SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Drury Lane"/1) | (@(roleclean,performerclean) "Drury Lane")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 718 matches on Event Comments, 148 matches on Roles/Actors, 92 matches on Performance Comments, 28 matches on Performance Title, and 17 matches on Author.

Performances

Mainpiece Title: Don Quixote

Afterpiece Title: The Mad Captain

Related Works
Related Work: The Mad Captain Author(s): Robert Drury

Dance: As17331229

Song: As17331231

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Mad Captain

Related Works
Related Work: The Mad Captain Author(s): Robert Drury

Dance: As17331129

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Mad Captain

Related Works
Related Work: The Mad Captain Author(s): Robert Drury

Dance: III: Harlequin and Harlequinette by Mons Leblanche and Mlle Larini Violante, the first time of their Performances since their arrival in this Kingdom. V: Louvre in Boy's Cloaths by Mlle Larini Violante

Song: IV: Mimick Song (by Desire) by Stoppelaer

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello to be attempted by the Author of the Farce [Robert Drury] .

Afterpiece Title: The Mad Captain

Related Works
Related Work: The Mad Captain Author(s): Robert Drury

Performances

Mainpiece Title: The Merry Devil Of Edmunton

Performance Comment: Smug-Clun? (A Most Execrable Murther, ed. G. Thorn-Drury, in A Little Ark, pp. 30&31).
Event Comment: The Duke's Company. The play was apparently never published, but the Prologue and Epilogue were printed and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 43-45. The Epilogue also appeared in Miscellany, Being a Collection of Poems by several Hands, 1685, and has been reprinted in A Little Ark, ed. G. Thorn-Drury, p. 46. The latest date at which the play, with the Prologue and Epilogue, first appeared is 5 April 1682, the date Luttrell placed on his copies (Huntington Library), presumably representing the day on which he acquired them. G. Thorn-Drury, commenting upon the Epilogue, points out that it refers to the trial of Pilkington, one of the Sheriffs of London, ca. 25 March 1681@2. It seems likely, then, that this lost play was presented in March

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Drury; the other parts as17341119. the other parts as17341119.

Performances

Mainpiece Title: The Fatal Extravagance

Performance Comment: Bellmour-by author of the Farce [Robert Drury] .Robert Drury] .

Afterpiece Title: The Rival Milliners

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: Fryar Bacon; Or, The Country Justice : With The Humours Of tolfree The Miller, And His Son ralph

Performance Comment: A playbill: At Parker's and Doggett's Booth near Hosier-Lane End, in Smithfield, during the Time of Bartholomew-Fair, will be presented a New Droll, called, Fryar Bacon; or, The Country Justice: With the Humours of Tolfree the Miller, and his Son Ralph, Acted by Mr Doggett. With Variety of Scenes, Machines, Songs and Dances. Vivat Rex. (See William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954), opposite page 237.) The London Spy, August 1699, describes a visit to Bartholomew Fair, including an account of Doggett's droll and another, Dwarf Comedy, Sir-nam'd a Droll' called The Devil of a Wife. In the Post Man, 15-17 Aug. 1699, is an advance notice of rope dancing and a booth run by Barnes and Appleby between the Crown Tavern and the Hospital Gate, next to Miller's Droll Booth.
Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

Event Comment: Paid Charlotte Lane for making a Callimanco Coat & breeches loop'd and bound with silver for Miss Hallam (in The Orphan), 10s.; sewing silk, twist, buckram & stays, 3s. 6d.; Haircloth & wadding, 2s. 6d.; Linnen lining, pockets & silk garters to breeches, 4s.; 2 1!2 yds white stuff to line the coat, 5s.; a silver damask waistcoat alter'd 2s.; 2 doz. and 2 coat, 9 breast silver'd buttons, 3s. 9d.; 1 doz. black buttons to the breeches, 9d. Total to Charlotte Lane so far this season, #21, 6s. 5d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Genii

Song: II: Hearts of Oak, as17620115; End: An Occasional Ballad by Way of Epilogue, in the Character of Abigail,-Mrs Clive

Performances

Mainpiece Title: A Concert

Performance Comment: The vocal parts-Tenducci, Paretti, who will sing (by Dr Arne's permission) the favourite songs in Artaxerxes; The First Violin-, with a Concerto and a SoloPiffet (being his first public performance in England); a Concerto on German Flute-Florio; a Solo on Violincello-Siprutini; After which a Grand Dance-; the Pantomime-; in which will be introduced the Ghost of Cock-Lane; the disappearance of the Child; and after, the Chinese Fireworks; with many other curious performances. the disappearance of the Child; and after, the Chinese Fireworks; with many other curious performances.
Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Cozeners

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson; Counsel-Jones; George Bevil-Lane; Harry-Williams; Francis-Chaplin; Robin-Castevens; Chapeau-Whitefield; Emily-Miss Ambrose; Maid-Miss Platt; Mrs Grub-Mrs Gardner.

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Parts-Jackson (from Dublin), Dimond, first time on that stage; Whitefield, Lane, Davis, Chaplin, Miss Ambrose, Mrs Jackson (from Dublin); Prologue-Jackson; Epilogue-Mrs Jackson.

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Fearon; Sir Jasper-Lloyd; Leander-Lane; Hellebore-Jones; Davy-Jacobs; James-Everard; Hartry-Castevens; Charlotte-Mrs Palmer; Dorcas-Mrs Love.

Dance: The Medley-

Performances

Mainpiece Title: Eldred

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Fearon; Baptista-Lloyd; Biondello-L'Estrange; Hortensio-Lane; Music Master-Jacobs; Tailor-Jones; Grumio-Wilson; Bianca-Miss Platt; Catharine-Mrs Gardner.

Dance: End: Tambourine Dance-

Performances

Mainpiece Title: The Commissary

Performance Comment: As17750607 but Young Loveit-Lane.

Afterpiece Title: The Lyar

Performance Comment: Lyar-Whitefield; Papillion-Everard; Old Wilding-Fearon; Elliot-Lane; Miss Godfrey-Miss Platt; Kitty-Mrs Palmer; Miss Grantham-Mrs Whitefield.

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Lame Lover

Performance Comment: Sir Luke-Foote; Circuit-Wilson; Woodford-Lane; Fairplay-Lloyd; Secret-Whitefield; Jack-Weston; Betty-Miss Platt; Mrs Circuit-Mrs Gardner; Mrs Simpson-Mrs Love; Charlotte-Mrs Wilson.

Afterpiece Title: The Waterman

Dance: The Merry Lasses-

Entertainment: End: Imitations vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Weston, first time; Belmour-Aickin; Heartwell-Fearon; Vainlove-Baker; Sharper-Lane; Setter-Everard; Nollbluff-Williams; Barnaby-Jacobs; Sir Joseph-Whitefield; Belinda-Miss Ambrose; Araminta-Miss Platt; Sylvia-Mrs Palmer; Lucy-Mrs Whitefield; Letitia-Mrs Gardner.

Afterpiece Title: A Trip to Portsmouth

Entertainment: Imitations, Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Weston (first time that part); Sir George Airy-Whitefield; Charles-Lane; Sir Jealous Traffic-Lewes; Whisper-Everard; Butler-Lloyd; Sir Francis's Servant-Thompson; Sir Jealous's Servant-Jackson; Patch-Mrs Gardner; Isabinda-Mrs Whitefield; Scentwell-Mrs Weston; Miranda-Mrs Williams.

Afterpiece Title: The Tobacconist

Entertainment: End I of Farce: Imitations Vocal and Rhetorical-Bannister

Monologue: End: A Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner

Performances

Mainpiece Title: The Commissary

Performance Comment: As17750913, but Commissary-Mrs Gardner; Gruel-Lloyd; Fungus-Griffith; Dr Catgut, Coachman-Jacobs; Young Loveit-Lane; Paduasoy-Richards; Widow Loveit-Morris; Jenny-Miss Weller; Dolly-Young Gentlewoman; Mrs Mechlin-Mrs Williams.

Afterpiece Title: The Author

Monologue: Scene from The Register Office. As 19 Sept

Dance: Hornpipe-Everard

Event Comment: Benefit for Wilson. [2nd piece: 1st acted at the hay, 10 Aug. 1784, as A Peep into Elysium.] Oracle, 6 Aug.: Tickets to be had of Wilson, Park-lane, Church-lane, Chelsea

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Trip to Elysium; or, Foote, Weston, Shuter, and Edwin in the Shades

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Double Amour

Performance Comment: Capt. Sommerville-Lane; Mr Harley-Havard; Dick-Wright; Mr Sellfield-Johnson; Sir Oliver Oafby-Swords (1st appearance on this stage these 3 years); Miss Sommerville-Miss Chatterley (1st appearance on any stage); Miss Noel-Mrs Steventon; Dorothy-Mrs Sincock; Maid-Miss Standen.

Dance: End IV: a Dance-Allison, Pupils of Allison