SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don Juan Bernalte de los Cavellos"/1) | (@(roleclean,performerclean) "Don Juan Bernalte de los Cavellos")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1046 matches on Performance Title, 595 matches on Performance Comments, 177 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: L'ecole Des Femmes

Afterpiece Title: Harlequin Always Harlequin

Dance:

Performances

Mainpiece Title: L'embarras Des R1ches

Dance:

Entertainment: After the Play [Topham] will shew Surprising Activities of Strength: And further to oblige the Audience, will endeavor to accommodate them with several New Performances

Song: In English and Italian by Topham

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Les Deux Arlequins

Dance: Two Pierrots by De Lisle and Badouin. Harlequin and Wooden Shoe Dance by Cochoy, the Lilliputian

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: An Old Man Taught Wisdom

Music: II: Solo on Violin by Charke

Dance: I: English Maggot by Villeneuve and Mrs Walter. III: Amorous Swain, as17350327 V: Shepherd's Mount, as17350218

Song: II: De Lascia un tell desio and I love Sounds the Alarm by Mrs Roberts. IV: A Mock Italian Air from The Livery Rake

Performances

Mainpiece Title: L'embarras Des Richesses

Afterpiece Title: La Sylphide

Dance: By Castiglion. Scot's Dance by Lilliputians

Performances

Mainpiece Title: L'ecole Des Femmes

Afterpiece Title: Harlequin Hulla

Music: Select Pieces

Dance: The first Grand Dance, by the Lilliputians, performed here in England. Pierrot and Pierraite by De Lisle and Baudouin

Performances

Mainpiece Title: L'embarras Des Richesses

Afterpiece Title: Harlequin Always Harlequin

Dance: By the Lilliputians

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Restored

Music: As17351018

Dance: A Grand New Ballet, Le Badinage de Provence, by Poitier, Mlle Roland, Villeneuve, Duke, Pelling, Delemayne, Davenport, Rector, Mrs Walter, Mrs Pelling, Mrs Anderson, Miss Mann, Mrs Davenport, Miss Brett

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018 Also a Set of New Act Tunes composed by Arne

Dance: I: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: French Peasant by Poitier, Mlle Roland. V: Serious Ballet by Denoyer and others

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Rape of Proserpine

Dance: A new Comic Dance by Nivelon and Mlle De L'Isle, the first time of her appearing on the stage

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Rape of Proserpine

Dance: A new Comic Dance by Nivelon and Mlle De l'Isle

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin Restor'd

Music: Select Pieces

Dance: In II: Le Badinage de Provence by Poitier, Mlle Roland, &c

Performances

Mainpiece Title: The Way Of The World

Dance: Dance of Sailors, as17351128 Comic Dance by Nivelon and Mlle De L'Isle. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mrs Delorme. French Peasants by Tench and Miss Rogers

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Dance: II: Le Badinage de Provence by Poitier, Mlle Roland, &c. V: French Peasants by Poitier, Mlle Roland, &c

Performances

Mainpiece Title: The Funeral

Dance: Comic Dance by Nivelon and Mlle De L'Isle. Dance of Sailors, as17351128. French Peasant by Lalauze and Mlle D'Hervigni

Performances

Mainpiece Title: All For Love

Related Works
Related Work: Love's Victim: or, the Queen of Wales Author(s): Charles Gildon

Dance: Ballet, as17360110 Harlequin by Mlle De L'Isle. French Peasants, as17360109

Performances

Mainpiece Title: Theodosius

Dance: II: Harlequin by Mlle De L'Isle. III: French Peasants by Lalauze, Mlle D'Hervigni, Tench, Livier, Desse, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. IV: Tambourine by Glover and Miss Rogers. V: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: French Peasants, as17360223 Harlequin by Mlle De L'Isle. Sailors (from Orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Lewis-Hippisley; Carlos-Walker; Duart-Ryan; Clodio-Chapman; Antonio-Mullart; Charino-Paget; Manuel-Bridgwater; Governor-Marshall; Sancho-James; Elvira-Mrs Hallam; Louisa-Mrs Bullock; Angelina-Miss Norsa; Honoria-Miss Horsington .
Cast
Role: Carlos Actor: Walker

Dance: I: A new Grotesque Pantomime Dance by Nivelon, Lalauze, Mlle De L'Isle. II: A new Serious Dance by a Scholar of Nivelon's, who never appeared on any Stage. III: A new Comic Dance by Nivelon and another of his Scholars who never appeared on any Stage before. IV: Glover's Scot's Dance. V: Flag Dance by Nivelon, accompanied by another of his Scholars who never appeared on any Stage before

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Cheats of Scapin

Dance: Harlequine by Mlle De L'isle. Peasants by Lalauze and Mlle D'Hervigni. Scot's Dance, as17360226

Song: As17360327

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: A new Comic Ballet by Nivelon and Mlle De L'Isle. II: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: Glover's Scot's Dance

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Cheats of Scapin

Dance: Peasant by Nivelon and Mlle De L'Isle. Shepherd and Shepherdess by Glover and Miss Rogers. French Peasants by Lalauze and Mlle D'Hervigni

Performances

Mainpiece Title: The Funeral

Dance: II: A new Comic Ballet in Cbaracters of Harlequin, Punch, and Colombine by Nivelon, Lallauze, Mlle De L'Isle. IV: Sailors Dance (from Orestes) by Glover, &c

Song: I: In the Anacreontick Stile by Leveridge. III: The opinion of the Ancients, as17360412 V: By Mrs Wright

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Devil to Pay

Dance: V: Le Badinage de Provence-Poitier, Mlle Roland