SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duchess of York"/1) | (@(roleclean,performerclean) "Duchess of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 341 matches on Roles/Actors, 339 matches on Performance Comments, 236 matches on Event Comments, 24 matches on Performance Title, and 0 matches on Author.
Event Comment: Mainpiece: Not acted these 3 years. [See 29 Feb. 1748.] Containing the distresses and death of King Henry VIv; the Artful acquisition of the Crown by King Richardv; The cruel Murder of Prince Edward and his brother in the Towerv; the landing of the Earl of Richmond, and the death of King Richardv in the Memorable battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [Customary advertisement for this play this season. It will not be repeated further.] This month was published Characters in Dancing; with a Rhapsody (Gentleman's Magazine). Receipts: #164 13s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Delane; Richmond-Ridout; Buckingham-Sparkes; Stanley-Redman; Oxford-Bencraft; Catesby-Gibson; Ratcliff-Anderson; Tressel-Cushing; Norfolk-Bransby; Lord Mayor-Marten; Tirrel-Dunstall; Lieut-Oates; Blunt-Holtham; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Queen-Mrs Horton; Dutchess of York-Mrs Bambridge; Lady Anne-Mrs Woffington.

Afterpiece Title: Phoebe

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords">George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: Mainpiece: A New Comedy by Robert Hitchcock [first perform'd at York]

Performances

Mainpiece Title: The Macaroni

Performance Comment: Parts-Cresswick (from the Theatre Royal in York), Fearon, Bolton, Farren, Davis, Williams LeMarch, Lloyd, Jacobs, a Young Lady, first time; Miss Atkinson, Mr Palmer, Mrs Dyer, Mrs Williams; Epilogue-to be spoken in the character of the Macaroni.

Afterpiece Title: The Apprentice

Song: III: O What a Charming Thing's a Battle-Bannister

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, to see The Duchesse of Malfy, a sorry play, and sat with little pleasure, for fear of my wife's seeing me look about

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Social Songsters

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

Performances

Mainpiece Title: Concert

Music: An Extraordinary Consort of Vocal and Instrumental Musick-; Particularly, the Instrumental Musick, Composed by Mr John Eccles for the Coronation-; With several of Mr Weldon's Songs made for his Consort in York-Buildings. To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before)

Performances

Mainpiece Title: The Northern Heiress; Or, The Humours Of York

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lucky Discovery; or, The Tanner of York

Dance: CComic Dance-Tench, Miss Cantrel; Je ne scai quoi-Tench, Villeneuve, Miss Oates; French Sailors-Lalauze, Mlle Roland

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Afterpiece Title: The Lucky Discovery; or, The Tanner of York

Performances

Mainpiece Title: Trick For Trick; Or, An Odd Affair Between Harlequin, His Associates, And The Vintner Of York

Afterpiece Title: Poor Harle in the Sudds at Last

Afterpiece Title: A Ball; or, The Humours of a Masquerade

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Tanner of York

Dance: I: Comic Ballet-Villeneuve, Miss Oates; III: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; V: Grand Ballet-Glover, Mlle Roland

Music: End Afterpiece: Solo on Harp-Parry

Song: II: Roberts; IV: Roberts

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Tanner of York

Dance: II: Ballet-Desse, Miss Oates; III: A Comic Dance-Richardson, Mrs LeBrun; IV: Grand Ballet-Desse; V: Grand Ballet-Glover, Mlle Roland

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Nancy; or, The Parting Lovers

Afterpiece Title: The Tanner of York

Dance: MMiller and Wife, The Swiss-Mechel, Mlle Mechel

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Tanner of York

Dance: PPeasants, Miller and Wife-Mechel, Mlle Mechel; Serious Ballet-Villeneuve, Miss Oates

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Tanner of York

Dance: PPeasants-Mechel, Mlle Mechel; Comic Ballet-Villeneuve, Miss Oates; Drunken Peasant-Phillips

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Tanner of York

Dance: As17401027

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Tanner of York

Dance: As17410505, but I, III, V: dances

Song: IV: Roast Beef Song (by Desire)-Leveridge

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Tanner of York

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Tanner of York

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Tanner of York

Dance: LLes Statues Animees, as17560302

Event Comment: The Duke's Company. The Prologue to the Queen of Arragon Acted before the Duke of York, Upon his Birthday, and Epilogue to the Same To the Duchess, by Samuel Butler, are in The Poetical Works of Samuel Butler, ed. R. B. Johnson (London, 1893), II, 175-77. Newsletter, 12 Oct. 1668: The Duke of York's birthday will be celebrated with the usual solemnities, a play being prepared for the entertainment of the ladies. The piece chosen is The Queen of Arragon. It will be acted in the Guard Chamber at St James's (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 59). Pepys, Diary: But the Duke of York being gone out, and to-night being a play there, and a great festival, we would not stay

Performances

Mainpiece Title: The Queen Of Arragon