SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duchess of Shrewsbury"/1) | (@(roleclean,performerclean) "Duchess of Shrewsbury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 178 matches on Performance Comments, 43 matches on Event Comments, 7 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

Event Comment: At the particular Desire of several Ladies of Quality. The Diary of Mary Countess Cowper, p. 153: At Night at the French Play with the Duchess of Shrewsbury. Everybody took Notice of the Scene of the Drawing-room

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Arlequin Galerien; ou, Le Port de Mer

Entertainment: Dancing-D'Angeville, Mlle Deschaliers, others; And several New Performances-the Tumblers; Particularly the Extraordinary Tumbling, call'd Le Saut de la Panche-Mr Debroc , who with Links in his Hands will run up to the Top of a Board 16 Foot high, and with a most surprising Activity will tumble from thence

Event Comment: [Mrs Siddons's 1st appearance as the Duchess of Braganza was at Bath, 8 Feb. 1780.] Receipts: #239 10s. (216/12/0; 22/0/6; 0/17/6)

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, to see The Duchesse of Malfy, a sorry play, and sat with little pleasure, for fear of my wife's seeing me look about

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Social Songsters

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Characters-Kemble, Aickin, Barrymore, Whitfield, Packer, Williames, Fawcett, Phillimore, Wilson, Jones, Chaplin, Benson, Wroughton Mrs Ward, Mrs Farmer, Miss Tidswell, Mrs Siddons. [Cast from text (J. Debrett, 1789), and World, 23 Mar.: Norfolk-Kemble; Cecil-Aickin; Herries-Barrymore; Murray-Whitfield; Davison-Packer; Beton-Williames; Paulet-Fawcett; Huntingdon-Phillimore; Sheriff-Chaplin; Shrewsbury-Benson; Lenox-Wroughton; Nawe-Alfred; Lieutenant of the Tower-Lyons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Farmer; Lady Scroop-Miss Tidswell; Queen Mary-Mrs Siddons; unassigned-Wilson, Jones; Prologue-Wroughton; Epilogue-Mrs Siddons. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Shrewsbury Actor: Benson

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Sheriff-Lyons; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.
Cast
Role: Earl of Shrewsbury Actor: Benson

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: At Hay Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; E. of Shrewsbury-Benson; E. of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.
Cast
Role: of Shrewsbury Actor: Benson

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir W. Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingdon-Phillimore; Sir Amias Paulet-Wentworth; Beton-Whitfield; Nawe-Trueman; Lieut. of the Tower-Caulfield; Sheriff-Maddocks; Servant-Webb; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Powell; Lady Douglas-Miss Miller; Lady Scrope-Miss Tidswell.
Cast
Role: Earl of Shrewsbury Actor: Benson

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir W. Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Holland; Beton-Whitfield; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Powell; Lady Douglas-Miss Miller; Lady Scrope-Miss Tidswell.
Cast
Role: Earl of Shrewsbury Actor: Holland

Afterpiece Title: Robinson Crusoe

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time: F 2, by Edmund John Eyre. Text (Shrewsbury: P. Sandford, 1791) correctly assigns Prolix to Wilson. Prologue by John Wolcot (see text)]. Morning Chronicle, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #318 4s. (153.3; 2.5; tickets: 162.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17680411 but Ratcliff-Bennet; Lady Anne-Mrs Lessingham; Duchess of York-Mrs Ferguson; Tressel-Casey; Add Oxford-Redman; Tyrrel-Bates (playbill). Duchess of York-Miss Vincent (Public Advertiser).

Afterpiece Title: Duke and no Duke

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: The Countess of Derby to the Duchess de la Tremoille, 25 Feb. 1660@1: Plays are often acted at court, and the King and their Royal Highnesses have been present at two this evening, at the Duchess of Buckingham's (Madame Guizot de Witt, The Lady of Latham [London, 1869], p. 268)

Performances

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: Edition of 1676: The Prologue-; Phillip the Second-Batterton; Don Carlos-Smith; Don John-Harris; Marquis of Posa-Crosby; Rui Gomez-Medbourn; Queen of Spain-Mrs Mary Lee; Duchess of Eboli-Mrs Shadwell; Henrietta-Mrs Gibbs; Garcia-Mrs Gillow; Officer of the Guards-Norris; The Epilogue-a Girle [Anne Bracegirdle?].Anne Bracegirdle?].

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Duke and No Duke

Performance Comment: Duke-Thurmond Jr; Trapolin-Shaw; Duchess-Mrs Booth; Trapolin's Wife-Mrs Bicknell.
Cast
Role: Duchess Actor: Mrs Booth

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; King Henry-Boheme; Buckingham-Quin; Richmond-Leigh; Catesby-Egleton; Lord Mayor-Bullock Sr; Elizabeth-Mrs Seymour; Anne-Mrs Spiller; Duchess of York-Mrs Giffard; Prince Edward-Miss Stone.
Cast
Role: Duchess of York Actor: Mrs Giffard

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17210311 but Richmond-Egleton; Queen Elizabeth-Mrs Giffard; Catesby-_; Anne-_; Duchess of York-_.
Cast
Role: Duchess of York Actor: Mrs Giffard

Performances

Mainpiece Title: Don Quixote

Performance Comment: Quixote-Boheme; Moll-Mrs Egleton; Duke-Hulet; Ambrosia-Walker; Cardenio-Diggs; Manuel-Egleton; Sancho-Hall; Chaplain-Bullock Sr; Duchess-Mrs Parker? (Daily Post) or Mrs Packer (Daily Courant); Lucinda-Miss Purden; Marcella-Mrs Stirling; , with the song I Burn I Burn-.
Cast
Role: Duchess Actor: Mrs Parker?