SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Lorrain"/1) | (@(roleclean,performerclean) "Duke of Lorrain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, 334 matches on Performance Title, and 3 matches on Roles/Actors.
Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Performance Comment: Rum Duke-Mullart; Queer Duke-Rosco; other parts-Jones, Stoppelaer, Dove, Mrs Mullart, Mrs Forrester, Mrs Britton, others from the Haymarket.
Cast
Role: Rum Duke Actor: Mullart
Role: Queer Duke Actor: Rosco

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Dance: St.Luce

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Cast
Role: Duke Actor: Perry

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Performance Comment: Edition of 1723 lists: Humphrey-Booth; Richard Plantagenet, Duke of York-Mills; Richard Novil, Earl of Salisbury-Thurmond; Richard Nevil, Earl of Warwick-Williams; Henry Beaufort, Cardinal and Bishop of Winchester-Cibber; William de la Pole, Duke of Suffolk-Watson; Humphrey Stafford, Duke of Buckinham-Mills Jr; Margaret-Mrs Oldfield; Eleanor, Dutchess of Gloucester-Mrs Porter; Prologue by Bartholomew Paman of the Middle Temple-Booth; Epilogue-Mrs Oldfield.
Cast
Role: Duke of York Actor: Mills
Role: Duke of Suffolk Actor: Watson
Role: Duke of Buckinham Actor: Mills Jr

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Duke and no Duke; or, The Power of Magick

Performance Comment: Trappolin-Woodward; Duke Lavinio-Palmer; Prince Brunetto-King; Alberto-Usher; Mago-Winstone; First Woman-Miss Pitt; Second Woman-Mrs Yates; Puritan-Shuter; Isabella-Mrs Bennet; Prudentia-Miss Murgetroyd; Flametta-Miss Cole; Eo-Master Ward; Meo-Master Wills; Areo-Master Barnet; the Infernals . the Infernals .
Cast
Role: Duke Lavinio Actor: Palmer

Dance: Sailor's Hornpipe-Mathews; Comic Dance-Mathews, Mrs Addison

Event Comment: [T+The Anatomist, as 10 Sept., instead of A Duke and no Duke, according to the General Advertiser.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Duke and No Duke

Performance Comment: See17560429 but only Duke-Cushing; Trappolin-Shuter.

Dance: III: Hornpipe-LeCointe; V: A new Pantomime Dance between Harlequin and Pierrot Harlequin-Mr Jolly, Pierrot Dumay

Event Comment: By Command. Receipts: #194 19s. 6d. Present His Majesty. Gave Yeomen of the Guards 10s. 6d. (Account Book). Public Advertiser: We hear His Majesty will be at Covent Garden this night to see the Comedy of She Wou'd and She Wou'd not, with the Duke and No Duke

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: A Duke and no Duke

Dance: Guerin, Mlle Capdeville

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Performance Comment: As17600104, but Duke-Perry.
Cast
Role: Duke Actor: Perry.

Dance: As17600108, but Comic Dance [probably The Plowman]-Poitier, Mlle Capdeville

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Performance Comment: As17610921, but Duke-Perry.
Cast
Role: Duke Actor: Perry.

Dance: II: The Taylors, as17620107

Song: I: (By Particular Desire) a Hunting Song in Apollo and Daphne-Mrs Vernon in the character of Diana

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: Benefit for Smith. No building on stage. Tickets sold at the doors will not be admitted. Ladies send servants by Three. Tickets to be had and places to be taken of Smith in Duke St., York Buildings, and of Crudge at the Stage Door

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Performance Comment: Admiral-Mills; King-Walker; Duke-Ryan; Cardinal-Quin; Marguerite-Mrs Horton.
Cast
Role: Duke Actor: Ryan

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: Frederick, Duke Of Brunswick Lunenberg

Performance Comment: Principal Parts-Walker, Rayn, Quin Milward, Chapman, Mrs Buchanan, Mrs Berriman; but edition of 1729 lists: Frederick-Walker; Duke of Wirtemberg-Ryan; Anspach-Milward; Anhalt-Berryman; Count Waldec-Quin; Baden-Pitts; Ridolpho-Chapman; Anna-Mrs Buchanan; Adelaid-Mrs Berryman; Sophia-Mrs Morgan; Prologue-; Epilogue-.
Cast
Role: Duke of Wirtemberg Actor: Ryan

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Toy Shop

Dance: Pierrots by Delagarde and Dukes. Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers

Performance Comment: Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers .

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: Duke Lavinio Actor: Winstone

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

Related Works
Related Work: The Humorous Lovers Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle
Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Delane; other parts-Hippisley, Bridgwater, Rosco, Hale, Hallam, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Norman; The Vocal Parts-Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.*d1739 10 10 cg Poitier, Mlle Roland.*c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.