SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dukes of Gloster and Cumberland"/1) | (@(roleclean,performerclean) "Dukes of Gloster and Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1434 matches on Performance Comments, 1115 matches on Event Comments, 1015 matches on Author, 332 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Performances

Mainpiece Title: The New Peerage Or Our Eyes May Deceive Us

Performance Comment: Principal Characters-King, Bannister Jun., Suett, Packer, Lamash, Phillimore, Wilson, Benson, Spencer, Alfred, Wroughton, Mrs Crouch, Mrs Hopkins, Mrs Cuyler, Miss Farren. [Cast from text (G. G. J. and J. Robinson, 1787): Mr Vandercrab-King; Lord Melville-Bannister Jun.; Sir John Lovelace-Suett; Medley-Packer; Virtu-Lamash; Allen-Phillimore; Servants-Wilson, Benson, Spencer, Alfred, Lyons; Charles-Wroughton; Miss Harley-Mrs Crouch; Miss Vandercrab-Mrs Hopkins; Kitty-Mrs Cuyler; Lady Charlotte Courtley-Miss Farren; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mr Vandercrab Actor: King
Role: Miss Vandercrab Actor: Mrs Hopkins

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: Alexander the Little or The Rival Queans

Performance Comment: Alexander-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Hephestion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Princess)-Mrs Pitt; Roxana-Mrs Martyr.
Cast
Role: Alexander Actor: Quick
Role: Cassander Actor: Munden
Role: Hephestion and Lysimachus Actor: Cubitt, Marshall

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Related Works
Related Work: A New Occasional Prelude Author(s): Richard Cumberland

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based partly on The Fashionable Lover, by Richard Cumberland. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 5:30. To begin at 6:30, for the remainder of the Season. Morning Chronicle, 13 May 1795: This Day is published The Deserted Daughter (2s.). Receipts: #210 2s. (205.12.6; 4.9.6)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Cornelys, Mrs Pope. [Cast from text (G. G. and J. Robinson, 1795): Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Cornelys; Lady Ann-Mrs Pope; Prologue-Harley; Epilogue-Miss Wallis, Mrs Mattocks, Mrs Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Mimick

Cast
Role: Landlady Actor: Mrs Platt
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Terpsichore Actor: Mlle St.Amand
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: and Amphitrite Actor:
Role: and Proserpine Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:
Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: The Devil to Pay

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performance Comment: End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan.
Event Comment: Mainpiece: Not acted these 12 years. [Address by Richard Cumberland (London Chronicle, 13 Oct.).] Receipts: #130 9s. (124.1; 6.8)

Performances

Mainpiece Title: Percy

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Event Comment: Mainpiece [1st time; C 5, by Prince Hoare. Prologue by Richard Cumberland; Epilogue by John Taylor (see text)]. Receipts: #220 16s. 6d. (163.9.0; 56.6.6; 1.1.0)

Performances

Mainpiece Title: Indiscretion

Performance Comment: Characters by King, Bannister Jun., Barrymore, Talbot, Palmer, Holland, Wewitzer, Wathen, Webb, Evans, Miss Pope, Mrs Jordan, Miss Biggs, Mrs Walcot, Miss Heard, Mrs Coates. Cast from text (J. Barker, 1800), and Larpent MS 1293: Sir Marmaduke Maxim-King; Burly-Bannister Jun.; Clermont-Barrymore; Algernon-Talbot; Frederic-Palmer; Gaylove-Holland; Lounge-Wewitzer; Thomas-Wathen; Francis-Webb; John-Evans; Victoria-Miss Pope; Julia-Mrs Jordan; Fanny-Miss Biggs; Mrs Goodly-Mrs Walcot; Laura-Miss Heard; Betty-Mrs Coates; Prologue-Talbot; Epilogue-Miss Biggs.
Cast
Role: Gaylove Actor: Holland

Afterpiece Title: The Liar

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

Event Comment: Pepys, Diary, 6 June 1660: My letters tell me...that the two Dukes do haunt the Park much, and that they were at a play, Madam Epicene, the other day

Performances

Mainpiece Title: Madam Epicene

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary: Creed and I to Whitefriars to the Play-house, and saw The Mad Lover, the first time I ever saw it acted, which I like pretty well

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

Event Comment: The Duke's Company. Pepys: I to Whitefryars, and saw The Bondman acted; an excellent play and well done. But above all that ever I saw, Betterton, do the Bondman the best

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: And so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Maske, wherein there are some good humours: among others, a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it

Performances

Mainpiece Title: The Queens Mask

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Loves Mistress

Event Comment: The Duke's Company. Pepys, Diary: To Whitefriars and saw The Spanish Curate, in which I had no great content

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queens Mask

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then to Whitefryars, and there saw part of Rule a wife have a wife, which I never saw before, but do not like it

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. An edition dated 1661 lists no cast, no prologue, and epilogue. Pepys, Diary: And so to White-fryars and saw The Little Thiefe, which is a very merry and pretty play, and the little boy do very well

Performances

Mainpiece Title: The Little Thief

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Loves Quarrel

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Performances

Mainpiece Title: The Siege Of Rhodes Part I