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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don John de Nasaquitine"/1) | (@(roleclean,performerclean) "Don John de Nasaquitine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13065 results for: Keyword - Don John de Nasaquitine
We found 9938 matches on Author, 2083 matches on Performance Comments, 1315 matches on Performance Title, 1274 matches on Event Comments, and 0 matches on Roles/Actors.

901
05 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

Related Works
Related Work: Nina Author(s): John Wolcot

902
December 1695 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3153, 27-30 Jan. 1695@6, suggests that it was first given in December 1695, certainly no later than early January 1696

Performances

Mainpiece Title: Agnes De Castro

903
09 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Sampson, Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

904
10 April 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Ines Des Castro

Afterpiece Title: Agnes de Chall1ot

905
23 May 1735 @ Goodman's Fields

Performances

Mainpiece Title: L'embarras De Richesses

Afterpiece Title: Harlequin Hulla

Dance: By Castiglione

906
08 April 1736 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): John Hawkesworth

Afterpiece Title: Le Mar1age Force; ou, Les Fourberies d'Arlequin & de Scaramouch

Related Works
Related Work: Nina Author(s): John Wolcot

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

907
31 October 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Pantomime Ballet, Apollon e Daphne-Helm, Mlle Sophie; with new Pastoral Entree-Sga Tinti; End Opera: New Grand Pantomime Ballet, PigmalionAmoureuse de La Statue-Fierville, Helm, Mlle Baccelli, Sga Tinti, Mlle Sophie

Ballet: II: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime-Fierville; La Victime-Baccelli; L'Ombre-Helm; with Pas de Deux-Henery, Mlle Sophie

908
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Related Works
Related Work: L'Amore Artigiano Author(s): Carlo Goldoni

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

909
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

910
06 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End II: La Capricieuse-Mlle Aime will perform one principal Character; Pas de Trois, as17910526; the harp-Meyer? Jun; End III: Ninette a la Cour-(composed by Vestris Sen.) Vestris Sen.; will perform the principal Character and dance the Minuet de la Cour-Mlle Dorival, Vestris Sen

Ballet: End I: L'Amadriade. As17910517

911
10 May 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie

912
01 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: L'avare

Afterpiece Title: Les Vendanges de Suresne

Dance:

913
08 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Phedra & Hippolite

Afterpiece Title: Les Funerailles de la Foire & Son Rapel a la Vie

914
29 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Mithridate

Afterpiece Title: Le Port de Mer

915
14 April 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Colombine Fille Scavante Et Marinete Captaine D'infanterie

Afterpiece Title: Arlequin Courier de Batavia

Dance: Serious and Comic Dancing-Poitier, Boudet, Lalauze, Welman, Madam Boudet, Madam Violante

916
22 April 1726 @ Haymarket Theatre

Performances

Mainpiece Title: La Mort De Lucresse

Afterpiece Title: Les Avantures de la Foire St

Dance: Poitier, Boudet, Welman, others

917
02 May 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Prote: La Parodia De Titus & Berenice

Afterpiece Title: Arlequin & Scaramouche Soldats Deserteurs

Dance: Poitier, others

918
21 March 1734 @ Covent Garden

Performances

Mainpiece Title: Henry Iv, Part I

Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh

Dance: Les Charactres de P Amour by Mlle Salle. Un Pas de Trots by Malter, Houghton, Mlle Salle. Peasant by Malter. Pigmalion, as17340114

919
17 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17350113, but Sir John-W. Giffard; Daniel-Woodward; Phillis-Mrs Hamilton; Lucinda-Mrs Woodward .
Cast
Role: Sir John Actor: W. Giffard

Afterpiece Title: Flora

Related Works
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: Hob's Opera Author(s): John Hippisley

Dance: II: Minuet and Louvre by Jouan de Vallois and Mrs Bullock. III: Pierrots by Vallois and Delagarde. V: Pastoral by Vallois and Mrs Bullock

Song: In I: By Mrs Chambers

920
07 January 1746 @ King's Theatre

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

921
15 November 1749 @ Haymarket Theatre

Performances

Mainpiece Title: L'ecole Des Femmes

Afterpiece Title: Le Coq du Village

922
30 August 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts by Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast from London Chronicle, 1 Sept.: Count Almaviva-Palmer; Dr Bartholo-Parsons; Basil-Blissett; Argus-Jackson; Pall@Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren; Prologue-Parsons; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

923
16 December 1783 @ King's Theatre

Performances

Mainpiece Title: L'albergatrice Vivace

Performance Comment: Principal Characters by Franchi (1st appearance), Bartolini, Schinotti, Uttini; Sga Catenacci, Sga Gaudenzi (1st appearance), Sga Schinotti (1st appearance). [Cast from libretto (H. Reynell, 1783, and Larpent MS 641: Monsieur Floran-Franchi; Pericco-Bartolini; Micheluccio-Schinotti; Don Bartolo-Uttini; Belinda-Sga Catenacci; Marinetta-Sga Gaudenzi; Barberina-Sga Schinotti.] hathi. hathi.
Cast
Role: Don Bartolo Actor: Uttini

Dance: End of Act I The Pastimes of Terpsycore, as17831206; End of Opera a New Divertisement, in which a Pas de Deux by Vestris [fun.] and Mme Theodore, and a Pas de Trots by Lepicq, Slingsby, Mme Rossi

924
14 December 1784 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Mariage de Figaro, by Pierre Augustin Caron de Beaumarchais; incidental music by William Shield. In 1789 reduced to an afterpiece of 3 acts. Prologue by the author (Europaen Magazine, Dec. 1784, p. 467)]: With new Dresses, Decorations, &c. Public Advertiser, 10 Mar. 1785: This Day is published The Follies of A Day (1s. 6d.). [For an account of Holcroft's shorthand transcription of the original, taken down during a performance in Paris, and the hasty rehearsals of it in London, see Elbridge Colby, A Bibliography of Thomas Holcroft, 1922, pp. 48-50.]

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Thompson, Holcroft, Mrs Martyr; Mrs Bates, Mrs Webb, Miss Wewitzer, Miss Younge. [Cast from text (G. G. J. and J. Robinson, 1785): Count Almaviva-Lewis; Don Guzman-Quick; Antonio-Edwin; Doctor Bartholo-Wilson; Basil-Wewitzer; Doublefee-Thompson; Figaro-Holcroft [in text: Bonnor (see17841215)]; Page-Mrs Martyr; Bounce-Stevens; Courier-Jones; Crier of the Court-Bates; Servant-Newton; Countess-Mrs Bates; Marcelina-Mrs Webb; Agnes-Miss Wewitzer; Susan-Miss Younge.] Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi. Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi.
Cast
Role: Don Guzman Actor: Quick

Afterpiece Title: The Citizen

925
21 October 1786 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Principal Characters by Johnstone, Edwin, Quick, Davies, Wewitzer, Macready, Cubitt, Darley, Mrs Brown, Mrs Martyr, Mrs Billington. Cast from text (T. Cadell, 1786): Blondel-Johnstone; La Bruce-Edwin; Morgan-Quick; Richard I-Davies; Berghen-Wewitzer; Florestine-Macready; Guillet-Cubitt; Principal Jnight-Darley; Antonio-Mrs Brown; Lauretta-Mrs Martyr; Berengaria-Mrs Billington; Beatrice-Miss Brangin.
Cast
Role: Blondel Actor: Johnstone
Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Song: In V: a Roman Ovation-; Vocal Parts-Johnstone, Darley, Cubitt, Brown, Mrs Martyr, Miss Stevenson, Miss Stuart, Miss Cranfield, Mrs Kennedy

Related Works
Related Work: Barbarossa Author(s): John Brown
Related Work: Athelstan Author(s): John Brown