-Davies; Lord Chamberlain-Cubitt; Bishop of Winchester-Quick; Surrey-Macready; Duke of Norfold-Harley; Duke of Suffolk-Marshall; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Queen Catherine-Mrs Pope.

Afterpiece Title: The Sailor's Festival

Performance Comment: As17930510, but in Scene I We be three poor Mariners-_Gray; [Scene II. The Disconsolate Sailor, When my Money was gone-Mrs Martyr (in character); When daisies mead-Miss Barnett [both in place of songs by Mrs Martyr and Johnstone]; [In Scene III added: Irish Song-Johnstone; Comic Song-Munden; [To conclude with a Representation of the Grand Fleet at Anchor in Portsmouth Harbour-.

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: Richmond Wells; Or, Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Randome Actor: Shephard

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performance Comment: Villeroy-Ryan; Biron-Bridgwater; Baldwin-Roberts; Carlos-Walker; Fernando-Hippisley; Frederic-Hale; Fabian-Wignell; Belford-Ridout; Jaquelin-Chapman; Sampson-Hall; Julia-Mrs Buchanan; Victoria-Mrs Stevens; Nurse-Mrs Martin; Isabella-Mrs Hallam .
Cast
Role: Fernando Actor: Hippisley

Afterpiece Title: See If You Like It

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scots Dance, as17340920

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir George-Ryan; Sir Francis-Hippisley; Sir Jealous-Morgan; Charles-Walker; Marplot-Chapman; Miranda-Miss Norsa; Isabinda-Mrs Bullock; Patch-Mrs Stevens; Scentwell-Miss Horsington .
Cast
Role: Miranda Actor: Miss Norsa

Afterpiece Title: The School Boy

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Honest Yorkshireman

Dance: Richmond Maggot by Le Sac and Mrs Woodward

Performances

Mainpiece Title: Sauny The Scot; Or, The Taming Of The Shrew

Afterpiece Title: Damon and Phillida

Dance: Richmond Maggot by Le Sac and Mrs Woodward. Dutch Skipper by Vallois and Mrs Bullock

Performance Comment: Dutch Skipper by Vallois and Mrs Bullock .

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lover His Own Rival

Performance Comment: Cast not listed, but see17360210 Prologue and Epilogue by Mrs Roberts .

Dance: Richmond Maggot by Le Sac and Mrs Woodward

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Evandra Actor: Mrs Hester? Davenport.
Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Event Comment: The Duke's Company. The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition, 21 April 1682 (Huntington Library), and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 102-05. The Prologue and Epilogue were advertised in The Observator, 27 April 1682, with the statement: Recommended to All Men of Sense and Loyalty

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: Lavinio-Thurmond; Trapolin-Bowen; Brunetto-Husband; Barbarino-Boman; Conjuror-Cross.
Cast
Role: Brunetto Actor: Husband

Dance: LaBee, lately arriv'd from the Opera at Paris; also new dances-Thurmond Jr, others

Song: A Variety of English and Italian Songs-

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The School Boy

Dance: Between the Acts: Dancing-

Event Comment: Mainpiece: Not Acted these Six Years. At the Desire of several Persons of Quality. Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear. With Scenes, Habits, Machines, and other proper Decorations

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Phebe

Dance: