SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Glouster"/1) | (@(roleclean,performerclean) "Duke of Glouster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Red-cross Knights

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-C. Kemble; Freeman-Trueman; Philip-Caulfield; Duke's Servant-Palmer; Sir Harry's Servant-J. Palmer; Coachman-Ledger; Tom-Clarke; Kitty-Miss DeCamp; Cook-Mrs Hale; Cloe-Mrs Haskey; Lady Bab's Maid-Mrs Edward; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Duke's Servant Actor: Palmer

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Betterton; Stanley-Hull; Tressel-Mansel; Prince Edward-Miss Sims; Duke of York-Miss Gilbert; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Klanert; Lord Mayor-Thompson; Oxford-Atkins; Terrel-Abbot; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.
Cast
Role: Duke of York Actor: Miss Gilbert

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Pope; Roderigo-Knight; Cassio-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Gardner; Montano-Claremont; Senators-Davenport, Rees; Iago-Murray; Emilia-Mrs Litchfield; Desdemona-Mrs Pope.
Cast
Role: Duke Actor: Waddy

Afterpiece Title: The Maid of the Mill

Performances

Mainpiece Title: Measure For Measure

Performance Comment: The Duke-Kemble; Angelo-Barrymore; Escalus-Aickin; Claudio-C. Kemble; Lucio-Palmer; Gentlemen-Surmont, Trueman; Provost-Caulfield; Friar Peter-Packer; Elbow-Wewitzer; Froth-Fisher; Clown-Suett; Abhorson-Wentworth; Barnardine-Hollingsworth; Thomas-Maddocks; Isabella-Mrs Siddons; Mariana-Mrs Powell; Francisca-Miss Tidswell; Mrs Overdone-Mrs Maddocks.
Cast
Role: The Duke Actor: Kemble

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: As You Like It

Performance Comment: As17991015, but Duke-Powell.
Cast
Role: Duke Actor: Powell.

Afterpiece Title: Of Age To-morrow

Song: As17991001

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17991125, but Duke of Gloster (1st time)-Raymond.
Cast
Role: Duke of Gloster Actor: Raymond.

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.
Cast
Role: Duke Mercia Actor: Davenport

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: Pepys, Diary, 6 June 1660: My letters tell me...that the two Dukes do haunt the Park much, and that they were at a play, Madam Epicene, the other day

Performances

Mainpiece Title: Madam Epicene

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary: Creed and I to Whitefriars to the Play-house, and saw The Mad Lover, the first time I ever saw it acted, which I like pretty well

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

Event Comment: The Duke's Company. Pepys: I to Whitefryars, and saw The Bondman acted; an excellent play and well done. But above all that ever I saw, Betterton, do the Bondman the best

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: And so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Maske, wherein there are some good humours: among others, a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Love's Mistress

Event Comment: The Duke's Company. Pepys, Diary: To Whitefriars and saw The Spanish Curate, in which I had no great content

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then to Whitefryars, and there saw part of Rule a wife have a wife, which I never saw before, but do not like it

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. An edition dated 1661 lists no cast, no prologue, and epilogue. Pepys, Diary: And so to White-fryars and saw The Little Thiefe, which is a very merry and pretty play, and the little boy do very well

Performances

Mainpiece Title: The Little Thief

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: Elizabeth Bodvile, ca. July 1661: One Monday I was at the new apprer [opera] (Camden Society, 1878, XXII, 21). The Duke's Company

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The Duke's Company. Pepys, Diary: To Sir William Davenant's Opera; this being the fourth day that it hath begun, and the first that I have seen it. To-day was acted the second part of The Siege of Rhodes. We staid a very great while for the King and the Queen of Bohemia. And by the breaking of a board over our heads, we had a great deal of dust fell into the ladies' necks and the men's hair, which made good sport. The King being come, the scene opened; which indeed is very fine and magnificent, and well acted, all but the Eunuch, who was so much out tha he was hissed off the stage

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii