Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Event Comment: 2nd piece: In one act. ["The following Gentlemen of the Chorus absent from this Evening Performance, viz., Messrs Boyce, Hobler, Dixon, Dorion Sen., Annereau; Dancers: Messrs G. D'Egville and Hamoir" (Powell).] Powell: Heiress rehearsed at 10; High life at 12; New Ballet [Glorious First of June] at 12. Receipts: #209 16s. 6d. (143/18/0; 63/7/6; 2/11/0)

Event Comment: [1st piece in place of A MOGUL TALE; 2nd piece of THE SON-IN-LAW, and THE CHILDREN IN THE WOOD, all advertised on playbill of 17 July.)

Event Comment: Afterpiece: 11th time [i.e. in continuation of the reckoning for the previous season]. The Music composed by Baumgarten, Paisiello, Dr Arne, W. Parke. Howard and Shield. Books of the Songs to be had at the Theatre. Receipts: #230 12s. 6d. (226.1.6; 4.11.0)

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Event Comment: [1st piece: Epilogue by Miles Peter Andrews.] 2nd piece [1st time; MF 2, by William Pearce. In 1796 acted at cg, reduced to 1 act]: Scenery entirely new, consisting of several Views taken from the Spot, and executed by Richards. The Music selected and composed by Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 16 Nov. 1794: This Day is published Arrived at Portsmouth (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 22 Apr. 1795]. Receipts: #203 5s. (200.1; 3.4)

Event Comment: Powell: Jones continuing Ill, Evans play'd Robert [in afterpiece]. G. D'Egville absent from this Evening's Performance, Ill. High Life below Stairs rehearsed at 11; Edwy and Elgiva read at 12. Receipts: #215 2s. (157.3.6; 55.1.0; 2.17.6)

Event Comment: Powell: New Ballet rehearsed at 12 [and for afterpiece same note as on 5 Jan.]. Receipts: #134 7s. (88.7; 40.7; 5.13)

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Event Comment: [1st piece in place of The Wives Revenged, advertised on playbill of 22 Oct.] 2nd piece: 4th Time [i.e. in continuation of the reckoning for the previous season]. In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgment-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. And in the Last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by the Scenery and Certainty of its Judgments, produced many alarming Events in the 15th century, throughout the Germanic Empire. 3rd piece: In the course of the Pantomime a Representation of an Engagement between an English and French Man of Warv. A Shipwreckv. The original Allegoric Scene from Provocation. A View of an English Campv. A Naval and Military Procession. Receipts: #235 3s. 6d. (209.0.0; 26.3.6)

Event Comment: Mainpece: In Act I the Cardinal's Banquet. In Act II the Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Receipts: #211 1s. 6d. (150.5.0; 58.4.6; 2.12.0)

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)