SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dryden Lee"/1) | (@(roleclean,performerclean) "Dryden Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1706 matches on Author, 902 matches on Performance Comments, 534 matches on Event Comments, 74 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: An Attic Evenings Entertainment

Performance Comment: Readings from Milton-; Caractacus-; Gray's Elegy-Sheridan; Two Pieces of prose composition of interest to both sexes. Dryden's Ode on the Power of Music-; pieces of vocal and instrumental music-; the vocal parts-Guistinelli, Mrs Jewel [formerly Miss Edwards].formerly Miss Edwards].
Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the Worlds a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

Performances

Mainpiece Title: King Henry The Fourth First Part

Afterpiece Title: St

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Performance Comment: End: Dryden's Ode of Alexander's Feast-Holman.

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Performances

Mainpiece Title: Love And Revenge

Performance Comment: Edition of 1675: Prologue-; Epilogue-Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd; Clotair-Smith; Lewis-Crosby; Brisack-Norris; Clarmount-Medbourn; Dumain-John Lee; Lamot-Gillow; Burbon-Purseval; Nigrello-Mrs Mary Lee; Fredigond-Mrs Osborn; Aphelia-Mrs Batterton.

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performance Comment: Edition of 1676: Prologue-; Epilogue-Mrs Lee; Theinmingus-Gillow; Zungteus-Harris; Palexus-Norris; King of China-Medbourn; Quitazo-Smith; Lycugus-Sandford; Orunda-Mrs Batterton; Alcinda-Mrs Corer; Amavanga-Mrs Mary Lee; Vangona-Mrs Spencer. See also Downes (below).

Performances

Mainpiece Title: Alcibiades

Performance Comment: Edition of 1675: Prologue-Mr Harris; Epilogue-Mrs Mary Lee; Agis-Medbourn; Alcibiades-Batterton; Tissaphernes-Sanford; Patroclus-Crosby; Theramnes-Harris; Polyndus-Gillow; Deidamia-Mrs Mary Lee; Timandra-Mrs Batterton; Draxilla-Mrs Barry; Ardella-Mrs Gillow.

Performances

Mainpiece Title: Abdelazer Or The Moors Revenge

Performance Comment: Edition of 1677: Ferdinand-Harris; Philip-Smith; Abdelazer-Betterton; Mendozo-Medburne; Alonzo-Crosbie; Roderigo-Norris; Sebastian-John Lee; Osmin-Percivall; Zarrack-Richards; Isabella-Mrs Mary? Lee; Leonora-Mrs Barrer; Florella-Mrs Betterton; Elvira-Mrs Osborne; Epilogue-little Mis. Ariell [Anne Bracegirdle?].Anne Bracegirdle?].

Performances

Mainpiece Title: Pastor Fido Or The Faithful Shepherd

Performance Comment: Edition of 1677: Prologue-; Montano-Medbourn; Sylvio-Crosby; Mirtillo-Smith; Titiro-John Lee; Sylvano-Batterton; Ergasto-Norris; Carino-Perseval; Dameta-Richards; Lynco-Gillo; Amaryllis-Mrs Batterton; Corisca-Mrs Mary Lee; Dorinda-Mrs Petty; Gerana-Mrs Hughes; Celia-Mrs Napier.

Performances

Mainpiece Title: The Constant Nymph Or The Rambling Shepheard

Performance Comment: Edition of 1678: Prologue-Mrs Lee [in Mans Cloaths; Sylvanus-Sandford; Astatius-Mrs Mary Lee; Philisides-Mrs Barry; Traumatius-Medburn; Ismenius-Gillo; Melibeus-Jevon; Lilla-Mrs Norris; Astrea-Mrs Wyn [Anne Quin]; Alveria-Mrs Batterton; Clinias-Richards; Darmetas-Pursevall; Epilogue-Clinias.

Performances

Mainpiece Title: The Counterfeits

Performance Comment: Edition of 1679: Prologue-; Don Gomez-Anthony Lee; Don Luis-Gilloe; Vitelli-Betterton; Antonio-Harris; Carles-Medburne; Peralta-Smith; Dormilon-Persivall; Fabio-Underhill; Crispin-Williams; Tonto-Richards; Boy-Young Mumford [Mountfort]; Elvira-Mrs Lee; Violante-Mrs Price; Clara-Mrs Barrer; Flora-Mrs Gibbs; Epilogue-Mrs Barry.

Performances

Mainpiece Title: The Revenge Or A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Performance Comment: Edition of 1682: The Prologue by Mr Otway-Mrs Barry; Sir Timothy Treatall-Nokes; Tom Wilding-Betterton; Sir Anthony Meriwill-Lee; Sir Charles Meriwill-Williams; Dresswell-Boman; Fopington-Jevon; Lady Galliard-Mrs Barry; Charlot-Mrs Butler; Diana-Mrs Corror; Mrs Clacket-Mrs Norice; Mrs Closet-Mrs Lee; Epilogue by a Person of Quality-Mrs Butler.

Performances

Mainpiece Title: The Successful Strangers

Performance Comment: Edition of 1690: Don Carlos-Williams; Silvio-Mountfort; Antonio-Powel; Don Lopez-Nokes; Don Francisco-Lee; Don Pedro-Bright; Guzman-Underhill; Sancho-Bowen; Dorothea-Mrs Knight; Feliciana-Mrs Mountfort; Farmosa-Mrs Corey; Biancha-Mrs Bracegirdle; Niece-Mrs Miles; End Act III: Mrs Butler's Dance; Prologue-Mrs Bracegirdle; Epilogue-Mr Nokes, Mr Lee, Mr Mountfort.

Performances

Mainpiece Title: The English Frier Or The Town Sparks

Performance Comment: Edition of 1690: Prologue-; Epilogue-; Lord Stately-Lee; Lord Wiseman-Kinaston; Bellamour-Powell; Father Finical-Bowman; Young Ranter-Williams; Old Ranter-Underhill; Dullman-Bright; Coachman-Bowen; Sir ThomasCredulous-Sandford; Laura-Mrs Jordan; Julia-Mrs Bracegirdle; Airy-Mrs Butler; Lady Pinchgut-Mrs Lee; Lady Credulous-Mrs Bowtell.

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Performance Comment: Edition of 1692: Prologue-Mr Betterton; Epilogue By Mr Shadwell-Mrs Bracegirdle; Gunderic-Betterton; Genselaric-Williams; Briomer-Hodgson; Albimer-Zibber; Rodoric-Freeman; Almeric-Harris; Agilmond-Mrs Butler; Valdaura-Mic. Lee; Amalazontha-Mrs Betterton; Rhadegonda-Mrs Lee; Eurione-Mrs Bracegirdle; Merinda-Mrs Richardson.

Performances

Mainpiece Title: The Volunteers Or The Stock jobbers

Performance Comment: Edition of 1693: A Prologue [by Mr Shadwell and designed to be Spoken, but was lost when the Play was Acted-; The Prologue [by Mr Durfey-Mrs Bracegirdle; The Epilogue-one in deep Mourning; Major General Blunt-Lee; Coll. Hackwell Sr-Dogget; Coll. Hackwell Jr-Powell; Welford-Hodgson; Sir NicholasDainty-Bowman; Sir Timothy Kastril-Bowen; Nickum-Alexander [Verbruggen]; Ding@boy-Freeman; Teresia-Mrs Knight; Eugenia-Mrs Mountford; Winifred-Mrs Rogers; Clara-Mrs Bracegirdle; Mrs Hackwell-Mrs Lee; Stitchum-Penkethman.

Performances

Mainpiece Title: A Very Good Wife

Performance Comment: Edition of 1693: Prologue [By Mr Congreve-Mr Hains; Epilogue-Mrs Knight; Courtwitt-Powell; Wellborn-Hodgson; Bonavent-Alexander [Verbruggen]; Squeezwit-Bowen; Venture-Bright; Hickman-Trafusis; Sneaksby-Hains; Aminadab-Cibber; Jeremy-Lee; Crack-Lawson; Annabella-Mrs Mountfort; Widow Lacy-Mrs Knight; Carroll-Mrs Lassels; Mrs Sneaksby-Mrs Lee.

Performances

Mainpiece Title: The Fatal Marriage Or The Innocent Adultery

Performance Comment: Edition of 1694: Prologue-Mrs Bracegirdle; Count Baldwin-Kynaston; Biron-Williams; Carlos-Powell; Villeroy-Betterton; Frederick-Verbruggen; Fernando-Doggett; Fabian-Mich. Lee; Jaqueline-Bowen; Sampson-Underhill; Bellford-Harris; Pedro-Freeman; Isabella-Mrs Barry; Julia-Mrs Knight; Villeria-Mrs Bracegirdle; Nurse-Mrs Lee; Epilogue-Mrs Verbruggen.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Kite-Estcourt; Plume-Bickerstaffe; Worthy-Burkett; Brazen-Waller; Ballance-Griffin; Bullock-Lee; Pearmain-Lee; Appletree-Carnaby; Silvia-Mrs Moore; Melinda-Mrs Knight; Lucy-Mrs Cox; Rose-Mrs Babb.

Dance:

Performances

Mainpiece Title: King Henry Iv Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Performance Comment: Principals by: Havard, Packer, Lee, Mrs Davies, Miss Haughton, Mrs Hopkins, Miss Pope. Thoughtless-Havard; Sensible-Packer; Lord Loveall-Lee; Lady Candid-Mrs Hopkins; Mrs Thoughtless-Mrs Davies; Pompone-Miss Pope; Miss Thoughtless-Miss Haughton; farce attributed to Havard, not printed (London Magazine, April 1763). farce attributed to Havard, not printed (London Magazine, April 1763).

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Southampton-Jackson; Countess of Nottingham-Mrs Hopkins; Burleigh-Burton; Raleigh-Lee; Essex-Holland; Rutland-Mrs Yates; Queen-Mrs Pritchard; Lieutenant-Ackman.

Afterpiece Title: Love at First Sight

Performance Comment: Principal parts by King, Vernon, Packer, Burton, Baddeley, Clough, Strange, Mrs Lee, Miss Young. Smatter-King; Young Gilbert-Vernon; Lockworth-Baddeley; Modely-Packer; Sir Ralph-Burton; Celia-Miss Young; Lucy-Mrs Lee; Roger-Clough (MacMillan).

Dance: IV: The Provancalle, as17631014

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Mayor of Garratt

Performance Comment: Parts by Foote, Baddeley, Weston, Bransby, Moody, Clough, Vaughan, Fox, Mrs Lee, Mrs Clive. Major Sturgeon-Foote; Jerry Sneak-Weston; Sir Jacob Jollup-Baddeley; Bruin-Moody; Mug-Foote; Mrs Sneak-Mrs Clive; Roger-Clough; Snuffle-Vaughan; Heeltap-Bransby; Lint-Castle; Mrs Bruin-Mrs Lee; Mob-Fox, Marr, Watkins, Strange (Edition of 1764).

Dance: IV: The Provancalle, as17631014