SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Duke and Dutchess of York"/1) | (@(roleclean,performerclean) "Duke and Dutchess of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1299 matches on Performance Comments, 1200 matches on Event Comments, 403 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Restored

Music: As17351018

Dance: A Grand New Ballet, Le Badinage de Provence, by Poitier, Mlle Roland, Villeneuve, Duke, Pelling, Delemayne, Davenport, Rector, Mrs Walter, Mrs Pelling, Mrs Anderson, Miss Mann, Mrs Davenport, Miss Brett

Performances

Mainpiece Title: Macbeth

Music: Vocal and Instrumental Music-; proper to the Play. The Vocal Parts-Stoppelaer, Mrs Clive

Dance: Thurmond, Dukes, Levier, Villeneuve

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Harlequin Restord or Taste a la Mode

Dance: I: Tambourine-Mlle Roland; III: Rover-Essex, Mrs Walter, Villeneuve, Mrs Anderson, Dukes, Miss Mann, Pelling, Miss Brett, Janno, Mrs Villeneuve

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Southern

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Milward; Aboan-Quin; Driver-Johnson; Governor-Berry; Blandford-W. Mills; Imoinda-Mrs Thurmond; Widow Lackit-Mrs Cross; Charlotte-Mrs Pritchard; Daniel-Cibber.
Cast
Role: Blandford Actor: W. Mills

Afterpiece Title: The Harlots Progress With Harlequin Grand Volgi

Performance Comment: See17360907, but Kitty-Mrs Clive; Harlequin-Phillips; Mordecai-Stoppelaer; Debauchee-Berry; Poudre-Este; Constable-Macklin; Porter-Rosamond; Jenny-Miss Brett; Mother Midnight-Turbutt; Brindle-Leight; Pompey-Young Carney; Justices-Winstone, Raftor, Cole; Ladies of Pleasure-Mrs Villeneuve, Mrs Anderson, Miss Brett; Pierrot-Rector; Punch-Janno; Scaramouch-Leigh; Harlequin Grand Volgi-Philips; Mandarin Gormogons-Livier, Pelling, Dukes, Villenuve; Chinese Guards-Bethan, Leigh, Wright, Grey.

Dance: I: Tambourine-Mlle Roland; III: Grand Polonese Ballet-Essex, Mrs Walter, Livier, Villeneuve, Dukes, Rector, Mrs Pelling, Mrs Anderson, Miss Mann, Miss Brett

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke Or Blunder Upon Blunder Yet Alls Right At Last

Performance Comment: The Parts-the best Actors; the Songs-the best Singers; the Dances-the best Dancers, to and from the Theatres-Royal.

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: Benefit Johnson, a Distiller, and Adams. 6 p.m. Which will be perform'd by a set of Gentlemen and Ladies who never performed on any stage before. [Usual formula of the concert.] Prices 2s. 6d., 1s. 6d., 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Happy or The Miller Bit

Song: I: Johnson; IV: A new Song in Praise of the Duke of Cumberland-Mr Johnson

Dance: III: Hornpipe-Adams; V: A dance representing Trade in General-Adams

Music: II: German Flute-a Gentleman

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Duke Actor: Winstone

Afterpiece Title: The Double Disappointment

Song: II: Gentle Shepherd-Mrs Arne; IV: Song in Honour of the Duke of Cumberland-Lowe

Dance: III: Muilment

Event Comment: PPhillips and Hussey's Company. 2s. 6d., 1s. 6d., 6d. [Concert formula used.] To begin at 12 and end at 10 p.m. Mainpiece: [first announced on 26th and 29th as The Careful Father; or, The Extravagant Son. Notice of performance repeated 2,3,6 (but Cushing as Drunken Peasant), 6,7 (but Phillips as Drunken Peasant), 12, 13, 14, and 15 May. Probably acted every day of May Fair.

Performances

Mainpiece Title: The Prodigal Son With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Afterpiece Title: The Harlots Progress

Performance Comment: Harlequin-Phillips his first appearance on that stage in England in three years; Beau Mordecai the Jew-Bennett; Miss Kitty-Mrs Phillips.

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: HHussey's Booth, George Inn Yard, Smithfield. A concert etc. 2s. 6d., 1s., 6d. Noon to 10 p.m. Note, the Booth is very large and Commodious [repeated in each bill. According to a note in the news of the Daily Advertiser, 25 Aug., the piece was performed and]: Shakespear followed justly. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: An Historical Piece Written By shakespear

Afterpiece Title: The Schemes of Harlequin or Mons Le Saxes Disappointment

Song: Chorus in praise of the valiant hero the Duke of Cumberland-

Event Comment: WWarner and Fawkes' Booth, facing the Hospital Gate, West Smithfield. Noon to 10 p.m. [Notice repeated 26, 27 August.

Performances

Mainpiece Title: The Happy Hero

Afterpiece Title: All Alive and Merry

Afterpiece Title: Harlequin Incendiary or Colombine Cameron

Song: In praise of our successful Hero the Duke of Cumberland-

Performances

Mainpiece Title: The Heroic General Or Britons Darling

Performance Comment: interspers'd with the comical Humours of Awl the Cobler, Sneak the Taylor, Trim the Barber, and Kate Inlist the Serjeant's Wife.

Afterpiece Title: Harlequin Sailor or The Wapping Landlady

Song: Song in praise of Duke of Cumberland-

Performances

Mainpiece Title: The Fate Of Villainy Or Virtue Triumphant

Afterpiece Title: The Imprisonment of Harlequin

Song: In praise of the Duke of Cumberland-

Music: A good Band of Musick

Event Comment: HHussey and Phillips, New Theatre, Bowling Green. Not performed these Ten Years. Prices 2s. 6d., 1s. 6d., 1s., 6d. [Notice repeated 9, 10, 11 Sept.

Performances

Mainpiece Title: He Constant Couple Or The Fop Bit a Farce

Afterpiece Title: Harlequin Restord or Burgomaster Trickd

Music: A grand chorus of kettle Drums-; Hautboys-; French Horns- in praise of our noble Hero, the Duke of Cumberland

Dance: I: Drunken Peasant-Phillips

Song: II: Master Maddox; III: A new Song, Maids have a Care-Bennett

Performances

Mainpiece Title: Lallegro Ed Il Penseroso And Handels anthem Composed For The Duke Of Chandos Alexanders Feast And The Coronation Anthems

Music: As17760306

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Performance Comment: As17791110 Prologue and Epilogue as17791110 .
Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: William And Nanny

Performances

Mainpiece Title: The Duke Of Milan

Performance Comment: As17791110 Prologue and Epilogue as17791110 .
Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: William And Nanny

Dance: End: The Dockyard, as17790924, but _Langrish, Ratchford

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).
Cast
Role: Duke Actor: Johnson

Afterpiece Title: Taste or Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Performances

Mainpiece Title: Fontainbleau

Performance Comment: Lackland-Lewis; Lepoche-Murray; Squire Tally@ho-Munden; Lord Winlove-Incledon; Sir John Bull-Waddy; Col. Epaulette-Farley; Henry-Johnstone; Rosa-Mrs Mountain; Lady Bull-Mrs Davenport; Cecilia (1st time)-Miss Wheatley; Mrs Casy-Mrs Clendining; Nannette-Mrs Martyr; Miss Dolly Bull-Mrs Mattocks.
Cast
Role: Lackland Actor: Lewis

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Miller; Dutchess of Yord-Miss Tidswell.

Afterpiece Title: Bon Ton

Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Duke Richardo Actor: Cibber
Role: Page to the Duke Actor: Lee
Role: Dutchess Actor: Mrs Knight
Event Comment: [By Nicholas Rowe.] Never Acted before. The Medley, 22 April: Whereas Nicodemus Somebody, Esq; alias The Merry Mr Pack, belonging to the Play-house in Lincolns-Inn-Fields, was on Wednesday Night last very noisy and troublesome in the first Gallery of Theatre-Royal in Drury-lane, he's desir'd hereby, when out of his own House, to behave himself with a little more Manners and Discretion, and not distinguish himself again by his ill-natur'd Gestures and frequent Hissings

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Edition of 1715 lists: Duke of Northumberland-Mills; Duke of Suffolk-Boman; Lord Guilford Dudley-Booth; Earl of Pembroke-Elrington; Earl of Sussex-Ryan; Gardiner Bishop of Winchester-Cibber; Sir John Gates-Shepherd; Lieutenant of Tower-Quin; Captain of Guards-Maddocks; Dutchess of Suffolk-Mrs Porter; Lady Jane Gray-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Porter.

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Event Comment: A New Tragedy. [By Lewis Theobald.] Preface, edition of 1735: But such was its Fate then, that, appearing in a Season when the Weather was warm, and the Town in a political Ferment, it was prais'd and forsaken. Receipts: #47 6s

Performances

Mainpiece Title: The Fatal Secret

Performance Comment: Parts-Ryan, Quin, Walker, Milward, Chapman, Hall, Aston, Paget, Mrs Hallam, Mrs Kilby, Miss Binks; but edition of 1735 lists: Ferdinand-Ryan; +Cardinal of Arragon-Walker; +Young Duke of Malfy-Miss Binckes; +Antonio-Milward; +Delio-Hale; +Marquise of Pescara-Chapman; +Bosola-Quin; +Flavio-Paget; +Urbino-Aston; +Dutchess of Malfy-Mrs Hallam; +Cariola-Mrs Kilby. Prologue by Dutchess">Philip Frowde, Esq-; Epilogue for $the Dutchess-.
Cast
Role: Ferdinand Actor: Ryan
Role: Young Duke of Malfy Actor: Miss Binckes
Role: Dutchess of Malfy Actor: Mrs Hallam
Role: the Dutchess Actor: .