Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, 407. This day may well have been the premiere; the play was not licensed until 5 July 1675

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Event Comment: [The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. There is no certainty that this performance is the premiere, btt an additional known performance on 15 June suggests that early June probably saw the initial run. The music for two songs, Thou joy of all hearts and When you dispense your influence, both set by Dr William Turner, is in Choice Ayres and Songs, Second Book, 1679. Preface, Edition of 1676: I have no reason to complain of the success of this Play, since it pleased those, whom, of all the World, I would please most: Nor was the Town unkind to it....[There] being no Act in it, which cost me above Five days writing: and the last Two (the Play-house having great occasion for a Play) were both written in Four Days. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the Company great Reputation. The Libertine perform'd by Mr Betterton Crown'd the Play

Event Comment: The Duke's Company. If the company acted daily at this time, probably The Libertine was repeated on this day

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The date of this performance is not certain, but Nell Gwyn attended this play given by the Duke's Company sometime in (probably) November 1675. See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The day is not known, but the performance apparently occured in December 1675

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The date of the performance is uncertain, but it appears to have been in Jan. 1675@6

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Event Comment: The Duke's Company. Nell Gwyn attened a performance of this play, probably in February 1676, See VanLennep, Nell Gwyn's Playgoing, p. 407

Event Comment: The Duke's Company. The date of the premiere is not known, but the date of licensing, 4 May 1676, suggests a production not later than March or April 1676. The Dedication indicates that the play was also acted privately at the residence of the Duchess of Albemarle, New-Hall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode and Box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348