SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Ormond"/1) | (@(roleclean,performerclean) "Duke of Ormond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1167 matches on Performance Comments, 1050 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].
Cast
Role: Lord Ormond Actor: Pope

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: Ormond Actor: Macready

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters by R. Palmer, Barrymore, Kemble, C. Kemble, Aickin, Wewitzer, Hollingsworth, Bannister Jun., Fisher, Webb, Evans, Miss Stuart, Mrs Powell, Mrs Jordan, Miss Pope, Mrs Sparks, Miss Tidswell. [Cast from text (J. Bell, 1800): Lord Listless-R. Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Wewitzer; Squeez'em-Hollingsworth; Frank-Bannister Jun.; Trifle-Fisher; John-Webb; Robert-Evans; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Mrs Jordan; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Lady Hubbub-Mrs Cuyler; Mrs Tiffany-Mrs Coates; Anne-Mrs Jones; [For Prologue (spoken this night?) see17990501.] Epilogue-Mrs Jordan.
Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Romp

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters-Palmer, Barrymore, Kemble, C. Kemble, Aickin, Maddocks, Hollingsworth, Wathen, Miss Stuart, Mrs Powell, Miss Biggs, Miss Pope, Mrs Sparks, Miss Tidswell, Mrs Coates, Mrs Cuyler, Mrs Jones. Cast adjusted from text (J. Bell, 1800): Lord Listless-Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Maddocks; Squeez'em-Hollingsworth; Frank-Wathen; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Miss Biggs; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Mrs Tiffany-Mrs Coates; Lady Hubbub-Mrs Cuyler; Anne-Mrs Jones; Prologue-C. Kemble; Epilogue (in Character)-Bannister Jun.
Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Prize

Event Comment: Pepys, Diary: [Mercer] and I to the Duke of York's playhouse, and there saw The Tempest, and between two acts, I went out to Mr Harris, and got him to repeat to me the words of the Echo, while I writ them down, having tried in the play to have wrote them; but, when I had done it, having done it, withour looking upon my paper, I find I could not read the blacklead. But now I have got the words clear, and, in going in thither, had the pleasure to see the actors in their several dresses, especially the seamen and monster, which were very droll. So into the play again. But there happened one thing which vexed me, which is, that the orange-woman did come in the pit, and challenge me for twelve oranges, which she delivered by my order at a late play, at night, to give to some ladies in a box, which was wholly untrue, but yet she swore it to be true. But, however, I did deny it, and did not pay her; but, for quiet, did buy 4s. worth of oranges of her, at 6d. a-piece. Here I first saw my Lord Ormond since his coming from Ireland, which is now about eight days

Performances

Mainpiece Title: The Tempest

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Bulstrode Papers, 24 Feb. 1670@1: Since Tuesday the ballett has not been danced over, but on Monday next it's said they intend to performe it at the D. of Ormond's, where his Majesty and the whole Court intend to be present (I, 174)

Performances

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: The King's Company. Newdigate newsletters (Folger Shakespeare Library), 15 Nov. 1681: This being ye Q.s birthday ye K.s players acted Alexdr ye great after wch was a ball & entertainment given to ye Ct. (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). Luttrell, 15 Nov. 1681: The 15th, being the birth day of her majestie, was kept with ringing of bells, bonefires, &c.; and at night there was a play acted at Whitehall before the king and queen, where the court appeared in great splendor (A Brief Relation, I, 144). The Earl of Arran to Ormond, 15 Nov. 1681: I am going to a play at court (HMC, Ormonde MSS., New Series, VI, 230). L. C. 5@144, p. 246, 22 Nov. 1681: Whereas Jeoffrey Ayleworth, Thomas ffarmer, Thomas ffinall & Richard Tomlinson foure of his Mates Musitians have neglected their dury in attending at ye play acted before his Mate at Whitehall on Tuesday night last for which I have suspended them (L. C. to the Treasurer of the Chamber, in Boswell, Restoration Court Stage, p. 100)

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

Event Comment: Benefit Cooke. At the desire of several persons of Quality. Amphitheatre on stage. Ladies send servants by 3 o'clock to keep places. Tickets to be had and places to be taken of Cooke Sen., at his house in Great Ormond St., near Queen Square

Performances

Mainpiece Title: The Conscious Lovers

Dance: I: Les Matelots-Cooke; III: A French Peasant-Cooke; IV: Grand Ballet, as17421108; V: a Ball Dance call'd the Louvre, concluding with a Minuet-Cooke, Anne Auretti

Event Comment: Benefit Cooke. Mainpiece: At the Particular Desire of Several Ladies of Quality. Amphitheatre on Stage. Ladies send servants by 3 o'clock. Tickets and places to be had at Cooke's in Great Ormond St., near Queen's Square

Performances

Mainpiece Title: Measure For Measure

Cast
Role: Duke Actor: Quin

Afterpiece Title: Damon and Phillida

Dance: I: New Dance-Cooke; III: Grand Ballet-Cooke, Mlle Domitilla; IV: New Serious Dance-Cooke, Mlle Bonneval; V: Ball Dance call'd the Louvre, concluding with a Minuet-Cooke, Mrs Domitilla

Event Comment: Benefit for Dodd. Public Advertiser, 1 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #244 13s. (111.17.0; 11.16.6; 1.10.6; tickets: 119.9.0) (charge: #74 3s.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A ChristmasTale

Event Comment: Benefit for Dodd. Public Advertiser, 21 Mar.: Tickets to be had of Dodd at his house in New Ormond-street, Queen's-square. Receipts: #245 7s. 6d. (102.15.0; 19.9.0; 0.7.6; tickets: 122.16.0) (charge: #68 19s.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Event Comment: Benefit for Mrs Bulkley. Mainpiece: With the Triumphal Entry of Alexander into Babylon. [This was included in both subsequent performances.] Afterpiece [1st time; C 1, author unknown. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 23 Apr.]. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Bulkley, No. 10, New Ormond-street. Receipts: #195 13s. 6d. [166.16.6; tickets: 28.17.0) (charge: #73 7s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: The Dutiful Deception

Dance: New Dance, Allemande-Aldridge, Mrs Bulkley

Event Comment: Benefit for Dodd. Afterpiece: With Alterations. Not acted these 50 years [acted 31 Dec. 1739]. Public Advertiser, 6 Mar.: Tickets to be had of Dodd at his house, New Ormond-street. Receipts: #272 4s. 6d. (117.4.0; 13.19.0; 2.1.6; tickets: 139.0.0) (charge: #66 15s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Britons, Strike Home

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 20 years. Public Advertiser, 18 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #192 11s. 6d. (65.11.0; 21.13.6; 0.7.0; tickets: 105.0.0) (charge: #78 4s.)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The ChristmasTale

Dance: As17791122

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Event Comment: On this day a quarrel occurred at lif between Henry Killigrew and George Villiers, Duke of Buckingham, but the play is not named in the various accounts of the affair. For details, see HMC, 12th Report, Part VII, p. 51; and Carl Niemeyer, "Henry Killigrew and the Duke of Buckingham", Review of English Studies, XII (1936), 326-28. Pepys, Diary: 22 July: Creed tells me of the fray between the Duke of Buckingham at the Duke's playhouse the last Saturday (and it is the first day I have heard that they have acted at either the King's or Duke's house this month or six weeks) and Henry Killigrew, whom the Duke of Buckingham did soundly beat and take away his sword, and make a fool of, till the fellow prayed him to spare his life; and I am glad of it; for it seems in this business the Duke of Buckingham did carry nimself very innocently and well

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Duke of Exeter Actor: Mills
Role: Duke of York Actor: Cory
Role: Duke of Bourbon Actor: Bridgwater
Role: Duke of Orleans Actor: Watson

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloucester-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmorland-R. Palmer; Archbishop of Canterbury-Maddocks; Ely-Jones; Cambridge-Webb; Scroop-Chapman; Grey-Bland; Erpingham-Waldron; Gower-Williames; Nym-Burton; Bardolph-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bates-Banks; King of France-Packer; The Dauphin-Barrymore; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Haymes; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.

Afterpiece Title: The Romp

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmoreland-Sedgwick; Archb. of Cant.-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Chapman; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Bardolph-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Barrymore; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloster Actor: Benson
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: Comus