SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dukes of Marlborough and Argyll"/1) | (@(roleclean,performerclean) "Dukes of Marlborough and Argyll")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1163 matches on Performance Comments, 1060 matches on Event Comments, 403 matches on Author, 333 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Parts by Smith, Palmer, Aickin, Packer, Brereton, Davies, Hurst, Usher, Wright, Keen, Wrighten, Wheeler, Griffiths, Norris, Reddish, Mrs Johnston, Mrs Yates. With Prologue and Epilogue. Velasquez-Smith; Ribiro-Palmer; Almada-J. Aickin; Ramirez-Packer; Mendoza-Brereton; Pizarro-Davies; Corea-Hurst; Lemos-Usher; Roderick, 1st Citizen-Wright; Officer-Keen; Antonio-Wrighten; Mello-Wheeler; 2nd Citizen-Griffiths; Ferdinand-Norris; Duke-Reddish; Inis-Mrs Johnston; Duchess-Mrs Yates; Prologue-Palmer; Epilogue-Mrs Yates (Genest, V, 448).
Cast
Role: Ferdinand Actor: Norris

Afterpiece Title: The Anatomist

Event Comment: [From the Westminster Magazine, March, p. 125: "On Mrs Yates's appearance, and declaring upon her honour she was not capable of speaking the Epilogue on Saturday night, the Audience cried, 'Enough, Enough!'"] Receipts: #238 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Cast
Role: Ferdinand Actor: Norris

Afterpiece Title: The Rival Candidates

Event Comment: By Command of their Majesties. 7th night (Treasurer's Book). Receipts: #238 3s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Cast
Role: Ferdinand Actor: Norris

Afterpiece Title: The Note of Hand

Related Works
Related Work: The Note of Hand; or, Trip to Newmarket Author(s): Richard Cumberland

Dance: Slingsby, Sga Hidou, not title expressed

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock, in the Jewish Dialect-Johnson; Antonio-Lewis; Gratiano-Russell; Lorenzo (with a song)-Bradney; Duke-Saul; Launcelot-Jacobs; Gobbo-Lucas; Tubal-Errington; Bassanio-West; Nerissa-Mrs Simmons; Jessica (with a Song)-Mrs Moore; Portia-a Young Lady; first appearance on the English stage. An Occasional Epilogue written for and spoken-Johnson.

Afterpiece Title: The Snuff Box or A Trip to Bath

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Love

Song: III: The Favourite Song of Gramachree Molly-Mrs Wrighten

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Daguville, Miss Macklin; End: The Vintage Festival, as17741007

Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Event Comment: Theatre opens at 5 o'clock. Play to begin at 6 o'clock. Paid half year's River Water to Mids. Last #3 2s.; Tallow Chandler's bill #36 19s. 10d. (Treasurer's Book). Receipts: #263 6s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Irish Widow

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End: The Pilgrim, as17750927

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequins Jacket or The New Years Gift

Event Comment: Mr Grist made his first appearance upon any Stage in the Character of Othello his figure is well enough, a good Voice and powerful, when he knows how to manage it-he is Awkward-but it was a very good first appearance, and if there is proper care taken of him, he may make an Actor (Hopkins Diary). Paid 2 extra flutes #2 10s.; 1 suit Brocade cloaths #12 12s.; Mrs Brereton, 4 nights not on list, #3 6s. 8d. Receipts: #220 4s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy

Dance: End: The Vintage Festival, as17751026

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Almada-Gardner; Mello-Whitfield; Duke-Reddish; Ribiro-Palmer; Mendoza-Brereton; Pizarro-Davies; Ramirez-Packer; Velaquez-Smith; Inis-Mrs Whitfield; Lemos-Usher; Corea-Hurst; Roderick-Wright; Antonio-Wrighten; Ferdinand-Griffiths; Officers-Norris, Everard; Duchess of Braganza-Mrs Yates.
Cast
Role: Ferdinand Actor: Griffiths

Afterpiece Title: The Elopement

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Prometheus

Performances

Mainpiece Title: All For Love

Afterpiece Title: High Life below Stairs

Dance: End: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Venice Preservd

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Comus

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Event Comment: Benefit for Robinson, musician, and Mrs Newby

Performances

Mainpiece Title: Cato

Afterpiece Title: The Election

Related Works
Related Work: The Election Author(s): Miles Peter Andrews

Afterpiece Title: High Life below Stairs

Song: 2nd piece: With all the original Songs, Chorusses-

Entertainment: Imitations, as17760930

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Pilgrim, as17761009; End IV: Mirth and Jollity, as17761015

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Love a la Mode

Dance: As17761109

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-Ward; Duke's Servant-Lee Lewes; Sir Harry's Servant-Booth; Freeman-Robson; Philip-Wilson; Tom-Fearon; Robert-Thompson; Coachman-Fox; Kingston-Wewitzer; Lady Bab-Miss Dayes; Lady Charlotte-Miss Ambrose; Cook-Mrs White; Chloe-Miss Stewart; Kitty (with a song and minuet)-Mrs Wilson.

Dance: End II: as17761123

Performances

Mainpiece Title: Othello

Afterpiece Title: The Milesian

Dance: As17770124

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122