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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don Joseph Diaz"/1) | (@(roleclean,performerclean) "Don Joseph Diaz")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1221 results for: Keyword - Don Joseph Diaz
We found 950 matches on Author, 201 matches on Performance Comments, 74 matches on Event Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.

1176
16 December 1773 @ Covent Garden

Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Achilles in Petticoats

1177
11 January 1774 @ Covent Garden

Event Comment: Mainpiece: By Desire. The eighth night of the New Pantomime of the Sylphs will be on Thursday. Gave Porters of the several Inns of Court their Christmas Box #3 12s. 6d. Paid John Corker and Joseph Stephenson each 10s. as per certificate from Sir John Fielding (Account Book). Receipts: #183 15s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sylphs

Cast
Role: To Conclude with a Capital Scene Actor: never exhibited by Servandoni.

1178
12 May 1775 @ Drury Lane Theatre

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Related Works
Related Work: Love's Victim: or, the Queen of Wales Author(s): Charles Gildon
Related Work: Abra-Mule: or, Love and Empire Author(s): Joseph Trapp

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

1179
30 April 1779 @ Covent Garden

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

1180
24 May 1780 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

1181
08 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rival Knights

Afterpiece Title: Rose and Colin

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

Performance Comment: Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere .

1182
10 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

1183
20 June 1786 @ Haymarket Theatre

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widow's Vow

Performance Comment: Principal Characters by Parsons, Bannister Jun., R. Palmer, Lyons, Edwin; Mrs Bates, Mrs Riley, Mrs Edwin, Miss Brangin, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1786): Don Antonio-Parsons; Marquis-Bannister Jun.; Carlos-R. Palmer; Servant-Lyons; Jerome-Edwin; Countess-Mrs Bates; Donna Isabella-Mrs Riley; Ursula-Mrs Edwin; Inis-Miss Brangin; Flora-Mrs Wells.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Don Antonio Actor: Parsons
Role: Donna Isabella Actor: Mrs Riley

1184
08 April 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].

Afterpiece Title: Hob in the Well

1185
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O first created beam-Chorus (Samson); Nasce al bosco-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious Orgies-Mrs Ambrose (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Mrs Ambrose; The horse and his rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17890311

1186
20 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Performance Comment: Sacred Truth-Mrs Ambrose (Dr Arnold); Vain is Beauty-Mrs Crouch ([Judith] Dr Arne); O God! 'Tis Thou-Chorus (Handel); Hear a Nation's deep Distress-Mrs Crouch, Miss Hagley, Miss Lockhart, Dignum, Reinhold, Chorus (Jomelli); Safely go in Joy and Peace-Reinhold (Handel); Long by adverse motion-Kelly (Handel); Songs of Joy-Mrs Ambrose; accompanied on the hauboy-W. Parke (Sacchini); Glory to God (Joshua, Handel), We will rejoice (Joseph, Handel)-Grand Chorus; God save Great George our King-.

Music: As17890311

1187
20 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

1188
24 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].

1189
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17900219

1190
26 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1191
05 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

1192
14 April 1790 @ Covent Garden

Event Comment: Benefit for Holman. 1st piec : Written by George? Lillo, reduced into Three Acts with material Alterations [by Joseph George Holman (World, 15 Apr.)]. [Prologue by Robert Merry (World, 16 Apr.).] Gazetteer, 2 Apr.: Tickets to be had of Holman, No. 2, Tavistock-row, Covent-Garden. Receipts: #278 11s. (185.2.6; 1.8.6; tickets: 92.0.0)

Performances

Mainpiece Title: Arden Of Feversham

Related Works
Related Work: Arden of Feversham Author(s): Joseph George Holman

Afterpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: Afterpiece: As17891128.; End: Tamborine Dance, as17891021

1193
11 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

1194
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: PART I. Overture (Occasional Oratorio)-; O first Created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you Walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tall-Spence (Ptolomy); Abraham enough-Miss Broadhurst (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Miss Davies (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the children of Israel-Chorus; Sing ye to the Lord-Miss Davies; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

1195
23 March 1791 @ Covent Garden

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: As17910311but Principal Vocal Performers-_Sale; PART I. Overture-(Berenice); Come ever smiling Liberty-Mrs Piele (Judas Maccabaeus); He measureth the waters, He layeth the beams-Griffith (Redemption); O God! who in thy heavenly hand-Griffith (Joseph); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Daughter of Gods-Harrison (Hercules); Hail! mighty Joshua-Harrison (Joshua); Where e'er you walk-Mrs Billington (Semele); He rebuked the Red Sea He led them through the deep, But the waters overwhelmed-Double Chorus (Israel in Egypt).
Cast
Role: Principal Vocal Performers Actor: Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Overture and Dead March-(Saul); In sweetest harmony-Mrs Billington, Chorus (Saul); Gentle Airs-Harrison; [accompanied on the violoncello-C. Ashley (Athalia); The smiling dawn-Miss Poole (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Blooming virgins-Incledon (Athalia); He smote all the First@born-Chorus (Israel in Egypt); O magnify the Lord-Mrs Billington ([Chandos] Anthems); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).
Cast
Role: Blooming virgins Actor: Incledon

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Eleventh Grand Concerto-; Pleasure my former ways resigning-Harrison (Time and Truth); No more shall Edom's sons-Miss Poole (Israel in Babylon); O Baal monarch of the skies-Chorus (Deborah); His hideous love, Love sounds the alarm-Incledon (Acis and Galatea); O Father whose Almighty power-Chorus; O let eternal honours, From mighty Kings-Mrs Billington (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: Love sounds the alarm Actor: Incledon

1196
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Performance Comment: PART II. Wretched Lovers-Chorus; I rage I melt I burn, O Ruddier than the Cherry-Reinhold; Whither fairest-Bellamy; The Lion calls not-Miss Hagley; Cease to beauty to be suing-Bellamy; Would you gain the tender creature-Mrs Crouch; His hideous love, Love sounds the alarm-Kelly; Consider fond Shepherd-Miss Hagley; Cease O cease-Miss Davies; The Flocks shall leave the Mountains-Miss Davies, Dignum, Reinhold; Help Galatea-Spence; Mourn all ye Muses-Chorus; Must I my Acis-Mrs Crouch; Cease Galatea cease to weep-Chorus; 'Tis done thus I exert, Heart the seat-Miss Davies; Galatea dry thy tears-Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

1197
18 May 1791 @ Covent Garden

Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Performance Comment: Andrew's Day. Old Quiz-Quick; Easy-Johnstone; Taffy-Blanchard; Scotch Cobler [Archey McNab]-Wilson; Young Quiz-Munden; Helm-Incledon; Quotations-Bernard; Plausible-Macready; Long Cork-Bannister; English Girl Nancy]-Miss Broadhurst; Scotch Girl [Jeannet]-Mrs Mountain; Scotch Cobler's Wife [Mrs McNab]-Mrs Webb; Irish Girl [Peggy]-Mrs Martyr; [The names in brackets are as specified in the cast listed in Larpent MS.] Prologue-Wilson; [PART I A Cruel fate-Williamson, Miss Broadhurst, Mrs Mountain, Mrs Martyr; I sit on my sunkie-Mrs Mountain; The passion of Love I never felt-Miss Broadhurst; To be sure she don't like a brisk Irish lad-Mrs Martyr; We bipeds made up of frail clay-Quick; My Joe Jannet-Wilson, Mrs Webb; When Bibo went down-Bannister; A Sailor's life's the life for me-Incledon; [PART II The charms of my Peggy-Johnstone; Farili bo boo-Wilson; On the lake of Killarney-Mrs Martyr; The bells of Aberdovey-Blanchard; Scotch Song-Incledon; Sigh no more Ladies-Bannister, Johnstone, Incledon, Mrs Mountain, Mrs Martyr; And their aw nodding at our house at hame-; [PART III The Stranger's at Home. President-Bannister; The Prince and Old England for ever-Johnstone; Comic Constitutional Song-Bernard; A Stammering Glee [Goody Groaner]-Incledon, Reeve, Blanchard; Come come all noble souls, Beviamo tutti tre-Bannister, Incledon, Blanchard, Reeve, Williamson, Johnstone.
Cast
Role: Helm Actor: Incledon
Role: To be sure she don't like a brisk Irish lad Actor: Mrs Martyr
Role: A Sailor's life's the life for me Actor: Incledon
Role: Scotch Song Actor: Incledon
Role: Sigh no more Ladies Actor: Bannister, Johnstone, Incledon, Mrs Mountain, Mrs Martyr
Role: Goody Groaner] Actor: Incledon, Reeve, Blanchard
Role: Beviamo tutti tre Actor: Bannister, Incledon, Blanchard, Reeve, Williamson, Johnstone.
Related Works
Related Work: The Highland Fair; or, Union of the Clans Author(s): Joseph Mitchell

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

1198
24 February 1792 @ King's Theatre

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Performance Comment: Principal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from Bath), Dignum, Sedgwick, Morelli, Miss Barclay (pupil of Linley; 1st appearance in public), Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.
Cast
Role: Principal Vocal Parts Actor: Kelly, Reinhold, Incledon, Master Welsh

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O! First created beam-Chorus (Samson); He layeth the beams-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Bland (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious orgies-Miss Barclay (Judas Maccabaeus); He gave them hail@stones-Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: He was eyes unto the blind Actor: Incledon

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

1199
23 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Principal Vocal Parts Actor: Kelly, Reinhold, Incledon, Master Welsh

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants would-Mrs Crouch; Tyrants ye in vain-Chorus (Athalia); How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); The smiling dawn-Master Welsh (Jephtha); Solo (on the harp)-Meyer; Deeper and deeper still-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).
Cast
Role: Lord in thee Actor: Incledon, Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Cantata-Reinhold (Giordani); But thou didst not leave-Master Welsh (The Messiah); Trio-Kelly, Morelli, Mrs Crouch; Song-Mrs Bland (Attwood); Shake the dome-Chorus (Solomon); Song-Mrs Crouch; accompanied on the harp-Meyer; Little these evils, Why does the God of Israel sleep?-Incledon (Samson); Worthy is the lamb-Chorus (The Messiah).
Cast
Role: Actor: Incledon

1200
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Principal Vocal Parts Actor: Kelly, Reinhold, Incledon, Master Welsh

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).
Cast
Role: Lord in thee Actor: Incledon, Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).
Cast
Role: Actor: Incledon

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).
Cast
Role: Every day will I give thanks Actor: Incledon

Song: End II: Mad Bess-Mrs Crouch (Purcell)