SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke and Duchess of York"/1) | (@(roleclean,performerclean) "Duke and Duchess of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1304 matches on Performance Comments, 1213 matches on Event Comments, 403 matches on Author, 355 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla

Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Aickin; Rodolpho-Ackman; Officers-Keen, Strange, Marr; Laura-Mrs Hopkins; Sigismunda-Mrs Dancer, 1st appearance there.
Cast
Role: Tancred Actor: Holland

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-King; Sir Harry's Servt-Dodd; Philip-Baddeley; Duke's Servt-Palmer; Freeman-Packer; Kitty-Mrs Clive.
Cast
Role: Duke's Servt Actor: Palmer

Dance: End: The Irish Hay@makers, as17670919

Event Comment: An order of the Lord Chamberlain (5@12, p. 202) dated 1 April 1671, states that the theatres are to be closed because of the death of the Duchess of York on 31 March 1671. See Nicoll, Restoration Drama, p. 322. It is uncertain how long the theatres were closed, but probably the closure extended for six weeks

Performances

Performances

Mainpiece Title: The Goldsmiths Jubilee Or Londons Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: Benefit for Farren. Public Advertiser, 8 Apr.: Tickets to be had of Farren, No. 13, York-street, Covent Garden. Receipts: #208 4s. 6d. (63/19/0; 15/1J/6; 0/1/0; tickets: 128/9/0) (charge: #65 16s. 11d)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Farren (1st appearance in that character); Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bensley; Emilia-Mrs Hopkins; Desdemona-Miss Farren .
Cast
Role: Duke Actor: Chaplin

Afterpiece Title: Catherine and Petruchio

Dance: As17820302athi

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .
Cast
Role: Duke Actor: Thompson

Afterpiece Title: Three Weeks after Marriage

Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Browne; Priuli-Aickin; Renault-Gardner; Bedamar-R. Palmer; Duke-Usher; Spinosa-Lawrence; Elliot-Swords; Officer-Johnson; Pierre-Bensley; Belvidera-A Young Lady (1st appearance [Miss Eccles]).Miss Eccles]).
Cast
Role: Duke Actor: Usher

Afterpiece Title: The Flitch of Bacon

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

Event Comment: The King's Company. Pepys, Diary: Hence my wife and I to the Theatre, and there saw The Joviall Crew, where the King, Duke and Duchess, and Madame Palmer, were; and my wife, to her great content, had a full sight of them all the while. The play full of mirth

Performances

Mainpiece Title: The Jovial Crew

Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: Londons Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.
Event Comment: London Journal, 14 Dec.: The Duke and Duchess of Richmond, the Earl and Countess of Albemarle, and a great Number of Gentry were present. [See also 23 Nov.

Performances

Mainpiece Title: Cato

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords">George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: Duke of Bedford Actor: Underhill
Role: Duke of Exeter Actor: Cogan
Role: Duke of Burgundy Actor: Smith
Event Comment: [The playbill assigns the Dauphin to Barrymore but, "Benson performed the Dauphin instead of Barrymore" (Thespian Magazine, Nov. 1792, p. 125). It is not stated who acted Duke of Gloster; doubling these two parts is not likely.] Account-Book: Paid The Prince of Wales's Porter for Performances in Cymon [on 31 Dec. 1791, et seq.] #13 10s. Receipts: #169 9s. 6d. (118.6.6; 46.8.0; 4.15.0)

Performances

Mainpiece Title: At Kings King Henry The Fifth Or The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson?; Duke of Bedford-Dignum; Duke of Exeter-Aickin; E. of Westmoreland-Sedgwick; Archbp. of Canterbury-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Cooke; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Fluellen-Baddeley; Bardolph-Alfred; Boy-Master Gregson; Pistol-Suett; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Benson; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloster Actor: Benson?
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: of Westmoreland Actor: Sedgwick
Role: Grey Actor: Bland
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: The Liar

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: Duke of Buckingham Actor: Smith
Role: Lord Sands Actor: Price
Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman (1st and only appearance in that character); Duke of Buckingham-Farren; Cranmer-Hull; Cromwell-Davies; Lord Chamberlain-Cubitt; Bishop of Winchester-Quick; Surrey-Macready; Duke of Norfold-Harley; Duke of Suffolk-Marshall; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Queen Catherine-Mrs Pope.
Cast
Role: Duke of Buckingham Actor: Farren
Role: Duke of Norfold Actor: Harley
Role: Duke of Suffolk Actor: Marshall

Afterpiece Title: The Sailors Festival

Performance Comment: As17930510, but in Scene I We be three poor Mariners-_Gray; [Scene II. The Disconsolate Sailor, When my Money was gone-Mrs Martyr (in character); When daisies mead-Miss Barnett [both in place of songs by Mrs Martyr and Johnstone]; [In Scene III added: Irish Song-Johnstone; Comic Song-Munden; [To conclude with a Representation of the Grand Fleet at Anchor in Portsmouth Harbour-.

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess Or The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: Duke of Richmond Actor: Harris
Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preservd Or A Plot Discoverd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Cast
Role: Duke of Venice Actor: D. Williams
Event Comment: The Duke's Company. The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition, 21 April 1682 (Huntington Library), and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 102-05. The Prologue and Epilogue were advertised in The Observator, 27 April 1682, with the statement: Recommended to All Men of Sense and Loyalty

Performances

Mainpiece Title: Venice Preservd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: Lavinio-Thurmond; Trapolin-Bowen; Brunetto-Husband; Barbarino-Boman; Conjuror-Cross.
Cast
Role: Brunetto Actor: Husband

Dance: LaBee, lately arriv'd from the Opera at Paris; also new dances-Thurmond Jr, others

Song: A Variety of English and Italian Songs-

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The School Boy

Dance: Between the Acts: Dancing-

Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Dance: Drunken Man-Harper

Song:

Event Comment: Mainpiece: Not Acted these Six Years. At the Desire of several Persons of Quality. Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear. With Scenes, Habits, Machines, and other proper Decorations

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Phebe

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Country Wedding and Skimmington

Song:

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Country Wedding and Skimmington

Song:

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda