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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes"/1) | (@(roleclean,performerclean) "Dukes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4669 results for: Keyword - Dukes

We found 3568 matches on Roles/Actors, 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, and 331 matches on Performance Title.

951
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

952
21 September 1784 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Poor Soldier

953
27 September 1784 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: Harlequin Rambler

954
11 October 1784 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

955
14 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: High Life below Stairs

Dance: In Act I of mainpiece Country Dance incident to the Piece [This was danced in all subsequent performances]; End of Act II of mainpiece, as17840916; In afterpiece a Mock Minuet by Palmer and Miss Pope [This was danced, as here assigned, in all subsequent performances]

956
27 October 1784 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17841022; Afterpiece to conclude with a Grand Dana. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

957
05 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

958
10 November 1784 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17841022; End of Act IV, as17841008

959
20 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Spanish Rivals

960
25 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

961
19 January 1785 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Magic Cavern

962
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

963
08 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Liberty Hall

964
29 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

965
11 April 1785 @ Covent Garden

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

966
24 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: Comus

967
02 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Lord Russel

Afterpiece Title: The Son-in-Law

968
26 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

969
09 September 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Here and There and Every Where

970
17 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello-kemble ; Roderigo-dodd ; Cassio-bannister Jun

Afterpiece Title: The Quaker

971
21 September 1785 @ Covent Garden

Performances

Mainpiece Title: K

Afterpiece Title: Rosin a

972
26 September 1785 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Bar at aria; or, Sancho Turn'd Governor

973
29 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope

974
08 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Humourist

975
20 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Flitch of Bacon