SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doe"/1) | (@(roleclean,performerclean) "Doe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 188 matches on Event Comments, 41 matches on Roles/Actors, 35 matches on Performance Comments, 9 matches on Performance Title, and 0 matches on Author.
Event Comment: [Account-Book: Tickets delivered by Jackson, Paskin, Hay, Dick, Doe, Hall, Carpenter, Larkman, Robson (music porter), Smart, Strahan, Anselmo, Sturgeon will be admitted.] Receipts: #398 11s. 6d. (43.0.0; 4.0.0; tickets: 351.11.6)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: The Farm House

Dance: In: The Savoyard-Jackson, Mlle St.Amand; End II afterpiece: The Lamplighter [composed by Aldridge]-Jackson, Mrs Ratchford

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

Event Comment: "Nothing reduces acting to so miserable a show of mechanism as the constant applause at particular speeches...Mrs Siddons labours under a disadvantage [in dl theatre]. that she is not everywhere heard. To be so she would strain her voice unnaturally. She does not choose to make the sacrifice, and preserves her excellence with the near, whatever she may lose to the remote" (Oracle, 27 Sept.). Receipts: #372 0s. 6d. (280.13.0; 89.18.6; 1.9.0)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Liar

Song: In III: Epithalamium. Vocal Parts-Miss Leak, Master Welsh

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: As17970310but Why does the God of Israel?-Braham [Samson]; Total eclipse-_; O first created beam-_.

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End II: concerto on Piano Forte-Miss MacArthur

Event Comment: Account-Book: Tickets delivered by Blurton, Furkins, (b[ox-keeper]), Bagley, Coates, Roberts, Paskin, Pitt, Hall (carpenter), Norton, Furkins (c[arpe]n[ter]), Doe will be admitted. [Afterpiece in place of Diamond Cut Diamond, advertised on playbill of 24 May.] Receipts: #305 15s. 6d. (40.13.6; 4.4.6; tickets: 260.17.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Positive Man

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Event Comment: Account-Book: Tickets delivered by J. Brandon, Claremont, Abbot, Doe, Simmons, Larkman, Street, Smart, Anselmo, Wall, Sturgeon, Brice, Wells, Goostree, Standen will be admitted. Receipts: #460 3s. (19.19; 0.11; tickets: 439.13)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Reformed in Time

Event Comment: Afterpiece: In Three Acts. "[Emery] does not disdain the mechanical usages of actors, but makes them secondary and subordinate to more important considerations" (Monthly Mirror, Oct. 1798, p. 233). Receipts: #225 17s. (220.6; 5.11)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

Event Comment: [Account-Book: Tickets delivered by Claremont, Dick, Goostree, Shotter, Blurton, Masters, Atkins, Wilde, Doe, Furkins (carpenter), Haseler, Walcup, will be admitted.] Receipts: #468 2s. (51.7; 3.18; tickets: 412.17)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Netley Abbey

Dance: End: Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; Let the bright seraphim-Mrs Second; Let their celestial concerts-Chorus; Why does the God of Israel sleep?-Incledon; Hear Jacob's God-Chorus (Samson); Grateful hearts-Mrs Dussek (Nabal); The Lord shall reign-Chorus; For the horse of Pharaoh-Incledon; Sing ye to the Lord-Mrs Second; The Lord shall reign-Double Chorus (Israel in Egypt).

Music: End II: concerto on the violoncello-Charles Ashley

Event Comment: Account-Book: Tickets delivered by Furkins, Bishop, Doe, Strahan, Warwhick, Thompson, Berecloth, Williams, Robson (music porter), Creswell, Simmons will be admitted. Receipts: #296 18s. 6d. (44.10.0; 5.3.0; tickets: 247.5.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimic