SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Lorrain"/1) | (@(roleclean,performerclean) "Duke of Lorrain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, 334 matches on Performance Title, and 3 matches on Roles/Actors.

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Duke of Buckingham-Wroughton; Cranmer-Aickin; Duke of Norfolk-Whitfield; Duke of Suffolk-Williames; Lord Surry-Barrymore; Lord Chamberlain-R. Palmer; Cromwell-Kemble; Lord Sands-Baddeley; Winchester-Suett; Cardinal Campeius-Packer; Sir Henry Guilford-Lamash; Sir ThomasLovel-Fawcett; Doctor Butts-Waldron; Surveyor-Benson; Cardinal Wolsey-Bensley; Anne Bullen-Mrs Farmer; Lady-Mrs Love; Queen Katharine-Mrs Siddons.

Afterpiece Title: The Humourist

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Standen; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Fawcett; Sir Robert Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Mrs Hopkins.

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: Afterpiece: Grand Dance-[See17911210]

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gent. Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Hollingsworth; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.

Afterpiece Title: The Deserter

Performances

Mainpiece Title: At King's King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Caulfield; Sir R. Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Miss Tidswell.

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: At Hay King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gentleman Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Burton [Public Advertiser: Hollingsworth]; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard (for that night only)-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Ratcliffe-Evatt; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir James Blount-Lyons; Sir James Tyrrel-Abbott; Lord Mayor-Burton; Elizabeth-Mrs Whitfield; Lady Anne-Mrs Kemble; Duchess of York-Mrs Powell.
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Usher

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Sir R. Ratcliff-Dignum; Tressel-Bland; Sir William Catesby-Caulfield; Lord Stanley-Aickin; Sir. R. Brackenbury-Palmer Jun.; Sir James Blout-Lyons; Sir James Tyrrel-Jones; Lord Mayor-Wewitzer; Elizabeth-Mrs Hopkins; Lady Anne-Mrs Goodall; Duchess of York-Mrs Booth.
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Usher

Afterpiece Title: The Prize; or, 2

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Performance Comment: Richard (for that night only)-Bannister Jun.; King Henry-Bensley; Prince of Wales-Master De Camp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Palmer; Duke of Norfolk-Abbot; Ratcliffe-Pindar; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir J. Blount-Lyons; Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton//Elizabeth-Mrs Harlowe (1st appearance in that character); Lady Anne-Mrs Kemble; Duchess of York-Mrs Hopkins .
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Abbot

Afterpiece Title: COMUS

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Dignum; Duke of Cornwall-C. Kemble; Duke of Albany-Whitfield; Earl of Kent-Aickin; Earl of Gloucester-Packer; Edgar-Wroughton; Edmund-Barrymore; Knights-Caulfield, Phillimore, Maddocks, Welsh; Physician-Jones; Captain of the Guard-Trueman; Officer-Cooke; Oswald-Russell; Herald-Banks; Page to Goneril-Master Chatterley; Page to Regan-Master Gell; Old Man-Burton; Edward-Benson; Ruffians-Webb, Evans; Goneril-Mrs Cuyler; Regan-Mrs Maddocks; Cordelia-Mrs Siddons; Aranthe-Miss Tidswell.

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Wroughton; Prince of Wales-Miss Granger; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Holland; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Caulfield; Tressel-C. Kemble; Earl of Oxford-Denman; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Maddocks; Queen Elizabeth-Mrs Siddons; Lady Anne-Miss Miller; Dutchess of York-Miss Tidswell.

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Miller; Dutchess of Yord-Miss Tidswell.

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.

Afterpiece Title: The Embarkation

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall