SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Gloster and Cumberland"/1) | (@(roleclean,performerclean) "Dukes of Gloster and Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1434 matches on Performance Comments, 1115 matches on Event Comments, 1014 matches on Author, 332 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Bensley; Orlando-Bannister Jun.; Adam-Aickin; Duke Senior-Usher; Corin-Massey; Sylvius-R. Palmer; Amiens (with songs)-Brett; Oliver-Williamson; Duke Frederick-Gardner; Le Beu-Riley; Charles-Egan; William-Barrett; Touchstone-Edwin; Celia (with the Cuckoo Song)-Miss Hooke; Audrey-Mrs Brett; Phoebe-Miss Morris; Rosalind-Miss Frodsham (1st appearance in London) .
Cast
Role: Orlando Actor: Bannister Jun.

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Stage-door. The Doors will open at 5:30. To begin at 6:30 [see 4 Nov.]

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Henderson; Orlando-Lewis; Amiens (with songs)-Johnstone; Duke Senior-Clarke; Adam-Hull; Oliver-Davies; Duke Frederick-Fearon; LeBeau-Booth; Sylvius-Chalmers; William-Wewitzer; Corin-Thompson; Charles-Darley; Touchstone-Quick; Caelia-Mrs Inchbald; Audrey-Mrs Wilson; Phoebe-Miss Stuart; Rosalind (with the Cuckoo song)-Miss Younge .
Cast
Role: Orlando Actor: Lewis

Afterpiece Title: Cross Purposes

Dance: End of Act I of mainpiece The Belle of tbe Village by Harris and Miss Matthews

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-R. Palmer; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Wrighten; William-Burton; Le Beu-Phillimore; Jaques-Palmer; Caelia (with the Cuckow song)-Mrs Wilson; Audrey-Mrs Wrighten; Phoebe-Miss Barnes; Rosalind-Miss E. Kemble .
Cast
Role: Orlando Actor: Brereton

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End of Act I of mainpiece The Sportsmen's Return, as17840916

Song: In Act V of mainpiece a song by Miss Field. [This was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Aickin; Orlando-Lewis; Amiens (with songs)-Johnstone; Adam-Hull; Oliver-Davies; Duke Frederick-Fearon; Duke Senior-Gardner; Le Beau-Palmer; Sylvius-Helme; William-Wewitzer; Corin-Thompson; Charles-Darley; Touchstone-Quick; Audrey-Mrs Brown; Caelia-Mrs Inchbald; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Wells (1st appearance in that character) .
Cast
Role: Orlando Actor: Lewis

Afterpiece Title: The Country Wife

Dance: End of Act I of mainpiece The Piping Pedlar, as17851112

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-R. Palmer; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Wrighten; William-Burton; Le Beu-Phillimore; Jaques-Palmer; Caelia (with the Cuckoo Song)-Mrs Wilson; Audrey-Mrs Wrighten; Phoebe-Miss Barnes; Rosalind-Mrs Siddons .
Cast
Role: Orlando Actor: Kemble

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; William-Burton; Le Beau-Bates; Jaques-Palmer; Caelia-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Jordan (1st appearance in that character); the Cuckoo Song-Mrs Jordan.
Cast
Role: Orlando Actor: Kemble

Afterpiece Title: The Sultan

Dance: End: As17870113; End I: The Minuet de la Cour, as17861125

Song: V: song-Miss Romanzini

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; William-Burton; Le Beu-Bates; Jaques-Wroughton; Caelia-Mrs Wilson; Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Siddons.
Cast
Role: Orlando Actor: Kemble

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).
Cast
Role: Orlando Actor: Kemble

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Aickin; Orlando-Lewis; Amiens-Johnstone; songs-Johnstone; Adam-Hull; Duke Senior-Booth; Corin-Thompson; William-Wewitzer; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; Duke Frederick-Fearon; Charles-Gardner; Touchstone-Quick; Caelia-Mrs Inchbald; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind-Miss Wallis (1st appearance in that character); Cuckoo Song-Miss Wallis.
Cast
Role: Orlando Actor: Lewis

Afterpiece Title: Love in a Camp

Dance: As17881112

Event Comment: Afterpiece: Not acted these 3 years. A Dramatic Entertainment of Singing, Dancing and Dialogue, in Honour of Shakespeare. In which will be introduced a Pageant, the Music by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #220 4s. 6d. (163.16.0; 54.4.0; 2.4.6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Suett (1st appearance in that character); Orlando-Barrymore; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Maddocks; William-Burton; Le Beu-Lamash; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind (with the Cuckoo Song)-Mrs Goodall.
Cast
Role: Orlando Actor: Barrymore

Afterpiece Title: The Jubilee

Song: In V: song-Miss Hagley

Event Comment: "Although [Mrs Esten] is rather under-hung, her face may fairly be pronounced pretty, and her figure engaging. Her voice, in the pathetic tones, resembles that of Mrs Siddons, but is more clear and articulate' (Diary, 21 Oct.). Receipts: #182 14s. 6d. (180.12.0; 2.2.6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Cross; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; Duke Frederick-Thompson; Charles-Cubitt; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten (from the Theatre Royal, Edinburgh; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Orlando Actor: Holman

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: The Life And Death Of King Richard The Third

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Oliver-Davies; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Corin-Cross; Duke Frederick-Thompson; Charles-Williamson; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten.
Cast
Role: Orlando Actor: Holman

Afterpiece Title: The Crusade

Dance: End I: The Irish Lilt-Mrs Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Oliver-Davies; William-Farley; Le Beu-Macready; Sylvius-Evatt; Corin-Cross; Duke Frederick-Thompson; Charles-Rowson; Jaques-Aickin; Caelia-Miss Chapman; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten.
Cast
Role: Orlando Actor: Holman

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Dance: End I: The Irish Lilt-Mr and Mrs Ratchford; V: a Dance of Forresters-

Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: Pandulph Actor: White

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Mainpiece; Performed but once. Afterpiece: By Desire. Paid Cumberland balances for author's nights 5th, 8th, 12th Insts. #265 1s. 6d. (Account Book). Receipts: #132 10s

Performances

Mainpiece Title: Amintas

Cast
Role: Alexander Actor: Reinhold
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Afterpiece Title: Harlequin Skeleton

Dance: I: A New Pastoral Dance, as17691215

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: Parts-Foote, Aickin, Fearon, Vandermere, Weston, Davis, Didier, Castle, Woodward, Mrs Fearon, first appearance; Mrs Collett, Mrs White, Mrs Jewell. Prologue and Epilogue. Flint-Foote; Billy Button-Weston; Sir Christopher Cripple-Woodward; Major Racket-J. Aikin; Jersey-Didier; Peter Poultice-Fearon; Jack-Vandermere; Philip-Davis; Sourgrouts-Castle; Lady Catherine-Mrs Fearon; Miss Linnet-Mrs Jewell; Mrs Linnet-Mrs Collet; Maid-Mrs White; Prologue-Foote; Epilogue-Mrs Jewell (Genest, V, 312).

Afterpiece Title: Miss in Her Teens

Cast
Role: Fribble Actor: Vandermere

Dance: II: Double Hornpipe-Master West, Miss West

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Performance Comment: Blurton; End: The Cumberland Corn@thrashers, as17730424.
Event Comment: Receipts: #86 (Account Book). Charges #81 15s. Profit to Society #4 5s., plus #106 17s. from tickets (Box 242; Pit 309) (Account Book). Benefit for Use of the Society at the Thatched-House Tavern For the release and discharge of persons imprisoned for small debts. [The Epilogue was written by Cumberland. (See Folger Library Theatrical Clippings). The Curtain rises and discovers a prison; at some distance a woman, poorly habited, and in a disconsolate attitude; after standing some time montionless, in a posture of fixed attention she speaks]: @Woman: Thou loathsome dungeon in whose dreary womb@The pining Debtor finds a living tomb;@Where 'midst the Clank of Chains and Dismal yells@Of shakled felons my sad husband dwells;@From his dark cell, oh give him to my view!@Let him look forth and take a last adieu.@ [As she advances towards the prison, a person in Gentleman's apparel accosts her.] @Man: Stay, Child of Sorrow, thou whose piercing groans@Might move to pity e'en these senseless stones.@Why dost thou bend thy melancholy way@To that Drear Dungeon? Child of Sorrow stay.@Woman: Why should I stay, or my sad Griefs impart?@Can there be pity in a Human heart?@Away and let me die.@ [...The Man suggests a Human heart can have pity] @Woman: If there be such, O lead me to their sight,@And let me plead a wretched sufferer's right:@Can there be Truth, Humanity or Sense@In laws that make Misfortune an offence?@ [Her husband was a God-fearing weaver who fell ill for 10 weeks, lost his job and was seized upon by a relentless creditor.] @Steel'd to their trade, and deaf to all our cries,@Relentless ruffians seize their legal prize;@From my fond arms a dying Husband tear@And plunge their victims in a dungeon there!@Man: Enough! go speak the healing words of peace@To thy sad mate, and bear him this release;@Tell him the Muse, which on these Scenes attend@That balsam to his wounded spirit sends.@And Know this Truth thyself, 'tis not alone@The Preacher's pulpit and the Monarch's throne@That Charity frequents; but in this age,@She guides the Theatre and treads the stage;@Lo! She is present, cast your eyes around,@And here in each Spectator's heart she's found.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Thomasand Sally

Dance: The Highland Reel, as17731112, after the Epilogue

Event Comment: Benefit for the Relief of Persons Imprisoned for small Debts. The Provok'd Husband is oblig'd to be changed on account of Mrs Yates illness. Tickets delivered for that comedy will be taken. Rec'd stopages #14; Paid salary list #564 6s.; Mr Slingsby on note in full of #150 per order; #40, J. French on Acct #5 5s.; Mr Weston's Law Bill, #15 10s. (Treasurer's Book). Receipts: #122 17s.; Charges: #84; Profits to Charity: #38 17s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17741018, but Lucius-Usher; End of play, Original Occasional Epilogue written by Cumberland for this Charity,-Palmer, Miss Sherry. By Particular Desire.

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Daphne and Amintor